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Articles 1 - 12 of 12
Full-Text Articles in Religion
Volume 68, Number 12 (December 1950), John Briggs
Volume 68, Number 12 (December 1950), John Briggs
The Etude Magazine: 1883-1957
Christmas Gifts for the Music Lover
Story of Notation: Byzantine Neumes, Jewish Cantillation Signs and a 10th-Century Monk's Clever Idea Contributed to the Evolution of the System We Know Today
I Want a Christmas Story
Albert Schweitzer Was My Teacher (interview with Lucie Chenevert Lawson)
How to Write a Song (interview with Sigmund Romberg)
Student Recital . . . 1950 Style
Christmas Music in Mexico
Technique and Musicianship
It's Easy to Read Music
Master Lesson on Chopin
Mazurkas in F Major and G Sharp Minor
How Many Christmas Songs Do You Know?
Volume 68, Number 11 (November 1950), John Briggs
Volume 68, Number 11 (November 1950), John Briggs
The Etude Magazine: 1883-1957
In Defense of Kirsten Flagstad
Good Singing Takes Time (interview with Giuseppe De Luca)
Pipers of the Highlands
Truth About Conducting Horse & Buggy
Teacher All-Star Circus Band
How Jean de Reszke Taught Singing
Master Lesson on Chopin's Etude in F Minor
How to Build a Piano Class
Pharyngeal Voice
Volume 68, Number 10 (October 1950), John Briggs
Volume 68, Number 10 (October 1950), John Briggs
The Etude Magazine: 1883-1957
Geroge Gershwin . . . as I Knew Him
What Every Parent Should Know
How Jean de Reszke Taught Singing
Will Your Students Succeed in Music?: Psychologic Testing Has Eliminated the Guess-Work in Evaluating Pupils' Innate Musical Talent
Breathing is Everything Exit—The Church Quartet
Faust and the Devil
Master Lesson on Chopin's Etude in A-Flat Major
Volume 68, Number 09 (September 1950), John Briggs
Volume 68, Number 09 (September 1950), John Briggs
The Etude Magazine: 1883-1957
Audiences I Have Known
Arnold Schoenberg's New World of Dodecaphonic Music
Tuner's Tantrum
Music is My Hobby
I Learned Piano at 50
Master Lesson on Shostakovitch's Polka from The Golden Age
Volume 68, Number 08 (August 1950), John Briggs
Volume 68, Number 08 (August 1950), John Briggs
The Etude Magazine: 1883-1957
Delius in America
Interlochen Holiday
What to Do About the Child Prodigy
When Chautauqua Hit South Branch
School for Conductors
How Schumann Became a Composer
Opportunity Starts in Your Home Town
Invent Your Own Exercises
Master Lesson on Mozart's Fantasia in D Minor
Organ Questions
New Records Artist's Obligation
Music is My Hobby (Edward J. Doyle)
Volume 68, Number 07 (July 1950), John Briggs
Volume 68, Number 07 (July 1950), John Briggs
The Etude Magazine: 1883-1957
Johann Sebastian Bach . . . His World What Bach Edition Shall I Play?
What Sort of Man Was J.S. Bach?
Johann Sebastian Bach: The Teacher Draft for a Well-Appointed Church Music (from The Bach Reader)
Search for Bach's Grave
Heirs to Bach's Genius Instruments of Bach's Day
I've Always Wanted to Play the Piano
WQXR . . . Radio's Wonder Station
Volume 68, Number 06 (June 1950), John Briggs
Volume 68, Number 06 (June 1950), John Briggs
The Etude Magazine: 1883-1957
Tanglewood: A Mountain Holiday, Summer Study for Gifted Students and One of America's Most Glorious Music Festivals
Opportunities for the Music Counselor
What is Singing?
Master Your Flute Tone (interview with Julius Baker)
Athletes at the Keyboard Wedding
Etiquette for the Organist
Deafness Comes Hard to Music-Lovers, but They Can Hear Now
Master Lesson on Chopin's Waltz in A-Flat Major, Op. 69, No. 1
Volume 68, Number 05 (May 1950), John Briggs
Volume 68, Number 05 (May 1950), John Briggs
The Etude Magazine: 1883-1957
Summer Music in Europe Rain, Rats and Red Tape
Teen-Age Symphony: Fifty-five New York Youngsters, Ages 10-17,Play a Full-Scale Concert Season
He Brought Us Orchestral Music
Gaoler Played the Organ: Being a True and Faithful Account of Ye Versatile Doings of Peter Pelham, a Musician of Williamsburg in Ye Olden Time
Come with Me to Antoine's in Jacmal on the Island of Haiti Where the Mysterious Voodoo Drums are Made
Operatic Daughter (interview with Claudia Pinza)
Volume 68, Number 04 (April 1950), John Briggs
Volume 68, Number 04 (April 1950), John Briggs
The Etude Magazine: 1883-1957
Story of Parsifal
Blueprint for Public School Music
Toscanini Tours
America Art of Choral Conducting
Changing Voice—A Symposium
How I Play the 'Cello (interview with Garbousova, Raya)
School Band: A Challenge Questions and Answers
Teacher's Roundtable
Master Lesson on Tchaikovsky's April
Volume 68, Number 03 (March 1950), John Briggs
Volume 68, Number 03 (March 1950), John Briggs
The Etude Magazine: 1883-1957
Richards Strauss . . . Conducting is a Difficult Business
Modern Piano Musical Metaphysics . . . Its Cause and Cure
How to Build a Voice Psychologists
Evaluate Music
So You Want to be a Piano Teacher
Structure of Music Clarence Dickinson—Pioneer of Church Music
Let's Simplify the Liebestraum Cadenzas Master Lesson on Brahms' Intermezzo in E-Flat Major, Op. 117,
No. 1 Musical Medicos
For TV Thrillers
Volume 68, Number 02 (February 1950), John Briggs
Volume 68, Number 02 (February 1950), John Briggs
The Etude Magazine: 1883-1957
Oklahoma Wizard
What Chopin Really Thought of Liszt
Record Your Performances . . . On a High Note: The Secret of Free, Effortless Top Tones—A Studio Tested Formula
Opera Isn't Dead
Volume 68, Number 01 (January 1950), John Briggs
Volume 68, Number 01 (January 1950), John Briggs
The Etude Magazine: 1883-1957
Social Implications of Piano Study: Leadership, Cooperation, Self-Confidence—These Benefits of Piano Training Make For a Well-Adjusted Personality
Ballet . . . A New Freedom
How to Choose a Violin
Don't Take Your Music Too Seriously (interview with Alec Templeton)
What is Your Vocal Problem?
Ninety We Lose: Children Aren't Little
Men and Women—Look at Piano Lessons from Their Point of View
Musician's Worst Enemy—The Common Cold
Voices Aren't Made . . . They Grow
What Music Teachers Forget to Teach
My First Big Opportunity (interview with Mario Lanza)
How to Play a Melody