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Full-Text Articles in African American Studies

Two Tales Of A City: Nineteenth-Century Black Philadelphia, Nick Salvatore Aug 2012

Two Tales Of A City: Nineteenth-Century Black Philadelphia, Nick Salvatore

Nick Salvatore

[Excerpt] In the tension between Forging Freedom and Roots of Violence certain themes present themselves for further research and thought. Neither volume successfully analyzes the historical roots of the African-American class structure. This is especially evident in each book's treatment of the black middling orders. While neither defines the category with clarity, their basic assumption that small shopkeepers and regularly employed workers were critical to the community's ability to withstand some of the worst shocks of racism is important. The clash between these books also raises questions concerning the role of pre-industrial cultural values in the transition to industrial capitalism. …


Black Youth Nonemployment: Duration And Job Search: Comment, Ronald Ehrenberg Aug 2012

Black Youth Nonemployment: Duration And Job Search: Comment, Ronald Ehrenberg

Ronald G. Ehrenberg

[Excerpt] Holzer's paper has a number of attributes that I find very appealing. It focuses on an important topic and uses two different data bases to test the robustness of its findings. It uses alternative specifications of the variable of interest (reservation wages), examines the sensitivity of the results to alternative sets of control variables, uses a variety of statistical methods to confront a number of statistical issues, and honestly reports cases in which any of the above leads to differences in results. Finally, the paper does not claim more than the evidence warrants—a feature not present in enough academic …


The Tripled Plot And Center Of Sula, Maureen Reddy Apr 2012

The Tripled Plot And Center Of Sula, Maureen Reddy

Maureen T. Reddy

Critics of Sula frequently comment on the pervasive presence of death, the uses of a particular cultural and historical background, the split or doubled protagonist (Sula/Nel), and the attention to chronology in the novel. However, as far as I am aware, no one has presented a reading of Sula that explores the interrelatedness of these elements; yet it is the connections among them that most usefully reveal the novel's overall thematic patterns. Sula can be, and has been, read as, among other things, a fable, a lesbian novel, a black female bildungsroman, a novel of heroic questing, and an historical …


Stanford University's Paul Laurence Dunbar Conference-Dunbar: The Originator-Part Ii, Joanne Braxton Jan 2012

Stanford University's Paul Laurence Dunbar Conference-Dunbar: The Originator-Part Ii, Joanne Braxton

Joanne Braxton

In this video, Professor Joanne M. Braxton (introduced by Shelley Fisher Fishkin) presents the introductory keynote "Dunbar: The Originator" for Stanford University's Paul Laurence Dunbar Centennial Conference on March 10, 2006. A main purpose of the conference was to "explore new critical perspectives on the diversity of Dunbar's literary production as a poet, novelist, lyricist, dramatist, and journalist" one hundred years after his death.


Stanford University's Paul Laurence Dunbar Conference-Dunbar:The Originator Part I, Joanne Braxton Jan 2012

Stanford University's Paul Laurence Dunbar Conference-Dunbar:The Originator Part I, Joanne Braxton

Joanne Braxton

In this video, Professor Joanne M. Braxton (introduced by Shelley Fisher Fishkin) presents the introductory keynote "Dunbar: The Originator" for Stanford University's Paul Laurence Dunbar Centennial Conference on March 10, 2006. A main purpose of the conference was to "explore new critical perspectives on the diversity of Dunbar's literary production as a poet, novelist, lyricist, dramatist, and journalist" one hundred years after his death. 


Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith Smith Dec 2011

Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith Smith

Judith E. Smith

The independently made 1964 film Nothing But a Man is one of a handful of films whose production coincided with new civil rights insurgency and benefited from activists' input. Commonly listed in 1970s surveys of black film, the film lacks sustained critical attention in film studies or in-depth historical analysis given its significance as a landmark text of the 1960s. Documentary-like, but not a documentary, it offers a complex representation of black life, but it was scripted, directed, and filmed by two white men, Michael Roemer and Robert Young. This essay argues that the film's unusual attention to labor and …