African American Studies Commons^™

The Failure Of The Free World: Anarchy In Uncle Tom’S Cabin, Andy Cerrone

Interdisciplinary Perspectives: a Graduate Student Research Showcase

Harriett Beecher Stowe is often identified as an advocate for Christianity, woman's suffrage, autonomy, and the abolishment of slavery. However, inviting the reader to view her work through an anarchist lens, her magnum opus—Uncle Tom’s Cabin— offers the reader the opportunity to reconstruct her politics with immense implication. Critics regard Stowe's "Uncle Tom's Cabin" as a sermon devised with the intention to inflate the nation with the righteous spirit of God, offering to the reader the opportunity to partake in the message of her religious vision. While Stowe's absolute faith in her Christian profile of God is present, she invariably …

Misogyny And The Money, Leah Stevenson

2011 Awards for Excellence in Student Research & Creative Activity - Documents

View Ms. Stevenson's Painting.

In the late 90's hip-hop started as a form of encouragement and empowerment for black people who struggled when growing up. Hip Hop gave black people a voice, where their opinions and challenges could be heard throughout the world. Today the genre of Hip-hop music has developed into a negative image that degrades women and negatively influences the younger black community. Think about some of the hip-hop music at the top of the charts; the songs that disrespect woman, and contains far too much explicit content that it has society desensitized. The pervasiveness of today' …

Shirley, Latrel, B. 1989 (Fa 543), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full-text (click on "Additional Files" below) for Folklife Archives Project 543. Paper titled "The Bible Time Capsule" written by Latrel Shirley about Lisa Gail (Morrison) Shirley's Bible and the ephemera stored in it. Includes colored illustrations.

Reed, Ashlee Catara, B. 1986 (Fa 548), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full-text papers (click on "Additional Files" below) for Folklife Archives Project 548. Contains three papers: “Permanent Wave Machine,” “The Hot Comb” about African American hairstyling, and “The Telephone Switchboard,” about an early switchboard on display in Barren County, Kentucky. Includes color illustrations. This project was a requirement for a folk studies class at Western Kentucky University.

Waiting To Exhale, Kaavonia Hinton

Teaching & Learning Faculty Publications

(First paragraph) The Story: Savannah Jackson’s sister Sheila tells Savannah about a business owner named Lionel, and Lionel invites Savannah to attend a New Year’s Eve party. As Savannah gets ready to ring in 1990, she reflects on her annoyance with Sheila and their mother, who have suggested that Savannah is miserable because she does not have a husband and does not live closer to her family. She realizes she does not need a man to validate her but admits that, as she broke up with Kenneth Dawkins four years ago, she wants to be in love again

How Stella Got Her Groove Back, Kaavonia Hinton

Teaching & Learning Faculty Publications

(First paragraph) The Story: Stella Payne is an ambitious African American woman who holds masters degrees in fine arts and in business administration. A successful analyst for a large investment firm, she makes more than $200,000 per year and has an impressive portfolio. Despite her accomplishments, she no longer finds her career satisfying and feels her life is simply boring and predictable. Anxious to get a respite from single motherhood, she watches her eleven-year-old son, Quincy, board a plane to Colorado, where he will spend a few weeks with his father

Writing With Paint, Harvey Young

Harvey Young

No abstract provided.

What Child Is This?: Closely Reading Collectivity And Queer Childrearing In Lackawanna Blues And Noah’S Arc, Vincent L. Stephens

Vincent L Stephens

Increasing hostilities toward intimate change are rooted in longstanding affective investments in a sexual normativity that oppresses multiple strands of intimacy, including African American kinship networks and same-sex coupling. Since homosexuality is always racialized sexuality and African American kinship patterns have always been marginal by U. S. heteronormative standards, the present essay unmasks the ways sexual normativity has obscured collectivity as a resistive strategy in the lives of two "alternative" intimate groups with important overlaps, black gay and lesbian communities and African American extended families. The essay interrogates sexual normativity by defining and affirming the relevance of black collectivity to …