African American Studies Commons^™

‘The Female Marine’ And ‘Clotel’: An Analysis Of Female Crossdressing To Escape Coercive Labor Situations In 19th Century American Literature, Kaelyn Ireland

Symposium of Student Scholars

Although illegal in many U.S. cities, crossdressing was a point of fascination for Americans of the nineteenth century. Stories of real women passing as men to serve in the military—for example, Revolutionary War veteran Deborah Sampson—enchanted readers and inspired writers, such as that of The Female Marine. Ostensibly written by its heroine, but most likely written by Nathaniel Hill Wright, The Female Marine was a popular story about a young woman who was forced to become a sex worker and cross-dressed to escape her situation, then enlisted in the Navy where she served abroad the U.S.S. Constitution. At …

The Complexity Of "The Hate U Give", Esther Alexander

Emerging Writers

"The Complexity of 'The Hate U Give'" discusses significant cultural and societal aspects of the 2018 N.A.A.C.P. award-winning film, "The Hate U Give." As part of evaluating the film, this essay analyzes the film's portrayal of police brutality in the black community, its long-term consequences, complex discussions that black adults have with youths and themselves, and how difficult it is to get justice for the victim.

The Loop Of Trauma, Jayden Miller-Jones

Emerging Writers

"The Loop of Trauma" is a piece that was written in response to the various BLM protests and police attacks that took place during 2020. The author responds to memories of being shrouded in a deep depression with no sense of how to escape. After entering their English 1101 class they were finally able to properly describe the feelings. This piece covers their beliefs on mental health in the black community and how it is often shelved for a later date, a date that more often than not, never comes.

America’S Forgotten Laborers: The World Of Enslaved Craftsmen, Zack Dow

Emerging Writers

This article examines the underrepresented world of enslaved artisans in the American south. In the minds of many, enslaved Americans were confined to unskilled plantation labor. While such labor constituted a large part of the work of the enslaved, master craftspeople go unrecognized, perpetuating an imagine of unskilled, nominal workers that undermines the accomplishments of the millions of black artisans working at the time.

Being Black In Sports, Vongai Kwenda

Emerging Writers

This essay examines how black sportspeople aren’t sheltered from racism, though they are famous and loved. In the past, black players faced segregation and more overt, aggressive forms of racism. But today, the sports world has come a long way with integration, stricter policies, and protests going global. Racism is perpetuated by racist fans online and in the stands, and sports commentators who use racial tropes rooted in biological racism. More awareness and debunking are needed. White players can take a stand in the heat of an incident to send a stronger message too. It worked in the past, so …

Analyzing The Symbolism Of Modern Racial Tension In Jordan Peele's Get Out, Kyra Hammond

Symposium of Student Scholars

In award-winning films, themes surrounding race and ethnicity are typically avoided unless regarded in a historical context. Though, Jordan Peele’s Get Out(2017) breaks these barriers by taking a satirical approach to comment on modern racial issues and stigmas that are prevalent in American society. Furthermore, the film pushes society to finally see and understand the anxiety and racial trauma that African Americans continue to experience. The hidden symbols and messages throughout the screenplay further add to the film’s theme by metaphorically expressing that racism can be covert. With the intention to analyze these symbolic elements, I will break down …

The Material Wealth Of Slaves In The South, India Daniel

Symposium of Student Scholars

Since its beginning, enslavement of African peoples in the New World has been a topic of great interest. There are many different routes to go, in terms of researching that era and what went along with it. However, because of its extent and variation in different places, there is a great amount of information and stories that have gone untold. This research will help to unpack some of those stories, particularly as it relates to the slaves of the Conner-Field house in Cartersville, Georgia, whose possessions were not typical “slave possessions”. Their possessions help to shed a light on their …

Chain Of Custody: Access And Control Of State Archival Records In Public-Private Partnerships, Sarah E. Carlson

Provenance, Journal of the Society of Georgia Archivists

As I write this, Ancestry.com is a central party in a lawsuit with the organization Reclaim The Records, citing that it, a private corporation, received preferential priority and access to public records before individual patrons of the public in Freedom of Information requests for genealogical records.^[i] Concern that public records may move into private hands demarcates an increasingly digital realm of record-keeping and public history. As companies and the public jockey for access to records in a race for access – one open and the other annexed behind a paywall – the blatant corruption is alarming. Yet, public records …

Post Colonial Studies, Nashieli Marcano, Kyle Brooks

Research Guides & Subject Bibliographies

No abstract provided.

Carol And The Ugly Sisters: A Play In Three Acts, Judith Jones

Master of Arts in Professional Writing Capstones

Carol and the Ugly Sisters, reflects the trajectory of two teenage African American girls growing up in 1960s Harlem. They met when Anita was 16, and Carol was 17. Anita, the protagonist, is from a lower middle-class family, and goes on to graduate Columbia University. Carol, her friend, dropped out of middle school, and is an unwed mother of three children, when she meets Anita. She remains mentally closed in a lower socio-economic mindset for the remainder of her life, and dies of the same alcoholism that killed her parents.

Pink Is The New Bull: The Feminization Of Pit Bulls In Visual And Literary Discourses As A Rescue Tactic, Stephanie Hogue

Master of Arts in American Studies Capstones

Since the 1980s, pit bulls have been portrayed in a raced, classed, and gendered national discourse that has associated them with minority males of color in low-income urban areas. This discourse has led to a villianization of the breed that has resulted in restrictions on pit bulls and their owners. This project seeks to explore the raced, classed, and gendered representations of pit bulls in cultural productions and the nuanced ways in which the intersectional identities ascribed to pit bulls have impacted their status as acceptable pets in the United States.

I aim to demonstrate that through visual and literary …

Book Review - Slavery And Freedom In Savannah, Latiffany D. Davis

Georgia Library Quarterly

No abstract provided.

Secrets On Morgan Hill: A Story Of An Unlikely Friendship Amid An Apartheid South, Camille Kleidysz-Ferreira

Master of Arts in American Studies Capstones

Introduction

The Burden of History and Fiction

“How much of the burden of history can fiction bear?” – Margaret Walker

Comprehensive historical research can often become the inspiration for art. The greatest pieces of historical fiction, are a result of years of historic scholarship before the creation of a compelling historical narrative or fiction piece. Through my two-year ethnographic study and collection of oral histories of the black community, surrounding the historic Bethel A.M.E. church in Acworth, Georgia, I was told a story about a friendship between two little girls who remained friends until the end of their lives. What …

Revolutionary Every Day: A Dramatic Exploration Of Women And Their Agency In The Black Panther Party., Kristen Michelle Walker

Master of Arts in American Studies Capstones

This capstone project is centered around Black Panther women and explores what it means to be a revolutionary black woman dealing with politics surrounding gender in both private and public spaces during the late 1960’s and beyond. In addition, the project includes an original fictional play based on the experiences of Panther women around the world. In addressing the social conditions that impacted female Panther activism and agency, together the capstone project and play operate as a commentary on power, gender relations, and society in and around the Black Panther Party.

The Hybridizing Nature Of Ancestor Presence In Morrison’S Sula, Mounica V. Kota Ms.

Oglethorpe Journal of Undergraduate Research

In her writings, Toni Morrison works towards a common goal of establishing a black literary canon, once that represents black characters as autonomous and nuanced human beings unable to be boxed into a one-dimensional narrative. Part of this overarching project appears to be creating a hybridizing narrative in which the cultural roots of various African-American communities are integrated with the social movements of the modern diaspora. One common theme between her novels is the inclusion of a specific ancestral figure, one that functions as some kind of pushing point or learning tool for the community within the story. In examining …

Book Review - Working For Equality: The Narrative Of Harry Hudson, Kelly Ansley

Georgia Library Quarterly

No abstract provided.

Book Review - Abandonment In Dixie: Underdevelopment In The Black Belt, Allison Galloup

Georgia Library Quarterly

No abstract provided.

Book Review - Jim Crow, Literature, And The Legacy Of Sutton E. Griggs, Michael K. Law

Georgia Library Quarterly

No abstract provided.

The Turning Point Of Who Shall Be Master: Killer Of Sheep, Naming, Gender, And The Gaze Of African American Women, Sean Davis Watkins

Master of Arts in American Studies Capstones

Charles Burnett’s 1978 award-winning film Killer of Sheep directly responded to the then-popular Blaxploitation genre, holding a mirror up to post-Watts, 1970s America, while exposing and exploring gender and race issues. Moreover, intentionally or not, Burnett, with this film, effectively demonstrated the lack of recognition that Black women faced in domestic, activist, and employment spheres; simultaneously, Burnett conspicuously reified the relegation of women into that silent, domestic sphere while challenging stereotypes of Black men, elevating them and establishing them as humans, capable of hubris, humanity, and vulnerability. This neo-realistic film masterfully rebirthed the African American male identity; unfortunately, though, neglected …

'Grounding' Walter Rodney In Critical Pedagogy: Toward Praxis In African History, Seneca Vaught

South

This essay attempts to address the dilemma of theory and praxis, what Freire referred to as “mere verbalism,” by examining one historical instance of critical pedagogy in history education. This essay argues that Walter Rodney’s curriculum, as detailed in his syllabi on “Historians and Revolutions” and "Groundings," helps educators better understand how to more effectively bridge the gap between a critical pedagogical theory and praxis in African history. Using Rodney as an example of a critical pedagogy theorist and practitioner, this essay explores how concerned historians (and those who use history as a basis for teaching) can traverse traditional disciplinary …

"I'M Rich Bitch:" Black Class Performance And The New Nouveau Riche, Nykia Hannah

Master of Arts in American Studies Capstones

With its multitude of sub-genres, larger than life personalities, and fifteen minutes of fame offerings, reality television has quickly changed the face and economics of television culture. This research examines the disruption of traditional roles of race and class in reality television. Interdisciplinary in content and methodology, this study uses Real Housewives of Atlanta to identify the ways in which various representations of blackness challenge hegemonic understandings of what it means to be black in the United States. Focusing on the fluidity of identity, "I'm Rich Bitch" highlights the role that popular culture plays in redetermining populist perceptions of blackness.

How Archives Shape Our Collective Memory: A Re-Examination Of The Library Of Congress’ American Memory Collection Of The 1936-1938 Federal Writers Project’S Collection Of Former Slave Narratives And Concomitant Questions Of African American Cultural Knowledge Production, Renee Neely

Provenance, Journal of the Society of Georgia Archivists

The massive compilation of oral histories of formerly enslaved African Americans by the Federal Writers Project, was an ambitious project. This case study raises questions surrounding the Collection’s provenance within its socio-political framework and its enduring legacy.

Additionally, this examination pursues areas of cultural knowledge production cited within the narratives, that merit further study. A discussion surrounding the conscious or unconscious, outcome of archival practice, and its ability to shape our historical record is the goal of this investigation.

The Triple Double: Racially Ambiguous Afro-Latino Identities In America, Yen Rodriguez

Master of Arts in American Studies Capstones

Historically, racial identities in the United States of America have operated on a binary platform of ethno-racial consideration. In turn, this system has classified most racially ambiguous members of society into categories that fail to acknowledge the complexity of their ethnic and racial identities. These pre-determined classifications have lasting effects on the accessibility of opportunities and the social spaces available to ethno-racially unidentifiable members of society. These groups of racially ambiguous Americans, however, challenge the efficacy of an 'either/or' binary system. This piece outlines a learning community for first year students, exploring the ethno-racial ambiguity of Afro-Latino identities in America. …

When Parties Swap Platforms: The Changing Racial Policies Of Democrats And Republicans, Charles O. Boyd

Oglethorpe Journal of Undergraduate Research

This article examines the shift in the Democratic and Republican parties with regard to the rights of African Americans. Debunking partisan distortions of history on both sides, "When Parties Swap Platforms" demonstrates that prior to the 1960s, the Republican Party was more supportive of African Americans' rights and that during the 1960s, the Democratic Party became the more supportive institution. Evidence is also provided showing that Hubert Humphrey played a much larger role in changing the Democratic Party's stance on civil rights than is commonly known.

Exploring Prejudice, Miscegenation, And Slavery's Consequences In Mark Twain's Pudd'nhead Wilson, Steven Watson

The Kennesaw Journal of Undergraduate Research

This research paper analyzes Mark Twain's use of racist speech and racial stereotypes in his novel Pudd'nhead Wilson. Twain has often been criticized for his seemingly inflammatory language. However, a close reading of the text, supplemented by research in several anthologies of critical essays, reveals that Twain was actually interested in social justice. This is evident in his portrayal of Roxana as a sympathetic character who is victimized by white racist society in Dawson's Landing, Mississippi during the time of slavery. In the final analysis, Twain's writing was a product of the time period during which he wrote. This …

The Value Of African American And Latino Coalitions To The American South, Ramona Houston

Journal of Global Initiatives: Policy, Pedagogy, Perspective

No abstract provided.

Ecgrl Unveils Valuable Local Resource For African Americans, Dorothy Demarest

Georgia Library Quarterly

The article reports on the creation of an African American Funeral Program collection of resources by Dottie Demarest, a librarian and a genealogy and local history specialist at the East Central Georgia Regional Library (ECGRL) inspired by the donation from the funeral programs of African American Eula Mae Ramsey Johnson. The collection provides information on the lives of the deceased. About 1,2000 funeral programs now consist the collection following digitization of the programs through the help of Georgia HomePlace.

Review: The History Of Public Library Access For African Americans In The South Or, Leaving Behind The Plow, Maureen Puffer-Rothenberg

Georgia Library Quarterly

Review of the non-fiction book "The History of Public Library Access for African Americans in the South or, Leaving Behind the Plow," by David M. Battles.

Carter Library Co-Sponsors Briars' Event

Georgia Library Quarterly

The article reports on a forum held by the Georgia Southwestern State University in celebration of the Black History Month in 2009. More than 70 participants viewed the documentary "Briars in the Cotton Patch." The event was a joint project of Kainonia Farm and Faith Fuller, director of communications for the Fuller Center for Housing.

Making History In The Bedroom: Americo-Liberians And Indigenous Liberians Sexual Unions, 1880s- C. 1950s, William E. Allen

Faculty and Research Publications

The article discusses sexual unions between black American settlers and majority indigenes in Liberia. According to the author, these unions forged political alliances between indigenous Liberians and Americo-Liberians, furthered the so-called civilizing mission of the colony, and created space for social mobility. Details related to the different groups living in the region, including indigenous Africans, recaptives who had been taken off illegal slaving vessels and resettled in Liberia, and free and formerly enslaved blacks from the U.S., are presented. Other topics include Christianity, polygamy, and illegitimate children.