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Articles 1 - 11 of 11
Full-Text Articles in African American Studies
Reggaeton And Female Narratives, Melanie P. Pangol
Reggaeton And Female Narratives, Melanie P. Pangol
Student Publications
Reggaeton has become a cultural factor all throughout Latin America and among the Latino population in the United States. Reggaeton is now a Latino music phenomenon that has become part of the mainstream not only in Latin American countries but also in the United States; many American artists such as Drake, Cardi B, Nicki Minaj, and Will Smith are collaborating with reggaeton artists such as J-Balvin, Bad Bunny, Ozuna, and others. Therefore, although most reggaeton artists come from Puerto Rico, reggaeton has established a visible presence in the Latino community in the United States where it has become prominent in …
A “Hip-Hop” Broadway Masterpiece Or A Misrepresentation Of Hip Hop Culture, Dani E. Kupersmith
A “Hip-Hop” Broadway Masterpiece Or A Misrepresentation Of Hip Hop Culture, Dani E. Kupersmith
Student Publications
In February of 2015, a music sensation hit the streets of New York City and started a revolution across the country. The renowned Lin Manuel Miranda; composer, musician and actor, debuted his six-year creation - an integration of hip hop music into the world of Broadway through the sensational story of Alexander Hamilton. Based off of Ron Chernow’s 2004 biography of Alexander Hamilton, this entirely musical production details the story of the poor immigrant who came to America with big ideas and wrote his way to being a predominate figure in American history (Miranda, 2016). Impressive choreography is combined with …
Kendrick Lamar And Hip-Hop As A Medium For Social Change, Diego A. Rocha
Kendrick Lamar And Hip-Hop As A Medium For Social Change, Diego A. Rocha
Student Publications
This paper provides a context and then analysis of Kendrick Lamar's albums as they relate to advocating and affecting social change. The purpose is to show through example how hip-hop (and music in general) can act as an avenue towards creating positive change for oppressed peoples.
One King To Rule Them All, Tyler J. Mann
One King To Rule Them All, Tyler J. Mann
Student Publications
He battled for superiority over his fellow musicians in the shady nightclubs of New Orleans, led his great Creole Jazz Band in the early 1920s, and stood tall in the face of racial prejudice. Joe “King” Oliver was the type of man to not just survive but thrive—like any true king would.
Machito And His Afro-Cubans: Selected Transcriptions, Paul Austerlitz, Jere Laukkanen
Machito And His Afro-Cubans: Selected Transcriptions, Paul Austerlitz, Jere Laukkanen
Gettysburg College Faculty Books
Machito (Francisco Raúl Grillo, 1909–1984) was born into a musical family in Havana, Cuba, and was already an experienced vocalist when he arrived in New York City in 1937. In 1940 he teamed up with his brother-in-law, the Cuban trumpeter Mario Bauzá (1911–1993), who had already made a name for himself with top African American swing bands such as those of Chick Webb and Cab Calloway. Together, Machito and Bauzá formed Machito and his Afro-Cubans. With Bauzá as musical director, the band forged vital pan-African connections by fusing Afro-Cuban rhythms with modern jazz and by collaborating with major figures in …
“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath
“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath
Student Publications
An exploration into the development of the "blues aesthetic" in the African-American literary tradition.
“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk
“Caught Between Southern Pride And Southern Blame”: Brad Paisley’S “Accidental Racist”, Brianna E. Kirk
The Gettysburg Compiler: On the Front Lines of History
An ongoing and rather controversial debate in the Civil War world is that over the rightful placement of the Confederate battle flag in American memory. Being such a provocative symbol both in terms of history and race relations, its ‘true’ meaning and ‘true’ symbolism are constantly in flux. With recent disputes on the removal of the Confederate flag from Robert E. Lee’s tomb at Washington and Lee University making their way into the mainstream news, the complicated meaning of the rebel symbol and where it belongs in American memory have earned their places at the forefront of the national consciousness. …
Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power
Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power
Student Publications
Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …
I Am Not Your Video Girl, Rashida Aluko-Roberts
I Am Not Your Video Girl, Rashida Aluko-Roberts
SURGE
“We need girls who are willing to be up on stage with us and who are not afraid to go HAM dancing in front of a crowd. I know at least a few of you who have the confidence/jaw-dropping dance moves to pull this off.” [excerpt]
The Dirty Third: Contributions Of Southern Hip Hop To The Study Of Regional Variation Within African American English, Jennifer Bloomquist, Isaac Hancock
The Dirty Third: Contributions Of Southern Hip Hop To The Study Of Regional Variation Within African American English, Jennifer Bloomquist, Isaac Hancock
Africana Studies Faculty Publications
While there is well documented evidence of certain supra-regional features in African American English (AAE) phonology and morphosyntax (for example, see Labov 1972; Rickford 1999; Baugh 2000; Green 2002), recent trends in the study of linguistic variation suggest that the homogeneity of the variety has been largely overstated (Mallinson & Wolfram 2002; Friedland 2003; Wolfram 2003). For the most part, contemporary AAE influences on mainstream language have originated from varieties spoken in the northeast and on the west coast which have evolved independently of one another over the past forty years, and which vary in significant ways from southern AAE; …
The Albany Movement And The Origin Of Freedom Songs, Nicole Lenart
The Albany Movement And The Origin Of Freedom Songs, Nicole Lenart
The Gettysburg Historical Journal
“We became visible.” This is how Bernice Johnson Reagon, a Civil Rights Movement worker, a member of the Freedom Singers, and the founder of Sweet Honey In The Rock explained how songs uplifted and inspired those blacks and whites who worked tirelessly for freedom throughout the 1950’s and 1960’s. Indeed, freedom songs in the movement gave participants the ability to stand up against their fears, express their hopes and desires, and unite the diverse range of people who participated in the movement. Reagon, now a history professor and music legend, grew up right outside of Albany, Georgia, where freedom songs …