African American Studies Commons^™

The Turning Point Of Who Shall Be Master: Killer Of Sheep, Naming, Gender, And The Gaze Of African American Women, Sean Davis Watkins

Master of Arts in American Studies Capstones

Charles Burnett’s 1978 award-winning film Killer of Sheep directly responded to the then-popular Blaxploitation genre, holding a mirror up to post-Watts, 1970s America, while exposing and exploring gender and race issues. Moreover, intentionally or not, Burnett, with this film, effectively demonstrated the lack of recognition that Black women faced in domestic, activist, and employment spheres; simultaneously, Burnett conspicuously reified the relegation of women into that silent, domestic sphere while challenging stereotypes of Black men, elevating them and establishing them as humans, capable of hubris, humanity, and vulnerability. This neo-realistic film masterfully rebirthed the African American male identity; unfortunately, though, neglected …