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Full-Text Articles in African American Studies
‘Posed With The Greatest Care’: Photographic Representations Of Black Women Employed By The Work Progress Administration In New Orleans, 1936-1941, Kathryn A. O'Dwyer
‘Posed With The Greatest Care’: Photographic Representations Of Black Women Employed By The Work Progress Administration In New Orleans, 1936-1941, Kathryn A. O'Dwyer
University of New Orleans Theses and Dissertations
For decades, scholars have debated the significance of the Works Progress Administration (WPA), emphasizing its political, economic, and artistic impact. This historiography is dominated by the accomplishments of white men. In an effort to highlight the long-neglected legions of black women who contributed to WPA projects and navigated the agency’s discriminatory practices, this paper will examine WPA operations in New Orleans where unemployment was the highest in the urban south, black women completed numerous large-scale projects, and white supremacist notions guided relief protocol. By analyzing the New Orleans WPA Photography collection, along with newspapers, government documents, and oral histories, a …
The Unheard New Negro Woman: History Through Literature, Shantell Lee
The Unheard New Negro Woman: History Through Literature, Shantell Lee
University of New Orleans Theses and Dissertations
Many of the Harlem Renaissance anthologies and histories of the movement marginalize and omit women writers who played a significant role in it. They neglect to include them because these women worked outside of socially determined domestic roles and wrote texts that portrayed women as main characters rather than as muses for men or supporting characters. The distorted representation of women of the Renaissance will become clearer through the exploration of the following texts: Jessie Fauset’s Plum Bun, Caroline Bond Day’s “Pink Hat,” Dorothy West’s “Mammy,” Angelina Grimke’s Rachel and “Goldie,” and Georgia Douglas Johnson’s A Sunday Morning in …