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Articles 1 - 12 of 12
Full-Text Articles in African American Studies
Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun
Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun
Swarthmore Undergraduate History Journal
This paper explores the complex desegregation process of movie theatres in the southern United States. Building off of historiography that investigates regulations of postwar teenage sexuality and recent scholarly work that acknowledges the link between sexuality and civil rights, I argue that movie theatres had a uniquely delayed desegregation process due to perceived sexual intrigue of the dark, private theatre space. Through analysis of drive-in and hardtop theatres, censorship of on-screen content, and youth involvement in desegregation, I contend that anxieties of interracial intimacy and unsupervised teenage sexuality produced this especially prolonged integration process.
Dignity, Respect, And Freedom, Lindsey Abercrombie
Dignity, Respect, And Freedom, Lindsey Abercrombie
Anthós
This paper looks at Irene Redfield, a character from Nella Larsen's Passing, analyzing how dignity is prioritized above all else in her life. Viewing Irene through the lenses of race, sexuality, and class, this paper delves into the intricacies of Irene's mind, attempting to contextualize her by her overt and repressed desires. Passing is a nuanced novel with complicated characters. Many scholars have attempted to understand the symbolism Larsen has imbued the novel with, producing insightful works to challenge the reader's initial perceptions of the novel and the characters. Through taking a deep-dive into Irene's mind, readers can become …
The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella
The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella
Dissertations and Theses
In November 1926, a group of Black artists, writers, and activists created the first and only edition of Fire!!, edited by novelist Wallace Thurman. Fire!! was created by a younger generation of New Negroes and “devoted to the younger Negro artists” who dissented from the mainstream ideas of the New Negro Movement and used the magazine to spread their own views on the 1915-1945 New Negro Renaissance. Fire!! and other texts speaking to this dissent against a Black intellectual middle class image of the movement will be studied in reference to showcasing the multi-faceted elements of the movement touching …
Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet
Violence, Suffering, And Social Introspection: James Baldwin's Another Country, Hollis Druhet
The Journal of Purdue Undergraduate Research
This research examines and expands on the critical outlook concerning the scope and function of identity in the literature of James Baldwin. Looking at Another Country specifically, the essay expounds on the universality of oppressive conditions shown to operate across factors of race, gender, and sexuality. Critical discussion has largely focused on Baldwin’s construction of male identities and sexual experiences; this essay argues for the importance of the novel’s female psychological depictions and how these character profiles operate in relation to male profiles. A significant universal aspect considered is the visibility of trauma: how its appearance communicates repressed pain and …
Race, Sexuality, And Masculinity On The Down Low, Stephen Kochenash
Race, Sexuality, And Masculinity On The Down Low, Stephen Kochenash
Dissertations, Theses, and Capstone Projects
In a so-called post-racial America, a new gay identity has flourished and come into the limelight. However, in recent years, researchers have concluded that not all men who have sex with other men (MSM) self-identify as gay, most noticeably a large population of Black men. It is possible that a tainted history of Black enslavement in this country that is inextricably linked with ideas of space, surveillance, subversion, and survival inform a Black male’s self-identification as being “on the down low” (DL). This begs the question: What does mainstream society view as gay-ness and how is the DL constructed …
The Spaces Between Us: A Queer<=>Intersectional Analysis Of The Narratives Of Black Gay International Students, Bryan S. Hubain
The Spaces Between Us: A Queer<=>Intersectional Analysis Of The Narratives Of Black Gay International Students, Bryan S. Hubain
Electronic Theses and Dissertations
The experiences of international students along the lines of race and ethnicity, sexuality, gender, and nationality are virtually unknown. This study utilizes experience-centered narrative inquiry to explore the experiences of Black gay international students, and how they are racialized and sexualized in American higher education. Using a Queer and Intersectional framework, this study highlighted power structures and processes that continue to marginalize Black gay international students in the U.S. and in their home countries. Their narratives reflected significant moments or events that were important to them and how they understand their identities and realities. This study provides a strong foundation …
Abdurraqib, Samaa, Iris Sangiovanni, Samar Ahmed
Abdurraqib, Samaa, Iris Sangiovanni, Samar Ahmed
Querying the Past: LGBTQ Maine Oral History Project Collection
Samaa Abdurraqib is a Black, queer, Muslim woman living in Portland, Maine. Abdurraqib was raised in Columbus, Ohio. She attend the University of Ohio, and later the University of Wisconsin-Madison, where she received a PhD in English Literature. After graduating she worked as a visiting professor at Bowdoin College in Brunswick, Maine. Next she went on to work the American Civil Liberties Union in Maine as a reproductive rights organizer. She now works for the Maine Coalition to End Domestic Violence. Her advocacy and organizing work has included places such as Sexual Assault Response Services of Southern Maine, …
Sexing While A Survivor: Black Queer Desire, Je-Shawna C. Wholley
Sexing While A Survivor: Black Queer Desire, Je-Shawna C. Wholley
All Graduate Theses, Dissertations, and Other Capstone Projects
The vast sexual exploitation of Black queer women is under addressed by therapeutic and family counseling experts alike. Scholarship on the subject shows that a history of sexual trauma can have direct negative implications on women’s sexuality and ability to access sexual pleasure. However, therapeutic and family counseling interventions lack an intersectional analysis that directly address the unique experiences of Black women – and even further, Black queer women, who are survivors. In this research study, semi-structured interviews were conducted with Black queer, lesbian, bisexual and same-gender-loving survivors of sexual assault to assess how they located agency, empowerment, and pleasure …
The Angel And The Imp: The Duncan Sisters’ Performances Of Race And Gender, Jocelyn Buckner
The Angel And The Imp: The Duncan Sisters’ Performances Of Race And Gender, Jocelyn Buckner
Theatre Faculty Articles and Research
From 1923 to 1959 Vivian and Rosetta Duncan performed the show Topsy and Eva in front of thousands of audiences in the United States and abroad. This essay examines how the Duncan Sisters’ appropriation of blackness through a yin and yang performance of black and white womanhood, their sexualized but ultimately infantilizing routine as young girls, and their take on anarchistic comedy resulted in a particular spin on age, gender, race, and sexuality that reinforced their privilege as white women even while it pushed the boundaries of acceptable femininity in the swiftly shifting American culture of the first half of …
Mamie Bradley's Unbearable Burden: Sexual And Aesthetic Politics In Bebe Moore Campbell's Your Blues Ain't Like Mine, Koritha Mitchell
Mamie Bradley's Unbearable Burden: Sexual And Aesthetic Politics In Bebe Moore Campbell's Your Blues Ain't Like Mine, Koritha Mitchell
Koritha Mitchell
This essay offers a reading of Bebe Moore Campbell's 1992 novel Your Blues Ain't Like Mine, which re-imagines the 1955 murder of Emmett Till and its aftermath. I argue that the novel is a tribute to Till and his mother, Mamie Bradley, but that it also illustrates the agony of being the survivor whose pain occasions such tributes. Through Delotha Todd, the character loosely based on Bradley, Campbell imagines the mother's burden to have been especially unbearable because so many strangers, including Campbell herself, claimed to share it. In the process of acknowledging the many facets Delotha's pain, Campbell …
Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim
Papas' Baby: Impossible Paternity In Going To Meet The Man, Matt Brim
Publications and Research
"Papas' Baby: Impossible Paternity in Going to Meet the Man" employs the conceit of “impossible” fatherhood to critique mutually reinforcing racist and heteronormative constructions of reproduction. It argues, first, that the white paternal fantasy of creating “pure” white sons is undermined by the homoerotic necessity of bring the phantasmatic black eunuch, castrated yet powerfully potent, into the procreative white bed. The “fact” of the “white” child produced in that marital bed, however, not only cloaks the failure of racial reproduction in the living proof of success but also occludes the male/male union that subtends the heteronormative fantasy of reproduction. …
Teasing Tales And Tit(Bit)S, Daryl Cumber Dance
Teasing Tales And Tit(Bit)S, Daryl Cumber Dance
English Faculty Publications
Collection of African-American folklore from Shuckin' and Jivin' by Daryl Dance.