African American Studies Commons^™

Cinematic Camouflage, Jared Valdez

English Language and Literature ETDs

There is a war for recognition happening on the Hollywood battlefield. Traditionally, in every war there is an enemy and an alley; in this study, the enemy is systemic racism, and the alley is Black culture. That is, this dissertation seeks to detail the past, present, and future implications of this battle for truth, inclusion, and recognition in American pop culture. This discussion examines how various multi-media forms like literature, film, television, and comic books work as tools to combat racism in American society. More importantly, the theories presented in this text are all linked to actual tactics of military …

Caroling Dusk: An Anthology Of Verse By Negro Poets, Countee Cullen , Editor

Zea E-Books Collection

CONTENTS:

FOREWORD

PAUL LAURENCE DUNBAR • Ere Sleep Comes Down to Soothe the Weary Eyes • Death Song • Life • After the Quarrel • Ships that Pass in the Night • We Wear the Mask • Sympathy • The Debt

JOSEPH S. COTTER, SR • The Tragedy of Pete • The Way-side Well

JAMES WELDON JOHNSON • From the German of Uhland • The Glory of the Day Was in Her Face • The Creation • The White Witch • My City

WILLIAM EDWARD BURGHARDT Du BOIS • A Litany of Atlanta

WILLIAM STANLEY BRAITHWAITE • Scintilla • Rye …

Priscilla Layne. White Rebels In Black: German Appropriation Of Black Popular Culture. U Of Michigan P, 2018., Mona Eikel-Pohen

Studies in 20th & 21st Century Literature

Review of Priscilla Layne. White Rebels in Black: German Appropriation of Black Popular Culture. U of Michigan P, 2018. ix + 259 pp.

Bodily Evidence: Racism, Slavery, And Maternal Power In The Novels Of Toni Morrison, Jonathan Garren

South Carolina Libraries

Jonathan Garren reviews Bodily Evidence: Racism, Slavery, and Maternal Power in the Novels of Toni Morrison by Geneva Cobb Moore.

Gender, Race, And Class In Various Aspects Of American Literature: A Portfolio, Harry Olafsen

Master of Arts in English Plan II Graduate Projects

In this portfolio, Harry Olafsen takes a closer look at various texts in American Literature, including women in 1960s country music, Us directed by Jordan Peele, and southern women's diaries from the Civil War.

Words As Weapons And Wisdom, Barbara Paige

UNLV Theses, Dissertations, Professional Papers, and Capstones

The Harlem Renaissance and the Black Arts Movement were two seminal eras in American history. The Renaissance also referred to as the New Negro Movement was a literary artistic, and cultural movement, centered in Harlem in which writers produced large bastions of literary works. African descended people began to identify with their African past and intellectuals adopted Black Nationalist and Pan-Africanist methodologies to overcome oppression. Their efforts laid a foundation for the Civil Rights movement. The Black Arts Movement, an era of intense literary artistic activism begun with the assassination of Malcolm X. Artist/intellectuals responded to a more hostile environment …

The Evidence Of Things Unseen: Experimental Form As Black Feminist Praxis, Shelly J. Eversley

Publications and Research

This essay reads Carlene Hatcher Polite's little-known experimental novel Sister X and the Victims of Foul Play and situates it within Black Aesthetics and black feminist theory to argue that experimental forms is crucial to black feminist praxis. The form also exposes critical violences that not only diminish and obscure black feminist writing, but also black women writers.

Resonant Texts: The Politics Of Nineteenth-Century African American Music And Print Culture, Paul Fess

Dissertations, Theses, and Capstone Projects

Resonant Texts: the Politics of Nineteenth-Century African American Music and Print Culture, investigates musical sound as a discursive tool African American writers and activists deployed to contest enslavement before the Civil War and claim citizenship after Emancipation. Traditionally, scholars have debated the degree to which nineteenth-century African American music constituted evidence of black culture and marked a persistent African orality that still abides within African American textual production. While these trends inform this project, my inquiry focuses on the ways that writers placed elements of musical sound—such as rhythm, melody, choral singing, and harmony—at the center of their …

Providential Capitalism: Heavenly Intervention And The Atlantic’S Divine Economist, Ian F.P. Green

Dissertations, Theses, and Capstone Projects

Providential capitalism names the marriage of providential Christian values and market-oriented capitalist ideology in the post-revolutionary Atlantic through the mid nineteenth century. This is a process by which individuals permitted themselves to be used by a so-called “divine economist” at work in the Atlantic market economy. Backed by a slave market, capital transactions were rendered as often violent ecstatic individual and cultural experiences. Those experiences also formed the bases for national, racial, and classed identification and negotiation among the constellated communities of the Atlantic. With this in mind, writers like Benjamin Franklin, Olaudah Equiano, and Ukawsaw Gronniosaw presented market success …

The City Is Full Of Bugs, Michael Stanley

Michael A Stanley

This essay explores the use of symbolism and metaphor in Ralph Ellison’s Invisible Man, focusing on a particular scene inside Mary Rambo’s apartment in the middle of the novel. The use of symbolism in the novel is extensive, and many objects and characters serve as metaphors for social classes and groups, and often these representations also function as direct satire for various political groups, folkways, and the expectations or prejudices of the time period in which the novel is set. The objects and events that take place in Mary Rambo’s apartment go beyond symbolism to include a forecast of future …

The City Is Full Of Bugs, Michael Stanley

The Downtown Review

This essay explores the use of symbolism and metaphor in Ralph Ellison’s Invisible Man, focusing on a particular scene inside Mary Rambo’s apartment in the middle of the novel. The use of symbolism in the novel is extensive, and many objects and characters serve as metaphors for social classes and groups, and often these representations also function as direct satire for various political groups, folkways, and the expectations or prejudices of the time period in which the novel is set. The objects and events that take place in Mary Rambo’s apartment go beyond symbolism to include a forecast of …

Reconstructing The Nation: African American Political Thought And America's Struggle For Racial Justice, Alex Zamalin

Dissertations, Theses, and Capstone Projects

This dissertation examines how twentieth-century African American intellectuals engaged American political cultural beliefs central to American identity. A prominent argument of American political thinkers has been that the liberal-democratic ideals of freedom, equality, representative government, the rule of law, tolerance and civic obligation are what make Americans a unique people. From the immediate aftermath of the Second World War to the late twentieth-century such an argument provided American politicians, social movements and intellectuals a strong justification for divergent political claims, from Cold War warriors calling for the containment of Soviet Communism, to Civil Rights activists calling for racial integration to …

The Influence Of Literacy On The Lives Of Twentieth Century Southern Female Minority Figures, Laura Leighann Dicks

Graduate Theses and Dissertations

The American South has long been a region associated with myth and fantasy; in popular culture especially, the region is consistently tied to skewed notions of the antebellum South that include images of large plantation homes, women in hoop skirts, and magnolia trees that manifest in television and film representations such as Gone With the Wind (1939). Juxtaposed with these idealized, mythic images is the hillbilly trope, reinforced by radio shows such as Lum and Abner, and films such as Scatterbrain (1940). Out of this idea comes the southern illiteracy stereotype, which suggests that southerners are collectively unconcerned with education …

Unmasking The Protester: The Meanings And Myths Of Collective Civil Resistance Movements In African American And Polish Postresistance Prose Fiction, Agnieszka Herra

Electronic Thesis and Dissertation Repository

My contention is that the narrative framework of social movements, especially the ones deemed “successful” such as the American Civil Rights Movement and the Polish Solidarity Movement, reflects unity and collectivity within collective memory. During the period of the movements’ duration, this provides a clear rhetorical purpose: to give the appearance of unity in order to give effective voice to the demands. I argue that the voices that did not fit into the collective movements emerge subsequently to question this monologic language in literary form. This dissertation uses Bakhtin’s notion of dialogic language to argue that novels in the postresistance …

Who We Are: Incarcerated Students And The New Prison Literature, 1995-2010, Reilly Hannah N. Lorastein

Honors Projects

This project focuses on American prison writings from the late 1990s to the 2000s. Much has been written about American prison intellectuals such as Malcolm X, George Jackson, Eldridge Cleaver, and Angela Davis, who wrote as active participants in black and brown freedom movements in the United States. However the new prison literature that has emerged over the past two decades through higher education programs within prisons has received little to no attention. This study provides a more nuanced view of the steadily growing silent population in the United States through close readings of Openline, an inter-disciplinary journal featuring …

Race, Class, And Herman Melville, Joan A. De Santis

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Analyzes two of the short stories in Herman Melville's The Piazza Tales, "Bartleby the Scrivener: a Story of Wall Street" and "Benito Cereno" and argues that these stories are highly critical of the bourgeois class structure of American society that inform Wall Street, as well as the slave trade, in mid-Nineteenth-Century America. Posits that in these works Melville addresses the questions of hierarchical power in the workplace and the effects of racism and slavery in the colonization of America.

Childhood Trauma And Its Reverberations In Bebe Moore Campbell's Your Blues Ain't Like Mine, Suzanne W. Jones

English Faculty Publications

Novelist Bebe Moore Campbell was only five when Emmett Till was murdered on August 28, 1955. But in Your Blues Ain't Like Mine (1992) she seeks to answer the question that black teenagers in Mississippi, and indeed many people from all over the United States, asked after seeing the photograph of Till's mutilated and bloated body: "How could they do that to him? He's only a boy" (Dittmer 58). Campbell embraces the view that Lillian Smith expressed in Killers of the Dream (1949): "The warped, distorted frame we have put around every Negro child from birth is around every white …

Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine

Classical Studies Faculty Publications

As the recently published epistolary collection reveals, Ralph Ellison was an unabashed Americanist, for better and for worse. Ellison's faith in American identity and the democratic process, which is evident at the end of Invisible Man in the protagonist's determination to "affirm the principle on which the country was built [and not the men who did the violence]" (574), is again manifest in the posthumous novel, Juneteenth. According to John F. Callahan, Ellison's litearary executor, the novel celebrates "the indivisibility of the American experience" (Juneteeth xvi). James Alan McPherson (the African-American writer to whom Ellison showed a portion …