Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- American literature (3)
- <p>Slave narratives.</p> <p>Women slaves - Narratives.</p> (1)
- African American (1)
- African American authors (1)
- African American children (1)
-
- African Americans (1)
- African Americans in literature (1)
- African-American writers (1)
- An Act to End Discrimination (1)
- An act relating to discrimination on account of race and religion (1)
- Benjamin Zolov (1)
- Bisexual (1)
- Books and reading (1)
- Concerned Maine Families (1)
- Crooning (1)
- Emmett Till (1)
- Ernest Butler (1)
- Gay (1)
- Harold E. Richardson (1)
- History and criticism (1)
- Jazz singing (1)
- Jean Byers Sampson Center for Diversity (1)
- Judaica (1)
- Lesbian (1)
- Maine Ku Klux Klan (1)
- Maine Won’t Discriminate (1)
- Paris (1)
- Politics (1)
- Popular Music Studies (1)
- Racial identity (1)
- Publication
- Publication Type
Articles 1 - 12 of 12
Full-Text Articles in African American Studies
Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison
Bronx Soundscape: Reflections On The Multicultural Roots Of Hip Hop In Bronx Neighborhoods, Mark Naison
Occasional Essays
No abstract provided.
Street-Ball: The Myth Of The Ghetto Basketball Star, Vincent F. Mcsweeney
Street-Ball: The Myth Of The Ghetto Basketball Star, Vincent F. Mcsweeney
Honors Scholar Theses
In recent decades, countless scholars have examined the developing trend of African American dominance in United States’ professional sports. Many have hypothesized that this over-representation is caused by the presumed reliance on sports as an avenue out of poverty for the African American youths. This trend, it is believed, has a highly detrimental effect the African American community. In actuality, this argument is flawed because it works under the stereotypical assumption that the overwhelming majority of African Americans come from abject poverty. To dispel this fallacy, the author has analyzed the upbringings of each All-National Basketball League First Team player …
After Abolition: Britain And The Slave Trade Since 1807, Marika Sherwood, Christian Hogsbjerg
After Abolition: Britain And The Slave Trade Since 1807, Marika Sherwood, Christian Hogsbjerg
African Diaspora Archaeology Newsletter
No abstract provided.
Mamie Bradley's Unbearable Burden: Sexual And Aesthetic Politics In Bebe Moore Campbell's Your Blues Ain't Like Mine, Koritha Mitchell
Mamie Bradley's Unbearable Burden: Sexual And Aesthetic Politics In Bebe Moore Campbell's Your Blues Ain't Like Mine, Koritha Mitchell
Koritha Mitchell
This essay offers a reading of Bebe Moore Campbell's 1992 novel Your Blues Ain't Like Mine, which re-imagines the 1955 murder of Emmett Till and its aftermath. I argue that the novel is a tribute to Till and his mother, Mamie Bradley, but that it also illustrates the agony of being the survivor whose pain occasions such tributes. Through Delotha Todd, the character loosely based on Bradley, Campbell imagines the mother's burden to have been especially unbearable because so many strangers, including Campbell herself, claimed to share it. In the process of acknowledging the many facets Delotha's pain, Campbell …
Writing The Wrongs : A Comparison Of Two Female Slave Narratives, Miya Hunter-Willis
Writing The Wrongs : A Comparison Of Two Female Slave Narratives, Miya Hunter-Willis
Theses, Dissertations and Capstones
This thesis compares slave narratives written by Mattie J. Jackson and Kate Drumgoold. Both narrators recalled incidents that showed how slavery and the environment during the Reconstruction period created physical and psychological obstacles for women. Each narrator challenged the Cult of True Womanhood by showing that despite the stereotypes created to keep them subordinate there were African American women who successfully used their knowledge of white society to circumvent a system that tried to keep their race enslaved. Despite the 30 years that separate the publication of these two narratives, the legacy of education attainment emerges as a key part …
Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones
Tragic No More?: The Reappearance Of The Racially Mixed Character, Suzanne W. Jones
English Faculty Publications
During the nineteenth century and early in the twentieth, the tragic mulatto/a figured prominently in American fiction, only to recede after the Harlem Renaissance when African-American writers called for "race pride" and racial solidarity and to disappear entirely in the late 1960s after the Black Power movement ushered in racially conscious concepts such as "Black Is Beautiful." Since 1990, however, the mixed black-white character has made a significant comeback in American fiction. Contemporary representations suggest that choosing one's racial identity is only slightly less difficult than it used to be because of American society's conflation of skin color and identity. …
Black Girl In Paris: Shay Youngblood's Escape From "The Last Plantation", Suzanne W. Jones
Black Girl In Paris: Shay Youngblood's Escape From "The Last Plantation", Suzanne W. Jones
English Faculty Publications
Twentieth-century African-American writers have shared with their white American counterparts the expectation that in Paris they would find an community of writers and artists. And to varying degrees each did. Much like Edith Wharton, African-American writers viewed the French as a people who value art and creativity, the aesthete and the intellectual. And much like American writers from Hawthorne to Henry Miller, African-American expatriates viewed Paris as an "outlet for repressed sexuality," an unpuritanical place, which would allow, even encourage, people to live and love and create as the pleased. In Black Girl in Paris (2000) these are certainly the …
Performances Of Black Female Sexuality In A Hip Hop Magazine, Tova Joanna Johnson
Performances Of Black Female Sexuality In A Hip Hop Magazine, Tova Joanna Johnson
Dissertations, Theses, and Masters Projects
No abstract provided.
Following Tradition: Young Adult Literature As Neo-Slave Narrative, Kaavonia Hinton
Following Tradition: Young Adult Literature As Neo-Slave Narrative, Kaavonia Hinton
Teaching & Learning Faculty Publications
No abstract provided.
Re-Taking It To The Streets: Investigating Hip-Hop's Emergence In The Spaces Of Late Capitalism, Kevin Waide Kosanovich
Re-Taking It To The Streets: Investigating Hip-Hop's Emergence In The Spaces Of Late Capitalism, Kevin Waide Kosanovich
Dissertations, Theses, and Masters Projects
No abstract provided.
Diversity At The Ballot Box: Electoral Politics And Maine's Minority Communities, Post-Wwii To The Present, University Of Southern Maine, Selma Botman, Howard M. Solomon, Abraham J. Peck, Bob Greene
Diversity At The Ballot Box: Electoral Politics And Maine's Minority Communities, Post-Wwii To The Present, University Of Southern Maine, Selma Botman, Howard M. Solomon, Abraham J. Peck, Bob Greene
Publications (Annual Event Catalog)
As this year’s Sampson Center exhibition makes clear the powerful desire to find historical inevitability in the advance toward equal opportunity for all Americans has become far more nuanced by the sometimes discomforting reminders that advances at the ballot box are neither as clear-cut nor as unconditional as we once hoped. The ancient antipathies of racism, anti-Semitism, and homophobia are not so easily elided by political campaigns and elections. The pace of social consensus requires a degree of patience and continuing attention that tries the very fabric of American life while we attempt to comprehend the consequences of change wrought …
Crooning On The Fault Lines: Theorizing Jazz And Pop Vocal Singing Discourse In The Rock Era, 1955-1978, Vincent L. Stephens
Crooning On The Fault Lines: Theorizing Jazz And Pop Vocal Singing Discourse In The Rock Era, 1955-1978, Vincent L. Stephens
Vincent L Stephens
The critical boundaries drawn between pop crooning and jazz singing are less discrete than commonly perceived by critics and historians. Commercial choices rather than clear-cut aesthetic differences have influenced classifications of non-improvisers like Tony Bennett and Peggy Lee as “jazz” singers, a category presumed to represent the ultimate in vocal interpretation. Comparatively, singers like Johnny Mathis and Barbra Streisand are aesthetically similar to prerock crooners (PRCs) but typically understood as pop singers and thus on a lower interpretive tier. This article interrogates the binary by examining the overlaps and divergences between PRCs whose recording careers (mostly) began during the big …