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Full-Text Articles in African American Studies

The Confederate Flag, A College Mace And Becoming America Again, Joanne Braxton Aug 2015

The Confederate Flag, A College Mace And Becoming America Again, Joanne Braxton

Joanne Braxton

No abstract provided.


The City Is Full Of Bugs, Michael Stanley May 2015

The City Is Full Of Bugs, Michael Stanley

Michael A Stanley

This essay explores the use of symbolism and metaphor in Ralph Ellison’s Invisible Man, focusing on a particular scene inside Mary Rambo’s apartment in the middle of the novel. The use of symbolism in the novel is extensive, and many objects and characters serve as metaphors for social classes and groups, and often these representations also function as direct satire for various political groups, folkways, and the expectations or prejudices of the time period in which the novel is set. The objects and events that take place in Mary Rambo’s apartment go beyond symbolism to include a forecast of future …


'The Last Honest Film Critic In America': Armond White And The Children Of James Baldwin, Daniel Mcneil Dec 2014

'The Last Honest Film Critic In America': Armond White And The Children Of James Baldwin, Daniel Mcneil

Daniel McNeil

"McNeil draws on a genealogy of African American thought to demonstrate that, far from being an atavistic curmudgeon, Armond White's agitation against bloggers and amateur pundits represents an important and misunderstood voice in the current critic-audience debate. In a world flooded with unconsidered punditry, White --- and .... other writers influenced by James Baldwin --- remind us that artful critics consider it a public duty to respond to works of art honestly and to question the motives of other artists and critics" (Mattias Frey, Senior Lecturer in Film, University of Kent)


Ruby Dee, 1922-2014, Judith Smith Oct 2014

Ruby Dee, 1922-2014, Judith Smith

Judith E. Smith

Ruby Dee was a marvelously expressive actor, and a lifelong risk-taking radical committed to challenging racial and economic inequality. She made history as part of an extraordinary group of Black Arts radicals — including Paul Robeson, Lorraine Hansberry, Harry Belafonte, John O. Killens and Julian Mayfield, as well as her husband Ossie Davis — who actively protested white supremacy and thought deeply about the political implications of conventional racial representations, creating new stories and introducing new Black characters to convey deep truths about Black life.

In small parts and choice roles, Dee’s presence lit up stage and screen. In her …


Desire And Disaster In New Orleans: Tourism, Race, And Historical Memory, Lynnell Thomas Aug 2014

Desire And Disaster In New Orleans: Tourism, Race, And Historical Memory, Lynnell Thomas

Lynnell Thomas

Most of the narratives packaged for New Orleans's many tourists cultivate a desire for black culture—jazz, cuisine, dance—while simultaneously targeting black people and their communities as sources and sites of political, social, and natural disaster. In this timely book, the Americanist and New Orleans native Lynnell L. Thomas delves into the relationship between tourism, cultural production, and racial politics. She carefully interprets the racial narratives embedded in tourist websites, travel guides, business periodicals, and newspapers; the thoughts of tour guides and owners; and the stories told on bus and walking tours as they were conducted both before and after Katrina. …


The Young White Faces Of Slavery, Mary Niall Mitchell Jan 2014

The Young White Faces Of Slavery, Mary Niall Mitchell

Mary Niall Mitchell

No abstract provided.


Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith Smith Dec 2011

Civil Rights, Labor, And Sexual Politics On Screen In Nothing But A Man (1964), Judith Smith

Judith E. Smith

The independently made 1964 film Nothing But a Man is one of a handful of films whose production coincided with new civil rights insurgency and benefited from activists' input. Commonly listed in 1970s surveys of black film, the film lacks sustained critical attention in film studies or in-depth historical analysis given its significance as a landmark text of the 1960s. Documentary-like, but not a documentary, it offers a complex representation of black life, but it was scripted, directed, and filmed by two white men, Michael Roemer and Robert Young. This essay argues that the film's unusual attention to labor and …


Embodying Black Experience: Stillness, Critical Memory, And The Black Body, Harvey Young Dec 2009

Embodying Black Experience: Stillness, Critical Memory, And The Black Body, Harvey Young

Harvey Young

In 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. In "Embodying Black Experience," Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and …


Racial Contagion, Harvey Young Dec 2008

Racial Contagion, Harvey Young

Harvey Young

No abstract provided.


Criminal Injustice: Slaves And Free Blacks In Georgia's Criminal Justice System, Glenn Mcnair Dec 2008

Criminal Injustice: Slaves And Free Blacks In Georgia's Criminal Justice System, Glenn Mcnair

Glenn McNair

No abstract provided.