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Full-Text Articles in Musicology
Volume 52, Number 03 (March 1934), James Francis Cooke
Volume 52, Number 03 (March 1934), James Francis Cooke
The Etude Magazine: 1883-1957
Student Hardships that Lead to Success (interview with Elisabeeth Rethberg)
Studying the Pianissimo
Musical Courtesy
Composer's Workshop: How Composers Employ Simple Devices to Expand Their Musical Ideas
Irish Quartet
On Choosing a Musical Career
Music and the Ritual of the Dance in Ceylon: The Subtropical Themes and Rhythms that Have an Undying Allure
Pride of Personal Performance
Musical Pepper Box
Helps to Better Sight Playing
Cincinnati Symphony Orchestra: Its Origin, History and Activities
Slighted Finger
Teach All Keys in the Early Grades
Piano Accordion Band
Conducting a Practical Studio Piano Contest
Problem of the Baby Violinist
Story of Aloha Oe …
Volume 51, Number 07 (July 1933), James Francis Cooke
Volume 51, Number 07 (July 1933), James Francis Cooke
The Etude Magazine: 1883-1957
Discipline versus Coddling
Summer Progress in Music Study (interview with Ernest Hutcheson)
Some Fallacious Theories
Is Music a Language?
Johannes Brahms—Portrait
Playing Duets with Brahms
Destiny and a Brahms Autograp
Music's Role in Healing: History Reveals the Curious Use of Music in Therapeutics
Structure of Music: Counterpoint—The Interweaving of Melodies
To Improve Octaves
Scottish Song Stories
Making Music Teaching Opportunities
Musical Tea
Genius of Jessie L. Gaynor: An Intimate Picture of Remarkable Figure in American Musical Education
Those Interesting Scales
Lost Schubert Masterpiece
Vacation Practice Schedule
Volume 49, Number 02 (February 1931), James Francis Cooke
Volume 49, Number 02 (February 1931), James Francis Cooke
The Etude Magazine: 1883-1957
When I Arrived in the Metropolis
Social Art of Music (editorial)
Leschetizky as I Knew Him
Music Study in Paris
Report Card for Piano Work
Musik der Zeit: An Editorial Discussion of Present Day Gargoyles of Dissonance
Putting the Spirit into Spirituals
Accompanist
How Dvorák Taught Composition
Tie and Slur Confusion
Young Pupil Meditates
Educating the New Musical Public
Musical Greeting
Reports for Music Pupils
Music Versus Noise
Relaxing the Shoulders
Transposing for the Uninitiated
Remembering the Pupil
Volume 48, Number 11 (November 1930), James Francis Cooke
Volume 48, Number 11 (November 1930), James Francis Cooke
The Etude Magazine: 1883-1957
Faculty of the Curtis Institute of Music, Season 1930-31
Critical Digest of Music and Masters
To Count or Not to Count
How to Organize and Start a Piano Class
Fascinating Musical Dances I Have Seen East of Suez
Mother's Hand Leads the Way: Changing the Practice Hour from Drudgery to Delight
Christmas Party
Teresa Carreño as Teacher: Memories of a Remarkable Woman and Musician
Are You Able to Play Trills?
Sparks from the Musical Anvil of Today
Beauty of Bach
Ivory and Ebony Gymnasium
How to Place the Piano
That Concert Cough
Snapshot Sight Reading
Teacher-Parent Coöperation
Tales from the …
Volume 47, Number 08 (August 1929), James Francis Cooke
Volume 47, Number 08 (August 1929), James Francis Cooke
The Etude Magazine: 1883-1957
Father Bach: A Personal Visit to the Home of Bach and a Sketch of Some of the Smaller Compositions of the Master
How Shall We Study Bach?
Cleaning Up Slovenly Playing
Polyphonically Speaking
Bird Repertoires
How I Graduated as a Music Bachelor at Fifty-Nine
Building Scale Technic
Pianist and Patent Office: Odd Mechanical Contrivances Designed to Help Pianists
Universal Schubert
Thirty Great Opera Composers
Volume 46, Number 11 (November 1928), James Francis Cooke
Volume 46, Number 11 (November 1928), James Francis Cooke
The Etude Magazine: 1883-1957
Revolution in American Musical Education
Milan, the Shrine of the Opera
Johann Sebastian Bach (Etching)
Master Themes the World Loves Best
Antidotes for Unnecessary Platform Fear
Race and Nation in Music
Scale Writing Drill for Young Pupils
Egyptian Music: Sonds of the Ancient Land of Mystery
First Year Ear Training
Volume 43, Number 08 (August 1925), James Francis Cooke
Volume 43, Number 08 (August 1925), James Francis Cooke
The Etude Magazine: 1883-1957
Modern Ideas in Pianoforte Technic (interview with E. Robert Schmitz)
Developing a Sense of Rhythm
What Schubert Thought About
There is Music in the Air
Mirth and Music: A Midsummer Page of Merriment and Wit of the Famous Musicians, Taken from the Recent Highly Entertaining Book, Musical Laughs
Reading Music by Groups
Your Musical Memory—How to Enlarge It
Carmen's Half Century
Schubert's Daily Round
Virtuosity Versus Musicianship
Motives
Naming the Note Family
Systematic Practice Plan
Mastering Forearm Movements
John Brown, of John Brown's Body
Mean and Cranky
How to Select a Teacher
American Renaissance of Johann Sebastian Bach (interview with …
Volume 42, Number 10 (October 1924), James Francis Cooke
Volume 42, Number 10 (October 1924), James Francis Cooke
The Etude Magazine: 1883-1957
Recollections of Master Musicians and Master Pianists Whom I Have Known
What a Music Lesson Should Contain
Some Effects of Music
Pranks on Parnassus: How Great Composers Have Seen the Humorous and Joyous Side of Life
Finding the Right Fingers in the Right Time
Crossing Hands
Study Stimulants
From Wonderchild To Diva (interview with Marcella Sembrich)
Mirrors for Hand Position
Syncopated Pedal
Lesson on Stems
How to Go About Studying Bach's Well-Tempered Clavier: Progressive Order in Which to Take Up Each Number
Something About Accents
Immortals Protest Against Jazz: Brahms, Grieg, Mendelssohn, Rubinstein and Schubert Strike for their Right
Things …
Volume 38, Number 07 (July 1920), James Francis Cooke
Volume 38, Number 07 (July 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Know How in the Art of Singing (interview with Mary Garden)
Summer Activities of the Music Teacher
Music and Mechanics
Why Use the Letter C in 4/4 Time?
What Every Piano Student Should Know About Pedaling
Technic or No Technic? Which?
Best Remedy I Have Ever Found for Nervousness in Public Performance
Secrets of the Success of Great Musicians
Good Beginning
Memories of Rubinstein and Liszt
Why Go to Pieces?
Make Your Left Hand Intelligent
Musical Patriotism
Strengthening the Weaker Digits
Where Does Father Come In?
Helpful Hints on Arpeggio Fingering
Illustration and Story in Piano Teaching
That Loud Pedal …
Volume 37, Number 06 (June 1919), James Francis Cooke
Volume 37, Number 06 (June 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Professional Accompanist
Ten Golden Rules for Piano Study
Pianist and Time Values
Imperfection of the Musical Scale
Silent Rhythm
How to Study the Two-Voiced Inventions of Bach
Rock Bottom of Pianistic Progress
Talking and Doing
Muscular Action in Piano Playing
Make Technic Your Servant—Not Your Master
Practical and Helpful Ideas from the National Convention of the Music Teachers' National Association: What Active Teachers are Thinking and Saying
When Nero was Studying Singing
Out—Back at 2.30
Bible Operas
Cultivating Confidence in the Child
Famous Salon Compositions and Their Composers: Pieces Everybody Knows and the Musicians Who Wrote Them
Making the Summer …
Volume 37, Number 02 (February 1919), James Francis Cooke
Volume 37, Number 02 (February 1919), James Francis Cooke
The Etude Magazine: 1883-1957
Are You Loyal to Your Art?
How to Play Two Notes Against Three and Other Unusual Rhythmic Combinations
What Helped Me Most in My Career
How to Correct Common Rhythmic Blunders
Weak Spot in Piano Teaching
String Wind Instrument
Technical Roads to Piano Success
Pieces that Advertise the Teacher
He Didn't Have to Learn
Secrets of Success of Great Musicians
Touch in Piano Playing
Leo Ornstein, Composer and Pianist
Overtures, Past and Present
When and How to Begin the Study of Bach
Bach for Beginners
Neglected Bass Note
Telling the Pupil How to Practice
Has the Art of the Piano …
Volume 27, Number 10 (October 1909), James Francis Cooke
Volume 27, Number 10 (October 1909), James Francis Cooke
The Etude Magazine: 1883-1957
Their Obstaclesnd How They Overcame Them: Difficulties That Have Beset the Paths of the Foremost Masters and the Way in Which They Fought and Triumphed
How Music Began
Nervousness—How and When to Prevent It
Analysis of Beethoven Sonata, Opus 14, No. 2, First Movement
Inspiration of Bach's Piano Music
Mendelssohn's Compositions
Grieg at the Keyboard
How to Conduct Pupils' Musicales: Some Practical Hints Regarding the Students' Recital Gleaned from Practical Experience
How the Staccato Touch Broadens Technic
Schumann on Liszt's Playing
Peculiarities of Hungarian Music
Correcting Mistakes at the Lesson
Determining the Lesson Price
Volume 25, Number 05 (May 1907), Winton J. Baltzell
Volume 25, Number 05 (May 1907), Winton J. Baltzell
The Etude Magazine: 1883-1957
Musician's Holiday in Central Europe: Summer Music in Germany
Liszt's Love for the Piano
TTo the Graduates in Music: A Baccalaureate
Scales and Scale Playing: Their Place in Modern Piano Playing (Prize Essay)
Minnesinger
Education of the Masters
Conservatory Musical Society—What it Can Do for Members
Suggestion to Stimulate American Composition
Teaching Pieces by Godard
Some Leipzig Teachers of Fifty Years Ago
Volume 18, Number 11 (November 1900), Winton J. Baltzell
Volume 18, Number 11 (November 1900), Winton J. Baltzell
The Etude Magazine: 1883-1957
Slow Practice
Difference in Fractions
Teaching: Its Purpose and Its Influence upon Music at Large
Ideas for Teaching Children
True Basis of Teaching
Playing or Non-Playing Teachers
Mental Attitude of Teacher and Pupil
Letter to a Young Composer
Primary Teaching, Part 2
How to Begin the Study of Bach
Teacher's Fertility
Home-Circle Critics
Some Points of Success
Talking Lessons Not All
Rapid Memorization of Key Signatures
Art of Holding Pupils
Look up to Bach
Volume 17, Number 02 (February 1899), Winton J. Baltzell
Volume 17, Number 02 (February 1899), Winton J. Baltzell
The Etude Magazine: 1883-1957
Should the Last Note under a Slurred Group be Played Staccato
One Step Toward Success
Playing for Parents
Self-Playing Pianos
Story of Paderewski's Minuet
Beethoven's American Biographer
American in Music
Covering Ground
On the Revival of Mozart's Works
Musical Millennium
Interesting Incident
On the Expediency of Playing Without Looking at the Keyboard
Nervous Pupils
Comments by Emil Liebling
Some Common Faults
Teachers and Pupils
Word of Encouragement to Young Pianists
How to Treat Pupils Who Have Previously Studied with Another Teacher (Symposium)
Foundation Teaching
Street-Organ as a Musical Educator
Am I a Good Teacher? How Can I Improve?
The Invasion …
Volume 06, Number 09 (September 1888), Theodore Presser
Volume 06, Number 09 (September 1888), Theodore Presser
The Etude Magazine: 1883-1957
How to Acquire a Sympathetic Touch
Summer Music Schools
Cost of Studying Abroad
Professional Courtesy
Some Thoughts for Music Teachers
Musical Pharisee
Sight Reading Before Memorizing
Studies and Their Importance
Work of the American College of Musicians
Dead Teachers
Solved—A Vexed Question
Teaching Beginners
Open for Discussion
Crazy Patch of Musical Memories
Harmonic Scale
Volume 04, Number 11 (November 1886), Theodore Presser
Volume 04, Number 11 (November 1886), Theodore Presser
The Etude Magazine: 1883-1957
Liszt from Another Point of View
Arm in Piano-Forte Playing
Tone Question Again
Our Musical Bringing Up
On Two Points in Piano-Forte Teaching
Music Teaching from a Psychological Standpoint
Shall Playing from Memory be Encouraged
Future of Music in America
Nature of Harmony
Grumble from Old Fogy
Music Teachers' Class Book
Techniphone Idea