Open Access. Powered by Scholars. Published by Universities.®
- Institution
- Keyword
-
- German music (4)
- German studies (4)
- Third Reich (4)
- Music (3)
- Musicology (3)
-
- Enlightenment (2)
- France (2)
- Italy (2)
- Music history (2)
- Naples (2)
- Partimento (2)
- Adolf Hitler (1)
- Album amicorum (1)
- Anne Ford (1)
- Armonica (1)
- Autograph book (1)
- Bach (1)
- Beauchamp-Feuillet (1)
- Benjamin Franklin (1)
- Branle (1)
- Courante (1)
- Dance notation (1)
- Dancing-master (1)
- European History (1)
- Feuillet (1)
- French court dance (1)
- French dance (1)
- French dance music (1)
- German opera (1)
- German politics and society (1)
- Publication
- Publication Type
Articles 1 - 10 of 10
Full-Text Articles in Musicology
Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis
Review Of Michael Kater, The Twisted Muse: Musicians And Their Music In The Third Reich (New York And Oxford: Oxford University Press, 1997), David B. Dennis
David B. Dennis
No abstract provided.
Review Of Pamela M. Potter, Most German Of The Arts: Musicology And Society From The Weimar Republic To The End Of Hitler’S Reich (New Haven And London: Yale University Press, 1998), David B. Dennis
David B. Dennis
No abstract provided.
Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis
Review Of Erik Levi, Music In The Third Reich (New York: St. Martins Press, 1994), David B. Dennis
David B. Dennis
No abstract provided.
Johannes Brahms's Requiem Eines Unpolitischen, David B. Dennis
Johannes Brahms's Requiem Eines Unpolitischen, David B. Dennis
David B. Dennis
No abstract provided.
"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis
"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis
David B. Dennis
A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.
Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman
Gustave Vogt's Musical Album Of Autographs: A Scholarly Edition, Kristin Leitterman
Dissertations, Theses, and Capstone Projects
Gustave Vogt (1781–1870) was the most famous oboist in Europe during the mid-nineteenth century. Throughout his career he played with the best orchestras in Paris, toured Europe widely, and also taught the next generation of oboists at the Paris Conservatoire from 1802–1853. Although many of the details of his life have been lost to history, he did leave behind a record of the esteem in which he was held. This is preserved physically in the form of an album of short musical compositions honoring Vogt, collected between 1831 and 1859. The album has never been published, and is in the …
Eighteenth Century Women And The Business Of Making Glass Music, Kate M. Hepworth
Eighteenth Century Women And The Business Of Making Glass Music, Kate M. Hepworth
History
During the relatively short period from the mid-to-late eighteenth century when glass musical instruments were manufactured and gained popularity, several women made names for themselves in the realm of avant-garde musical performance. The lives of three female glass instrument players: Anne Ford, Marianne Davies, and Marianne Kirchgassner, show how these successful performer-entrepreneurs operated in an age of emerging feminine public identity. Their journeys reveal much about the gender dimensions of the age, the role of music in the modern era, the consumption of it, and their approach to business. The financial opportunities presented to women looking to challenge the limitations …
French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam P. Rinehart
French Society Abroad: The Popularization Of French Dance Throughout Europe, 1600-1750, Adam P. Rinehart
The Research and Scholarship Symposium (2013-2019)
This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal …
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Research and Scholarship Symposium (2013-2019)
This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing the central …
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
Music and Worship Student Presentations
This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing the central …