Music Practice Commons^™

Volume 70, Number 08 (August 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Making of a Violinist (interview with Michael Rabin)

Piano Classes—More Work, But Worth It!

Municipal Band Extraordinary

Toy Symphony

To Those High School Juniors and Seniors, Why Not Music?

Wisdom from a Master Virtuoso

Building a Lending Library of Piano Music!

Let Them Sing!

Making the Organ Pay Dividends (interview with Richard Leibert)

Piano Lessons We All Enjoy Relaxation Through Music

Volume 70, Number 07 (July 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Highway to Heaven

Traditions and Methods (interview with Jean Casadesus)

What is Bel Canto?

After the Studio (interview with Eileen Farrell)

And What About the Electronic Carillon?

On Being a Concert Artist Male Chorus—Step-Child of Music?

Mrs. Music Teacher Speaks

Challenge to the Concert Violinist

Fun with Rhythm

Summer Scrap-Book

An Analysis Of Six Elementary Clarinet Methods With A Guide For The Teaching Of Elementary Clarinet, Reign Hugh Shipley

Morehead State Theses and Dissertations

A thesis submitted to the Department of Education of Morehead State College in partial fulfillment of the requirements for the Degree of Master of Arts in Education by Reign Hugh Shipley in July of 1952.

Volume 70, Number 06 (June 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Jean Sibelius—Master of Järvenpää

Music is an Indivisible Whole (interview with Nicole Henriot)

Choosing the Right Vocal Teacher

Contacts for Artist Students

Music at International Friendship Gardens

Casals' Approach to Teaching the Cello

I'll Take the Low Road Children Who Could Never Learn Music, But Did

Seventy Continuous Years in Music

Volume 70, Number 05 (May 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Hammer-Finger or Perfect Finger

Hear Yourself as Others Hear You (interview with Astrid Varnay) What Were They Doing, Daddy?

American Industry in Music

That New York Début Recital

Man—Handel

Disc-Jockeys and American Music (interview with Paul Whiteman)

Careers of Service in Sacred Song (interview with George Beverly Shea)

Theobald Böhm—A Tribute: How His Work Influenced the Development of the Modern Orchestra, and Widened the Scope of the Composer

Their Time Isn't Your Time

Improving Orchestral Musicianship (interview with Efrem Kurtz)

Volume 70, Number 04 (April 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Getting Your Pupils to Practice: A Human Problem

Points on Piano Study Would You Like to Become a Successful Singer?

Touring Boy Choir

Here is Mary Garden

Short Cuts in Music Education

First Aid for the Amateur

Music for Main Street

Swedish Nightingale in America

Place of Technique in Advanced Study

Volume 70, Number 03 (March 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Points on Piano Teaching (interview with Isidore Philipp)

Master of Melody

Inspiration of Defeat

Accompanying the Ballet Class Audio-Visual Aids for the Music Educator

Your Voice After Fifty Years?

Bach and Bernie

Music from an Unstrung Violin Singing Towers of North America, Part 2

Give 'Em a Chance

Volume 70, Number 02 (February 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Some Highlights of Artur Schnabel's Teaching

Singing Towers of North America

Young Career (interview with Barbara Gibson)

Hand and the Keyboard (interview with Artur Schnabel)

Strictly Professional Rural Delivery Service for Music Lessons

Genius of Artur Schnabel

Separate Preparation for Joint Concerts

Pops Recitals Prove Their Worth

How Musicians Can Save on Income Tax

Volume 70, Number 01 (January 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Modern Harp Technique: Gestures Have a Vital Part in Playing the Harp (interview with Carlos Salzedo)

Flexible Staff-Pianist: The Musical Handyman of the Broadcasting Studios—That's the Staff Pianist

Joys of Sonata Playing

Lost Music of Yesterday

New Idea in Music Education

Why Not Women in Orchestras?

Gentle Giant

Power of Concentration

Musical Cop

Music Education in Elementary Schools

So Your Child Won't Practice

Volume 70, Number 12 (December 1952), Guy Mccoy

The Etude Magazine: 1883-1957

Christmas Love (Poem)

Concert Artist and His Community (interview with Alfredo de St. Malo)

Play Carols All-American, Too

Sixty Years Since Gilmore

Music Appreciation—Family Style

New Approach to Voice Training

Music: America's Global Ambassador of Good Will

Economics for the Music Teacher

Nativity: Christmas Program for Pianist and Narrator, Singer and Chamber Singers

Little Ol' Lady with Music in Her Soul

Adventures of a Piano Teacher

Volume 69, Number 11 (November 1951), John Briggs

The Etude Magazine: 1883-1957

Fine Times Ahead for Music and Musicians

Pupils Talk it Over

Singing Voice—Speaking Voice

All Music Reading is Sight Reading

It's Time to Pay Tribute

Philosophy of Conducting (interview with Guido Cantelli)

School Music Teacher Speaks

Atonality Today Singer's Breath, Part 2

Musicians as Inventors

You Need More Than Talent!

Volume 69, Number 10 (October 1951), John Briggs

The Etude Magazine: 1883-1957

Can Your Marching Band March?: Poor Band Performance Results form Inefficient Organization by the Director and His Bandsmen

Role of Harmonics in Music

You're an Army Organist Now

Bring Music Into Your Practice

Orchestra in Education, Part 2

How High the Mountains!

Technique of Conducting: The Best Conducting Achieves Maximum Musical Results with Minimum Effort

Springboard is Faith (interview with Jan Peerce)

Our Family Makes Music

Rigoletto at Indiana University Singer's Breath

Volume 69, Number 09 (September 1951), John Briggs

The Etude Magazine: 1883-1957

Students Must Help Themselves

Get Rid of Your Stage Fright

Eddie Has Ears

Orchestra in Education

What TV Opera Needs (interview with Peter Herman Adler)

Don't Imitate Your Teacher: Vocal Students Often Copy the Mannerisims, Rather than the Virtues, of More Experienced Singers

Nebraska Farm Woman Takes Piano Lessons

Man Behind the Fiddler

Broadcasting a Student Workshop

Accompanist Sets the Mood

Volume 69, Number 08 (August 1951), John Briggs

The Etude Magazine: 1883-1957

Young Man with an Idea

Forgotten Songs of Robert Burns

Musicians in the Woods

Let's Teach the Child How to Practice

Musician's Working Capital

Music Weaves Patterns

Bruckner and the St. Florian Organ

Decline of the Art of Singing: If Bel Canto is a Lost Art, It May be the Fault of Composers Rather than of Singers

Master Lesson on Schumann's Novellette, Op. 99, No. 90

Sing as You Speak

Capturing Interest in Music

Studio Rogues' Gallery

Story of the Baton

Volume 69, Number 07 (July 1951), John Briggs

The Etude Magazine: 1883-1957

Bayreuth

Bayreuth 1876 . . . The First Festival

Richard Wagners Seen by the Press

Burrell Collection

Turbulent Life of Richard Wagner

Small Recitals Do Pay: A Tried and Workable Answer to the Question of How to Inspire Pupils to Practice

High Larynx—Hazard for Singers

Volume 69, Number 06 (June 1951), John Briggs

The Etude Magazine: 1883-1957

Side of the Angels: The President of Julliard School, One of America's Outstanding Composers tells June Graduates

How to Succeed in Music

How Do I Get a Manager?

How to Get Started on Your Career as a Piano Teacher (interview with Arthur Judson)

Teachers I Have Known

How to Dress for a Concert

Make the Most of Your Recital Debut!: A Well-Chosen Program Can Help Your Professional Career to a Good Start

Too Many Languages

Great Kreisler Hoax

Accommodations are Plentiful This Year at the European Festivals

Aspen

Adventures of the Trill

Master Lesson on Johann Sebastien Bach's Gavotte from …

Volume 69, Number 05 (May 1951), John Briggs

The Etude Magazine: 1883-1957

Music at the Festival of Britain: Performers and Listeners Will Gather in England this Month for a Gala Once-in-a-Century Celebration

Singing Patrolmen: New York's Finest Sing to Prevent Traffic Accdients, to Welcome Visiting Dignitaries, and Just for the Fun of Singing

There's Music in Your Piano

Singer's Voice and the Sinuses of the Nose

Teaching is Selling Planning a Choral Rehearsal: For Best Results, Each Step Should be Carefully Mapped Out in Advance

Immortal Trifles, of Gilbert & Sullivan

Master Lesson on Beethoven's Sonata Pathétique

Program Note for Aaron Copland's Appalachian Spring

How Sweet Adeline Got Its Name: America's Favorite …

Volume 69, Number 04 (April 1951), John Briggs

The Etude Magazine: 1883-1957

Dilemma in Detroit: Survivors of the Detroit Symphony Support Themselves with Odd Jobs and Look for a Successor to Sponsor Henry Reichhold

Zoltan Kodaly was my Teacher

How to Teach Adult Beginners

Music Has No Short-Cuts: Solid Careers Emerge Only for Unhurried, Systematic Training (interivew with Joseph Fuchs)

It's Free—It's Fun—It's Forum!

More About the Pharyngeal Voice: Widely-Used Method in the Golden Days of Italian Bel Canto

Class Piano Teaching Gets Results . . . A Successful Teacher Reveals the Formula She Has Developed Through Years of Trial and Error

Sing with Your Fingers

Volume 69, Number 03 (March 1951), John Briggs

The Etude Magazine: 1883-1957

Problem of Sincerity

There's Music in Stamps

Every Voice is a Problem

How Do You Look to Your Audience? (interview with Basil Rathbone)

Shall I Teach My Students Popular Music?

Don't Force the Issue!

Notes of an Amateur Violin Maker

Ernest Ansermet

Master Lesson on Handel's Sonata in D Major (Larghetto and Allegro)

Volume 69, Number 02 (February 1951), John Briggs

The Etude Magazine: 1883-1957

Thoughts at 70

Music Teaching as a Profession

Jeanie Was a Lucky Girl

Origin of the Fugue

It's All Done with Muscles! (interview with Andor Foldes)

Singing Can Be Simple

That Inevitable Symphony

Deficit Master Lesson on Richard Strauss's Morgen

Volume 69, Number 12 (December 1951), John Briggs

The Etude Magazine: 1883-1957

Day of Days (Poem)

What Do Christmas Carols Mean to You?

New Horizon for Piano Teachers: The Elementary Classroom Teacher Needs a Background of Piano Study

Christmas at the Panama Canal

Play Lessons for the Pre-School Age

What I've Learned in Judging Competitions (interview with Jesus Maria Sanroma)

Grass Roots of Opera in America: Colleges and Universities Set the Pace in Creating Opera Centers Throughout U.S.

Special Christmas Programs Are Rewarding

Covered Tone—What is It?

This Choir Goes Big Time: Doctors, Lawyers, Salesmen, Housewives, Salesladies—All Join Their Voices in This Inspired Group

Do You Teach Piano or Piano Music?

Volume 69, Number 01 (January 1951), John Briggs

The Etude Magazine: 1883-1957

Most Potent Musical Forces of the First Half of the Twentieth Century Were . . . Achille Claude Debussy, Igor Stravinsky, Arnold Schoenberg, Maurice Ravel, Richard Strauss, Paul Hindemith, Arturo Toscanni, George Gershwin, Bela Bartok, Serge Prokofieff, Jan Sibelius

What is Happening to Music in America

Modern Music: The First Half Century

Let's Give Them a Rest!: Five Overworked Piano Pieces by Mendelssohn, Chopin, Debussy, and Rachmaninoff Should be Retired in Favor of Less-Hackneyed Numbers

Rhythm Makes the Music Go

How I Stage an Opera (interview with Margaret Webster)

Art of Mezza-Voce Singing

Some Thoughts on How to Perform Bach …

Aria Da Capo : An Opera In One Act, Burdette Marion Fore

University of the Pacific Theses and Dissertations

Foreword to Aria Da Capo

The libretto of the opera is a verbatim setting of Edna St. Vincent Millay's one act play "Aria da Capo." World events, especially World War II and the current Korean War influenced the choice of this timely, yet timeless play. Miss Millay's death occurred during the composition of the opera. She never knew, therefore, of the composition or performance of her play as an opera.

The form of the opera is that of the "da capo" aria. he form, of course, was determined by the play which ends exactly as it started. Thematic material consists …

Volume 68, Number 12 (December 1950), John Briggs

The Etude Magazine: 1883-1957

Christmas Gifts for the Music Lover

Story of Notation: Byzantine Neumes, Jewish Cantillation Signs and a 10th-Century Monk's Clever Idea Contributed to the Evolution of the System We Know Today

I Want a Christmas Story

Albert Schweitzer Was My Teacher (interview with Lucie Chenevert Lawson)

How to Write a Song (interview with Sigmund Romberg)

Student Recital . . . 1950 Style

Christmas Music in Mexico

Technique and Musicianship

It's Easy to Read Music

Master Lesson on Chopin

Mazurkas in F Major and G Sharp Minor

How Many Christmas Songs Do You Know?

Volume 68, Number 11 (November 1950), John Briggs

The Etude Magazine: 1883-1957

In Defense of Kirsten Flagstad

Good Singing Takes Time (interview with Giuseppe De Luca)

Pipers of the Highlands

Truth About Conducting Horse & Buggy

Teacher All-Star Circus Band

How Jean de Reszke Taught Singing

Master Lesson on Chopin's Etude in F Minor

How to Build a Piano Class

Pharyngeal Voice

Volume 68, Number 10 (October 1950), John Briggs

The Etude Magazine: 1883-1957

Geroge Gershwin . . . as I Knew Him

What Every Parent Should Know

How Jean de Reszke Taught Singing

Will Your Students Succeed in Music?: Psychologic Testing Has Eliminated the Guess-Work in Evaluating Pupils' Innate Musical Talent

Breathing is Everything Exit—The Church Quartet

Faust and the Devil

Master Lesson on Chopin's Etude in A-Flat Major

Volume 68, Number 09 (September 1950), John Briggs

The Etude Magazine: 1883-1957

Audiences I Have Known

Arnold Schoenberg's New World of Dodecaphonic Music

Tuner's Tantrum

Music is My Hobby

I Learned Piano at 50

Master Lesson on Shostakovitch's Polka from The Golden Age

Volume 68, Number 08 (August 1950), John Briggs

The Etude Magazine: 1883-1957

Delius in America

Interlochen Holiday

What to Do About the Child Prodigy

When Chautauqua Hit South Branch

School for Conductors

How Schumann Became a Composer

Opportunity Starts in Your Home Town

Invent Your Own Exercises

Master Lesson on Mozart's Fantasia in D Minor

Organ Questions

New Records Artist's Obligation

Music is My Hobby (Edward J. Doyle)

Volume 68, Number 07 (July 1950), John Briggs

The Etude Magazine: 1883-1957

Johann Sebastian Bach . . . His World What Bach Edition Shall I Play?

What Sort of Man Was J.S. Bach?

Johann Sebastian Bach: The Teacher Draft for a Well-Appointed Church Music (from The Bach Reader)

Search for Bach's Grave

Heirs to Bach's Genius Instruments of Bach's Day

I've Always Wanted to Play the Piano

WQXR . . . Radio's Wonder Station

Volume 68, Number 06 (June 1950), John Briggs

The Etude Magazine: 1883-1957

Tanglewood: A Mountain Holiday, Summer Study for Gifted Students and One of America's Most Glorious Music Festivals

Opportunities for the Music Counselor

What is Singing?

Master Your Flute Tone (interview with Julius Baker)

Athletes at the Keyboard Wedding

Etiquette for the Organist

Deafness Comes Hard to Music-Lovers, but They Can Hear Now

Master Lesson on Chopin's Waltz in A-Flat Major, Op. 69, No. 1