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Full-Text Articles in Music Practice

Curriculum Vitae, Dominic Dousa May 2009

Curriculum Vitae, Dominic Dousa

Dominic Dousa

The pdf document includes my current Curriculum Vitae.


Professional Biography, Utep Department Of Music Website, Dominic Dousa May 2009

Professional Biography, Utep Department Of Music Website, Dominic Dousa

Dominic Dousa

The attached link will take you to my homepage at the UTEP Department of Music website, where a fuller biography can be found.


"Korean Psalm (Psalm 23)" For Tenor Voice And Piano, Dominic Dousa May 2009

"Korean Psalm (Psalm 23)" For Tenor Voice And Piano, Dominic Dousa

Dominic Dousa

A performance of my original composition by Sang-In Han (tenor) and Dominic Dousa (piano). The work is a setting of selected verses of Psalm 23 in Korean. It was composed for Dr. Han's lecture recital of Korean Art Song.


Statement Of Artistic Philosophy, Dominic Dousa May 2009

Statement Of Artistic Philosophy, Dominic Dousa

Dominic Dousa

The pdf file includes my statement of artistic philosophy.


"Departed Days" For Satb Choir And Piano, Dominic Dousa May 2009

"Departed Days" For Satb Choir And Piano, Dominic Dousa

Dominic Dousa

A performance of my original composition by the UTEP University Chorale, conducted by William McMillan.


Statement Of Philosophy On Teaching, Research, And Service, Dominic Dousa Apr 2009

Statement Of Philosophy On Teaching, Research, And Service, Dominic Dousa

Dominic Dousa

The pdf file includes my statement of philosophy on teaching, research, and service.


"Hymn Of Trust" For Satb Choir And Piano, Dominic Dousa Apr 2009

"Hymn Of Trust" For Satb Choir And Piano, Dominic Dousa

Dominic Dousa

A performance of my original composition by the UTEP University Chorale, conducted by William McMillan.


List Of Original Compositions, Chronological, Dominic Dousa Apr 2009

List Of Original Compositions, Chronological, Dominic Dousa

Dominic Dousa

The pdf document lists original compositions by date. For works with audio files available, the category in which those recordings may be found is given.


List Of Original Compositions, By Genre, Dominic Dousa Apr 2009

List Of Original Compositions, By Genre, Dominic Dousa

Dominic Dousa

The pdf document lists original compositions by genre. For works with audio files available, the category in which those recordings may be found is given.


"Mountain Song" For Viola And Piano (Lubbock, Tx), Dominic Dousa Apr 2009

"Mountain Song" For Viola And Piano (Lubbock, Tx), Dominic Dousa

Dominic Dousa

A performance of my original composition by Renee Skerik (viola, Texas Tech University) and Susan Wass (piano, Texas Tech University).


Recital, Utep Faculty Recital Series (April 4, 2009), Dominic Dousa Apr 2009

Recital, Utep Faculty Recital Series (April 4, 2009), Dominic Dousa

Dominic Dousa

A faculty recital presentation by Melissa Colgin-Abeln (flute), Orit Eylon (mezzo soprano), Michael Way (graduate student, cello) and Dominic Dousa (piano).


Conductor's Guide To Mark Camphouse's "To Build A Fire", Amanda L. Kastner Apr 2009

Conductor's Guide To Mark Camphouse's "To Build A Fire", Amanda L. Kastner

Senior Honors Theses

This thesis is a guide to understanding and performing Mark Camphouse’s composition, To Build A Fire. The thesis includes a biography of Jack London and a literary analysis of London’s short story “To Build A Fire,” upon which the composition is based. Musical analysis of the Camphouse composition, rehearsal considerations, and performance considerations are also discussed. The literary analysis provides background for the composition and a starting platform for the musical analysis. The musical analysis parallels the composition with the short story. This analysis also provides some technical considerations of the instrumental parts. The rehearsal considerations include a rehearsal plan, …


List Of Commissioned Compositions, Dominic Dousa Mar 2009

List Of Commissioned Compositions, Dominic Dousa

Dominic Dousa

The pdf document lists compositions commissioned by musicians and musical organizations, with details about the occasion for which the work was written. For works with audio files available, the category in which those recordings may be found is given.


"Mountain Song" For Viola And Piano (Cleveland, Oh), Dominic Dousa Mar 2009

"Mountain Song" For Viola And Piano (Cleveland, Oh), Dominic Dousa

Dominic Dousa

A performance of my original composition by Renee Skerik (viola, Texas Tech University) and James Housman (piano, Oberlin College).


"Departed Days" For Satb Choir And Piano, Dominic Dousa Feb 2009

"Departed Days" For Satb Choir And Piano, Dominic Dousa

Dominic Dousa

A performance of my original composition by the UTEP University Chorale, conducted by William McMillan.


Solo Composition Recital (February 17, 2009), Dominic Dousa Feb 2009

Solo Composition Recital (February 17, 2009), Dominic Dousa

Dominic Dousa

Faculty Compositon Recital, presented by Renee Skerik (viola, guest artist from Texas Tech University), the Texas Tech University Viola Choir, and Dominic Dousa (piano). Also included performance of Milhaud's "Sonata No. 1 for Viola and Piano".

Performances of the following original compositions:

"Mountain Song"

"Two Pieces for Viola Choir"

Sonata for Viola and Piano, 'From a Land Wild and Free'


"Evocations From The Plains" For Piano Quintet (El Paso, National Chamber Music Fesitval), Dominic Dousa Jan 2009

"Evocations From The Plains" For Piano Quintet (El Paso, National Chamber Music Fesitval), Dominic Dousa

Dominic Dousa

A performance of my original composition by the Biava String Quartet and Doris Stevenson (piano).


Chrome Pieces, Randall Snyder Jan 2009

Chrome Pieces, Randall Snyder

Randall Snyder Compositions

Chrome Pieces (2009)

I Incisive

II Veiled

III Plaintive

IV Manic

V Elegaic

Program notes: Chrome Pieces is in part an exploration of the coloristic capabilities of the brass quintet. Consisting of mostly fast, relatively concise music, the quintet features solos and duets in the inner movements while emphasizing full, equal ensemble participation in I and V, somewhat suggestive of the arch form. Further symmetry is provided by the use of mutes in II and IV. The opening movement, cast in three sections, is built around a marcato four-note figure yielding to a softer, lyric middle section. The tuba is …