Music Practice Commons^™

Aum314.1 Music For Non-Linear Narrative Example 2, Sae Institute

Exemplars

HD / Exceeds Specification exemplar for AUM314.1 - Music for Non-Linear Narrative

Aum314.1 Music For Non-Linear Narrative Example 1, Sae Institute

Exemplars

Exceeds Specification exemplar for AUM314.1 - Music for Non-Linear Narrative

Aum314.2 Music For Non-Linear Narrative Example 1, Sae Institute

Exemplars

HD / Exceeds Specification exemplar for AUM314.2: Music for Linear Narrative

Franz Schubert, Overture In The Italian Style D. 591, Transcribed For Band By Randall Snyder, Randall Snyder

Randall Snyder Compositions

In 1817, in response to the Italian craze sweeping Vienna, the 20yr Schubert wrote two Overtures “in the Italian Style”. In particular, the second of these, D.591, captures the spirit of Rossini. It begins with a gently portentous slow introduction. After a brief pause, the tempo increases with a sprightly melody, its dotted rhythms echoing Rossini. Another theme is introduced before the eruption of one of those famous slow-building, repetitive “Rossini crescendos.” A repeat of this music leads tp a faster tempo and the Overture’s exciting conclusion.

duration: c. 7 minutes

Instrumentation: Flute 1, Flute 2, Oboe, Bassoon, Clarinet in …

Sanjo Nova, Randall Snyder

Randall Snyder Compositions

Sanjo Nova is a reimagining of the traditional Korean solo instrumental genre that developed during the late 19th and early 20th centuries. It expands the number of performers to a trio, and, along with the Changgo drum, uses the violin and cello, suggesting the Haeguem and Komungo. The work follows the general slow to fast form, using aspects of traditional Changdans (rhythmic patterns). Unlike the traditional Sanjo however, this piece is an arch form, with decreasing energy in the second half, arriving at the slow Chungmori tempo at the end. Janggu should play in the folk style, using a mallet …

Abstract Visions, Randall Snyder

Randall Snyder Compositions

American Visions is a musical portrait of six mid-century American Abstract Expressionist painters.

Arshile Gorky (1904-1948) uses twisted, elegant lines in 'biomorphic' forms in his abstract paintings along with an overlay of colors, synthesizing Surrealism with abstraction. Helen Frankenthaler (1928-2011) is identified with the use of fluid shapes, abstract masses, and lyrical gestures. She used formats on which she painted, generally, simplified abstract compositions.staining into raw canvas Willem de Kooning (1904–1997) painted in a style that came to be referred to as "action painting” .The female figure is an important umage.. Mark Rothko (1903-1970) evolved to a style best known …

Saffron Paths: A Suite Of Asian Pieces, Randall Snyder

Randall Snyder Compositions

Flute Violin Cello Harp (optional piano)

Saffron Paths traces an imaginary musical journey though the Near East and Asia with stops in Persia, India, China, Korea and Japan, blending elements of Western and Eastern musical usage. It is designed as a suite that, in addition to a complete performance, individual movements can be performed separately.

Shiraz, inspired by a poem of Hafez (1325-1388), features a heterophonic melody and additive rhythms used in Arabic and Islamic music.

Bengali Night incorporates some aspects of classical Hindustani music including the tambura drone and Raga suggested by the Lydian mode.

Chinoserie (European imitation of …

Janus Quartet, Randall Snyder

Randall Snyder Compositions

flute

Bb clarinet

Eb alto saxophone

bassoon

program note This trio is a reworking of music originally written for piano in 1965 when the composer was 21 yrs. old. The 2020 revision attempts to both preserve and expand the basic characteristics of the original material..

duration: c. 9:30

Transposed Score (24 pp)

Janus Trio, Randall Snyder

Randall Snyder Compositions

flute

Bb clarinet

bassoon

program note This trio is a reworking of music originally written for piano in 1964 when the composer was 20 yrs. old. The 2020 revision attempts to both preserve and expand the basic characteristics of the original material..

duration: c. 12 minutes

Transposed Score (20 pp)

Janus Symphony, Randall Snyder

Randall Snyder Compositions

instrumentation: Flute 1 (Picc.), Flute 2, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Bassoon 1, Bassoon 2, Horn 1, Horn 2, Horn 3, Horn 4, Trumpet 1, Trumpet 2, Trombone 1, Trombone 2, Trombone 3, Tuba, Timpani, Percussion 1, Percussion 2, Violin 1, Violin 2, Viola, Cello, & Double Bass

program note The first two and a half movements were written in 1965 but for various reasons remained unfinished until 2018 when I began revisited the score and finished the third movement and added a new finale. An attenpt was made to continue in the same style as the …

Cf Album, Transcriptions, And Analyses, Collin Felter

Honors Scholars Collaborative Projects

CF is an album of Collin Felter original compositions with a focus on creating a more approachable form of jazz harmony. To further the accessibility of the music, Felter has transcribed and analyzed his compositions for the listeners to theoretically understand what they are aurally experiencing. Included is the transcriptions/analysis document along with a link to the recordings of the album (can be found on all music streaming platforms).

The Eternal Cycle, Randall Snyder

Randall Snyder Compositions

For Flute, Clarinet in B-flat, Violin, Cello, and Soprano.

Duration: c. 4:00

Text by Rabindranath Tagore (1861-1941).

"Veiled"

Rabindranath Tagore was born in Calcutta 1861 and died there 1941. He published poetry in Bengali and English and was awarded the Nobel Prize in literature for creating a synthesis of East and West. An all-around genius, Tagore was a composer of over 3000 songs as well as a distinguished painter. The Eternal Cycle, like much of his work, is suffused with spiritual ideas. The music incorporates some elements of classical Indian music, such as a drone, which sounds continuously through the …

The Loon, Randall Snyder

Randall Snyder Compositions

For Soprano, Mezzo-Soprano, & Piano

Duration: 4:00

"Elegiac"

Poem by Marjorie Saiser

Loon populations have been declining significantly throughout their core range— mostly Canada and the northern tier of the United States—over the past 20 years, due in large part to mercury poisoning, acid rain, lead, and the rise of botulism in the Great Lakes region. Common loons are endangered in Vermont, threatened in New Hampshire and Michigan, and a species of special concern in New York, Connecticut, and Massachusetts.

Interstices, Randall Snyder

Randall Snyder Compositions

"a small or narrow space between things or parts"

For Marimbas (2) & Vibraphones (2)

Duration c. 7:00

All performers will need hard and soft mallets; Vibraphone 2 will need bow.

Interstices features lattice-like textures with interlocking lines posited in stratified registers and syncopated rhythms suggestive of Be-bop amd Funk.

"Playful"

Modern Bands Impact On Student Enrollment In Traditional Music Ensembles, Bryan Powell

John J. Cali School of Music Scholarship and Creative Works

Popular music ensembles are becoming more popular in public school music education classrooms throughout the United States (Powell & Burstein, 2017). In response to the concerns about the introduction of popular music ensembles “cannibalizing” other school music programs, this study examines the enrollment in middle and high school modern band programs affiliated with the non-profit organization Little Kids Rock. The goal was to gain a better understanding of the impact that introducing a modern band ensemble had on existing ensembles and on participation in school music as a whole. The results of the study indicate that the introduction of modern …

J.K. Mertz’S Bardenklänge: A Context For The Emergence Of The Character Piece Genre Within The Repertoire For Solo Guitar, Brinsley Doran

Masters

Having experience a large increase in concert activity in recent years, one would assume that the works of J.K. Mertz (1806–1856) would haveexperience the same level of attention within academic circles, however research is still limited. As a result, this thesissetsout to understand in what areas do Mertz's works differ fromother guitar works in the first half of the nineteenth century—specifically Mertz's set of character piecesfound in hisBardenklänge, op. 13. This thesiswill address shifts in culture, aesthetics and the increasing interest in the ‘Folk’c.1800–1850 that led to the composition of Mertz’s Bardenklänge. Published in 1847, these works are unique in …

Finding A Voice – Exploration Of Modes And Timbres : A Portfolio Of Ten Original Compositions With Accompanying Commentaries, Ekapon Muenyam

Doctoral

This thesis marks the culmination of four years’ work, as part of my PhD study in composition. The portfolio consists of ten pieces, lasting in total approximately 2 hours and 10 minutes, and a commentary comprising an analysis of each of the works. The main emphasis has been on the development of an individual style, informed by the exploration of twentieth and twenty-first century compositional techniques, instrumental timbres, stylistic genres, forms, scale derivations and the wider aesthetic of contemporary music. The portfolio includes works for solo instruments, ensemble and orchestra. One of the main areas of research has been to …

Transcribing Astor Piazzolla's Works To Maximize Stylistic Fidelity: An Examination Of Three Saxophone Quartets With A New Transcription, Sarah L. Cosano

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Astor Piazzolla is recognized as a pivotal figure who drew tango music onto an international stage. His output of written compositions and recordings provide a reference for studying tango. Though Piazzolla adapted a collection of flute etudes in 1988, he did not write specifically for saxophone during his lifetime. Saxophonists must instead rely on transcriptions of his music. Today, tango is a widely performed idiom for saxophone quartet.

Because of its tessitura, timbral variety, and flexibility, the saxophone is uniquely suited to perform tango music. This instrument has an expansive range when altissimo is included. Its written range spans from …

Reliquary, Randall Snyder

Randall Snyder Compositions

"For Walter Gray"

For Viola 1 & Viola 2

Program note: Reliquary was conceived as a memorial for a friend and mentor, It is cast in three sections that trace a progression from dark to light, slow to fast. The first minimalist section explores a continuously evolving seven-note sequence. This is followd by a more animated section that references Mozart's Piano Concerto No, 17, K. 453, one of many works introduced to me by my friend. The final section, marked "Volante" (flying), completes the psychological arc of the piece with a numinous feeling of acceptance.

Duration: c. 5:45

A Content Analysis Of Beginning Guitar, Electric Bass, And String Bass Method Books, Michele Berlin

Masters Theses

Guitar instruction is an integral part of 21st-century best music education practices. This quantitative study compares six beginning guitar method books to beginning electric bass and string bass books. The books in the sample are Essential Elements for Guitar by Will Schmid and Bob Morris, Mel Bay's Modern Guitar Method Grade 1 Expanded Edition, Alfred's Basic Guitar Method by Morty Manus and Ron Manus, FJH Young Beginner Guitar Method Lesson Book 1, Belwin 21st Century Guitar Method 1 (2nd edition) by Aaron Stang, and KJOS Guitar Sessions Book 1: A Comprehensive Method for Individual or Group Study by Kevin Daley. …

Hegemony, Randall Snyder

Randall Snyder Compositions

For piano and orchestra 1973 - revised 2018

Instrumentation: Flute 1, Flute 2 - Piccolo, Flute 3 - Alto Flute, Oboe, English Horn, Bb Clarinet 1, Bb Clarinet 2 - Eb Clarinet, Bass Clarinet, Alto Saxophone - Tenor Saxophone, Bassoon 1, Bassoon 2 - Contrabassoon, Bb Trumpet, Horn, Tromsone, Tuba, Timpani, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Harp, Piano Solo, Violin 1, Violin 2, Violin 3, Violin 4, Viola 1, Viola 2, Cello 1, Cello 2, Double Bass 1, Double Bass 2

Notes: This score is notated in concert pitch, all instruments sounding as written except piccolo, xylophone, …

Animè, Randall Snyder

Randall Snyder Compositions

For Piccolo/Flute, English Horn, Clarinet in Bb, and Bassoon

Animè (animated) is a 4 minute scherzo whose relentless 16th note moto perpetuo rhythm is interrupted only by short cadenzas by bassoon, English horn, flute, and clarinet. The wheels seem to come off towards the anarchic end with faster rhythmic subdivisions.

The work was recorded by Iwona Glinka and the Gdansk Trio.

"Animated"

This work is a revision of Logoriffic Tropes (2011).

Diversions, Randall Snyder

Randall Snyder Compositions

Instrumentation: Flute 1 (Picc.), Flute 2, Oboe 1, Oboe 2, Bb Clarinet 1, Bb Clarinet 2, Bassoon 1, Bassoon 2, Horn 1, Horn 2, Bb Trumpet 1, Bb Trumpet 2, Trombone 1, Trombone 2, Tuba, Timpani, Percussion, Violin 1, Violin 2, Viola, Cello, Double Bass

Duration c. 6 minutes

Program note: This music references the dual meaning of the title: - an activity that diverts or amuses or stimulates (e.g. Divertimento); - a turning aside of your course or attention or concern; "a diversion from the main highway"; "a digression into irrelevant details"; "a deflection from the goal"

Transposed score …

Legong Variations, Randall Snyder

Randall Snyder Compositions

Instrumentation: Flute, Oboe, Bb Trumpet, Vibraphone, Piano

Program note: Legong Variations are comprised of over two dozen reiterations of an Javanese melody, its overall shape a modified palindrome, with variants becoming more and more dislocated, venturing further and further from the original tune before reversing the process and returning back to the initial theme. This is also reflected in the sequence of ever-increasing then descreasing tempi. Much of the ensemble writing is meant to suggest the heterophonic texture of the Indonesian Gamelan.

Duration: c. 5 minutes

(winner 2019 McMurry New Music Project)

"Redolent"

Janus Quintet, Randall Snyder

Randall Snyder Compositions

For Flute, Oboe, Bb Clarinet, Horn, and Bassoon.

This piece opens with an intoning of a series of seven notes F F# Eb (F) E A B, each serving as the pitch center for the following set of variations, The intervals of the "theme" are used to generate vertical and horizontal sonorities. The form is a modified palindrome. The variations share similar styles with their complimentary pairings:

I - VII

II - VI

III - V

(IV)

The fourth variation is a nested palindrome standing alone without a pairing.

This quintet is a reworking of a 1967 piece for piano …

Expressions Of Madness In Coloratura Mad Scenes Of Bel Canto Operas, Rachel G. Christenson

Senior Honors Theses

This thesis will explore the musical innovations in the mad scenes of the bel canto composers in the 1800s. It will analyze Gaetano Donizetti’s mad scenes in Anna Bolena (1830) and Lucia di Lammermoor (1835), and Vincezzo Bellini’s mad scenes in I Puritani (1835) to discover how each composer expresses madness through the high and virtuosic voice of the coloratura soprano. The subject of madness is not a new idea in opera. However, the mad scenes of Donizetti and Bellini are the most successful and are often performed in opera houses around the world. Specific attention is given to the …

The Makings Of An Ep: From Silence To Portable Sounds, Emily Ream

Senior Honors Theses

The creation of an EP is a process that requires skills in multiple areas. Once, creating an EP was only available to those who garnered resources and support from a record label. However, an increasing number of aspiring musicians are writing, recording, and making their music available for download or purchase without the assistance of a record label. Doing this successfully and excellently requires application of knowledge in areas such as literature, theology (for Christian artists), music theory, music technology, and marketing. This thesis will describe one process used to turn inspiration into a tangible product that one can purchase …

What Do You Mean, "Practice"? Theorizing The Writing-Music Connection, Callie Elise Compton

Masters Theses & Specialist Projects

Researchers in the field of composition studies have frequently made allusions to musicians when they’ve discussed the role of practice in gaining skill. In doing so, however, they’ve risked making speculative rather than testable claims and separating composition studies from recent insights on practice from other disciplines such as education and music psychology. These fields, I argue, offer testable frameworks with which composition instructors and scholars can teach and study writing practice. Such frameworks are necessary because composition researchers need to supplement qualitative studies of writers and writing with quantitative data to generate replicable tests of teaching methods that may …

The Budding Musician: A Method For Developing Cognitive And Physical Proficiency At The Piano, Lauren M. Hartburg

Senior Honors Theses

A comprehensive piano curriculum involves physical performance development alongside musicianship training. This thesis will discuss the decline in music literacy alongside research supporting the benefits of a creative, holistic, flexible music education program. These items will then be applied to developing an elementary piano curriculum. A four-volume piano method emphasizing theory and musicianship in the context of performance literature is outlined and level one is presented in detail.

Singing With A Sanxian: A Study Of The Principal Instrument In Bai Musical Tradition , Christian Stanbrook

Independent Study Project (ISP) Collection

The Bai people, a minority group in the People’s Republic of China numbering at least 1.8 million, are heavily concentrated in Yunnan Province’s Dali Autonomous Prefecture. Music has historically been a significant part of Bai culture, as Bai musicians across the region enjoy performing Baizu diao, or popular Bai folk tunes, in the form of singing or on various instruments. These diao, or melodies, often describe the lifestyle of Bai people and the region in which they live in and are commonly performed on a threestringed member of the lute family called a sanxian. This study uncovers both the history …