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Full-Text Articles in Music Practice
Mozart And Genius: Music And Philosophy, Aidan Witvoet
Mozart And Genius: Music And Philosophy, Aidan Witvoet
Undergraduate Student Research Internships Conference
This output poster serves as an overview to my efforts and responsibilities throughout the duration of the internship. Here I also showcase a brief sample of the concepts and areas of exploration within which I have been immersed, both in regards to the the content of the book I am helping to prepare for publishing as well as accompanying readings and discussions.
Greek Music Theory Vs. The Bible, Kearsten M. Kostelnik
Greek Music Theory Vs. The Bible, Kearsten M. Kostelnik
The Research and Scholarship Symposium (2013-2019)
The great philosophers of Ancient Greece have been studied in depth and are known throughout society. Famous Greek philosophers and writers, such as Plato and Pythagoras, formulated theories on musical philosophy — it’s purpose, use, dangers, power, and importance in society. Greek philosophy of music heavily influenced early European society’s view and development of music, it only partially supports Biblical views and principles of music and worship. Pythagoras introduces the theory that music is more than just entertainment with his notion of Music of the Spheres but fails to align with the biblical view of stars and planets as mere …
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
From Swing King To Swing Kids: The Jazz Era Of ‘Big Band Orchestras’ In World War Ii, Katie Victoria Burnopp
Student Scholar Showcase
Known as the ‘King of Swing’, clarinetist and band leader Benny Goodman (1909-1986) threatened the Nazi cause during WWII. With intent of improving music pedagogy, the purpose of this research was to investigate swing music during World War II. The particular problems of this study were to: (1) identify how the swing music of Benny Goodman (1909-1986) influenced adolescents in the United States of America, United Kingdom, and Germany; (2) explore the Nazi party view on ‘swing’ music of the era; (3) examine how the music of Charlie and his Orchestra became used as a tool for Nazi propaganda; and …
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Partimento Tradition In The Shadow Of Enlightenment Thought, Deborah Longenecker
The Research and Scholarship Symposium (2013-2019)
This presentation investigates the relationship between partimento pedagogy and Rameau’s music theories as influenced by Enlightenment thought. Current research on partimento has revealed its importance in Neapolitan music schools of the eighteenth and nineteenth centuries. Along with counterpoint, partimento was a core subject in the study of composition in the Neapolitan schools; however, as pedagogy and theory began to be influenced by Enlightenment ideals such as the scientific method or a preference for clear systemization, the partimento tradition began to wane. In this presentation, I examine Rameau’s music theory as an example of Enlightenment thought in music, juxtaposing the central …
“Musical Fury”: Impressing Through Expressing In Baroque Improvisation, Hannah M. Rinehart
“Musical Fury”: Impressing Through Expressing In Baroque Improvisation, Hannah M. Rinehart
The Research and Scholarship Symposium (2013-2019)
Baroque music experienced a dramatic change in performance practice which sprang out of certain techniques used in the Renaissance period and the emphasis placed during this time on expression and emotion in music. In the Baroque time period, much emphasis was placed on expression, emotion, and creativity in both the academic sphere and in the arts. In the arts this can be seen in elaborate and decorative architecture, emotional and expressive paintings, and creative and individualized music. Music itself developed from the simple, structured forms of the Renaissance period to the driven, complex, emotional and expressive forms of the Baroque …