Music Practice Commons^™

Volume 03, Number 11 (November 1885), Theodore Presser

The Etude Magazine: 1883-1957

Dr. Forbes' Theory and Practice Tested: The Liberation of the Fourth Finger—Practical Tests and Opinions

Early Pianos

Originality

Some Simple Ways for Learning Some Difficult Things

Some Types of Piano Pupils

Unpublished Work

Studies in Transposition

Piano-Forte

Studies in Transposition

Teacher and Pupil

Accentual Treatment of Exercises as Applied to Piano-Forte Exercises

Musician

Symphony in 1995

Business or Unbusiness-Like Musicians

Education in Music at Home and Abroad

Some Types of Piano Teachers

Volume 03, Number 10 (October 1885), Theodore Presser

The Etude Magazine: 1883-1957

Foriegn Fingering

Ambiguity of Our Musical Nomenclature

Musician: What is Thought of It

To Improve the Quality of Study

Musical Education: How Shall it Best Be Acquired?

Educational Principles

Pedals

Old Fogy Revived

Broad Culture

Accentual Treatment of Exercises as Applied to Piano-Forte Exercises

Some Sensible Suggestions

Hammer or Presssure Touch—Which?

Why Don't I Learn Faster?

One-Sided Education of Musicians

Volume 03, Number 09 (September 1885), Theodore Presser

The Etude Magazine: 1883-1957

On Musical Education

Some Types of Piano Teachers

Our System of Technique

Liberating the Ring Finger

Complete List of Pieces, including Those Analysed, Arranged in Progressive Order as Regards Difficulty (from The Musician, Vol. I)

Imaginary Pilgrimage to Beethoven

Etude, Poem

Weak Finger

Abreast with the Times

Crowned Virtuoso

Schools of Piano Playing

Fantasy after Chopin

Shall the Teacher Select the Music?

Hammer, or Pressure Touch—Which?

Volume 03, Number 08 (August 1885), Theodore Presser

The Etude Magazine: 1883-1957

Development of the Hand

Pupils' Department

Imaginary Pilgrimage to Beethoven

Royal Conservatory of Brussels

Volume 03, Number 07 (July 1885), Theodore Presser

The Etude Magazine: 1883-1957

Expectations Sure to be Disappointed

Imaginary Pilgrimage to Beethoven

Many Students of the Piano and Few Players: Letter Addressed to the Father of a Piano Pupil

Too Much Independence

Volume 03, Number 06 (June 1885), Theodore Presser

The Etude Magazine: 1883-1957

The Power of Attention

Res Severa Est Verum Gaudium

Piece of Peace

Hints and Suggestions

Student Ramblings

Ninth Annual Meeting of the Music Teachers' National Association

How to Succeed as a Musician

Old Fogey Again

Good Words

Imaginary Pilgrimage to Beethoven

About Piano-Fortes

Volume 03, Number 05 (May 1885), Theodore Presser

The Etude Magazine: 1883-1957

Liberating of the Ring-Finger

Some Phases of Technical Study

Approbation

Mechnical Aids to Piano Playing

Out of Tune

About Piano-Fortes

Phrasing

Pianists: Their Development and Styles

Musician

Volume 03, Number 04 (April 1885), Theodore Presser

The Etude Magazine: 1883-1957

Chats with Pupilis on the Model Student

Old School of Piano Playing

Harmonic Analysis

Modern School of Piano Playing

World Without Love

Mute Piano-Forte

Deppe System Vindicated

Music Teaching and the Public

Moral Standing of the Musical Profession

First Robin, Poem

Good Piano Touch

Music Lesson—Sonata in G (Op. 14, No.2), Beethoven, 1770-1827

How Some Memorize Music

How Some Study Music

American Versus Foreign Fingering

Volume 03, Number 03 (March 1885), Theodore Presser

The Etude Magazine: 1883-1957

Summer Music Schools: What They Are in Fact

Popular Music

Convent Music in America

Liberating of the Ring Finger in Musicians by Dividing the Accessory Tendons of the Extensor Communis Digitorum Muscle

Some More About Piano-Forte Technique

Dr. Leopold Damrosch

Old School of Piano Playing

Progress in Teaching

How to Practice

Why to Study Music?

How to Accompany a Song

For Youngest Readers—Before Taking the First Music Lesson

Piano-Forte Hands

Music Lesson—Sonata in G (No. 1 Cotta), Haydn, 1730-1809

Imitative Teaching

Volume 03, Number 02 (February 1885), Theodore Presser

The Etude Magazine: 1883-1957

Brahms and Mozart

American Versus Foreign Fingering

Triumph of the Technicon

Deppee's Piano Method Arraigned: The Deppee; or Dish-Rag Theory of Playing the Piano

Technicon

Mechanical Appliances as Promoters of Piano-Forte Technique

Something About Piano-Forte Techniques

Short-Comings of Pupils

Moral Standing of the Musical Profession

On Jumping

Geo. F. Bristow Upon the Study of Harmony

Woman and Music

Treatise Upon the Develpoment of Piano-Forte Technique with the Aid of a Mechanical Apparatus

Heinrich-Henson Song Recital

Thoughts on Education from Klavierehren

Volume 03, Number 01 (January 1885), Theodore Presser

The Etude Magazine: 1883-1957

Our System of Technique

Chats with Pupils on Ingratitude

Brotherhood's Invention

Our New Year's Greeting

Who Should Study Music

Thoughts on Education from Klavierehren

Back-Bone of Training in Music Reading and Rendition

How to Teach Time

Music Teachers Association and Its Duties

Tact: Treatment of Pupils, Change of Teacher

Piano-Forte Teacher

Expression of the Ideal, Through the Medium of the Physical, in Piano-Forte Playing

Treatise Upon the Development of Piano-Forte Technique with the Aid of a Mechanical Apparatus

Curved or Straight Fingers

Petersilea Mute Piano

Visit to a Boarding-School Miss