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Full-Text Articles in Music Practice

Singing Difference Amid Relational Connectedness: A Narrative Study Of How Singing Together Shapes Worldview, Debbie Lou Ludolph Jan 2021

Singing Difference Amid Relational Connectedness: A Narrative Study Of How Singing Together Shapes Worldview, Debbie Lou Ludolph

Theses and Dissertations (Comprehensive)

The experience of singing together holds the potential to constrain or set free the imagination to shape worldview. Undergirded by Walter Brueggemann’s argument that a contest of narratives exists in twenty-first century North American church and society, the researcher draws from Mary (Joy) Philip’s call for “in-between space” created by safe haven and adjacency and Lee Higgins’ “boundary-walking” to understand the place of difference in a theological orientation to community singing practice. Rooted in a narrative paradigm and undergirded by an interdisciplinary approach, this inquiry explores the storied lives of sixteen singers in a faith-based singing community called Inshallah to …


Singing The Story Of Advent And Christmas: How Congregational Song Makes Diverse Theologies Incarnate, Hilary Seraph Donaldson Nov 2016

Singing The Story Of Advent And Christmas: How Congregational Song Makes Diverse Theologies Incarnate, Hilary Seraph Donaldson

Consensus

No abstract provided.


Making A Mess Of Everything: Excursions Through Communities, Musics, Academics, Longing, And Belonging, Kiera Galway, Deanna Yerichuk Jan 2016

Making A Mess Of Everything: Excursions Through Communities, Musics, Academics, Longing, And Belonging, Kiera Galway, Deanna Yerichuk

Music Faculty Publications

This project—what we have termed a collaborative autoethnographic mapping project—grew out of conversations between two researchers who also work as choral conductors and teachers in community contexts. We found ourselves constantly struggling with the stubborn fact that we, as community musicians, engage in the very practices that we, as academics, critique. As we considered our roles as musicians and academics, we quickly realized that who we are is deeply entwined with where we are and who we are with. While we initially considered only the relationship between our professional roles as academics and musicians, we also began to realize that …


Through A Wheat Field; To A Pond, Ian Mikyska Sep 2015

Through A Wheat Field; To A Pond, Ian Mikyska

The Goose

Poetry by Ian Mikyska


'Socialized Music': Historical Formations Of Community Music Through Social Rationales, Deanna Yerichuk Mar 2014

'Socialized Music': Historical Formations Of Community Music Through Social Rationales, Deanna Yerichuk

Music Faculty Publications

This article traces the formation of community music through professional and scholarly articles over the last century in North America, and argues that community music has been discursively formed through social rationales, although the specific rationales have shifted. The author employs an archaeological framework inspired by Michel Foucault to analyze the usage and contexts of the term ‘community music’ in four historical moments, including Progressive-Era manuals and guidebooks, mid-century articles in the Music Educators’ Journal, writings of the Community Music Activity Commission established by the International Society of Music Education from 1982, and articles in the International Journal of Community …


Community Singing As Troubled Learning: Exploring Musical, Social, And Ethical Dimensions Of Safety And Risk Among Adult Singers, Deanna Yerichuk Jan 2011

Community Singing As Troubled Learning: Exploring Musical, Social, And Ethical Dimensions Of Safety And Risk Among Adult Singers, Deanna Yerichuk

Music Faculty Publications

How are safety and risk negotiated within community singing? Many group facilitation techniques within adult education take as foundational that participants must feel safe to participate fully in group learning. This concern for participants safety acknowledges that power and privilege circulate unequally within any social learning context, shaped by race, gender, class, ability, sexual orientation, and in the case of singing, musical competencies. However, community singing can be safe without being comfortable. Comfort, therefore, is not the same as safety, although the two concepts are often conflated. A lack of ease with the process and/or content suggests a possibility of …