Music Practice Commons^™

Volume 24, Number 12 (December 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Glimpse at the Christmas of Some Noted European Churches

Practical Listening to Music

Folk Music as Related to Art Music

American Folk Songs

Songs of Christmas

Music and Other Arts

Suggestions for Playing Some Pianoforte Works of Schumann

Story of a Song

Volume 24, Number 11 (November 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Richard Strauss: A Short Story of the Composer Whom James Huneker Calls An Anarch in Art

Hungarian Music and the Gipsies

Education of the Masters

Music and Mental Science

Babylonian Origin of Music as an Art and Science

Touch in Pianoforte Playing

Musical Education: What It Means

What is Good Taste in Music?

Volume 24, Number 10 (October 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of a Russian Pianist (interview with Josef Lhévinne)

Qualities that Deterine Musical Worth

Two Remarkable Modern Compositions

Music Among the Hindoos

Study of Piano Technic from Bach to Clementi, Field and Cramer

Study of Piano Technic from Beethoven to Rubinstein

Thoughts on Modern Piano Technic

Manuel Garcia: His Life and Works

Interpretation of Bach's Works

Hindoo Air in the Sunday-School

Place of the Talking Machine in Music Teaching

Place of Mechanical Instruments in Musical Culture

Menace of Mechanical Music to a True Art

Volume 24, Number 09 (September 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Study of Sir Edward Elgar

First Steps in Teaching Technic

Festival in the Small Town: Its Value and How to Run One

Some Principles of Leschetizky's Teaching

Mozart as a Teacher, Player and Piano Composer

Interpretation of Bach's Works

Teaching Scales

Those Fits of Discouragement

Types of Concertgoers

Rubinstein on the Concert Platform

Volume 24, Number 08 (August 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Exercises for the Sight Reading Class

Reminiscences of Celebrated Singers (interview with Giovanni Sbriglia)

Significance of Bach to Modern Music

Public Taste in Music as Shown by Summer Orchestra Programs

Teaching of the Minor Scales

Bach Awakening

Aphorisms from the Manuscript of the Late C.H. Richter

Story of Johann and Joseph Strauss

Pupils' Rhythmical Problems

Volume 24, Number 07 (July 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edouard Risler and His Playing of Beethoven's Sonatas

Suggestions for Chord Playing

Soirée at Richard Wagner's

What Does the Layman Hear in Music?

Making of an Artist: The View of Alfred Reisenauer

How an Opera Was Written

Schumann's Fantasy Pieces, Op. 12

Suggestions for Sight Reading Practice

Plea for Broad-Mindedness

Value of Imagination

Modern Virtuoso

Selection of Teaching Music

Volume 24, Number 06 (June 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of an Artist: The Views of Alfred Reisenauer

Louis Köhler

Köhler's Technical Scheme

What is American Music?

Gluck and Lavater: How the Great Physiognomist Predicted the Composer's Career

Qualities of the Pianistic Hand

Notes on Rubinstein's Teaching

Handling of Piano Technic for Very Young Children

Study Value of the Pedal

Isadora Duncan and Her School for Classic Dancing

Studies in Prejudice: A Phase of Modern Art

Care to Practice, Then Careful Practice

Volume 24, Number 05 (May 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Chorus Conducting and Music Festival Organization: Talks with Mr. Emil Mollenhauer and Mr. George W. Stewart

Who Shall Select the Pupils' Music

Monument to Stephen Heller

Self-Control

Sigismond Stojowski and His Views on Piano Study

Evolution of the Leschetizky Method

Some of the Elements of a Good Teacher

Program Novelties for Music Clubs

More Extensive Pianoforte Repertoire

Necessity of Theoretical and Historical Study to the Pianist

Reading at Sight: Some Practical Suggestions

How Improvements in the Piano Affected Composition

How the Great Musicians Practice

Mozart's Manner of Composing

Volume 24, Number 04 (April 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Musical Life in New Orleans

How Tchaikovsky Composed

Experiences of a Music Student in Germany in 1905

Cultivate the Taste

Helps for Young Teachers

Position of the Hand in Piano Playing

Do We Play Enough for Our Pupils!

Small Conservatory

Tact in Teaching

Method of Gaining Speed in Playing

Piano and Its Influence on the Growth of Music

Do Musical Prodigies Last?

Music in Mexico

Volume 24, Number 03 (March 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making a Modern Conservatory of Music: What an Endowment is Doing for the Institute of Musical Art, New York City

Polyphonic Music as Related to Modern Art and Education in Music

John Knowles Paine: The First of the Great American Composers

Medieval Musical Entertainment

Pianoforte Four-Hand Compositions

Secret of Successful Work

Some Mistakes in Teaching

How to Prepare and Conduct Class Meetings

Abt Vogler

Poems a Musician Should Know, with Suggestions for Their Study

Volume 24, Number 02 (February 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

Advent of Endowed Institutions in American Musical Education

Value of the Old Classics

Some Thoughts on Pedaling

Mark Hambourg and Leschetizky

Reading Music at Sight

Elements of Musical Appreciation

Gymnastic Wrist Exercises

Young Woman Pianist and Her Business Prospects

How to Memorize Music

Triumph of Counterpoint

Mark Hambourg's Suggestions for Music Students

Volume 24, Number 01 (January 1906), Winton J. Baltzell

The Etude Magazine: 1883-1957

George Frederick Handel: The Making of Great Man in Music

Handel's Place in Musical History

Instrumental Music of Handel

Handel's Oratorios To-day

Handel Miscellany

Longevity of Musical Compositions

Vincent d'Indy

Two Ways of Teaching the Piano

Music Teaching and General Education

Practical Ideas Applied to the Teaching of Children

Story of the Water Music