Music Practice Commons^™

Volume 30, Number 12 (December 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Clear Chords

Importance of Fine Editions of the Classics

Don't Expect Everything of the Teacher

How Chopin Wrote the Preludes

Save Your Energy

Our Photogravure Supplement, Their Son

Advance of Vocal Art in America

Plan Your Season's Work Rightly

Training of the Rhythmic Sense

Triangle as a Teaching Help

Richard Wagner and Christmas

Painting with Tones

Musical Success Comes from Within

Etude Master Study Page—The Real Chopin

Stephen Heller as I Knew Him: Memories of Lessons with the Noted Composer Teacher

With the World's Great Educators

Love Affairs of Famous Composers

Law of Success in Musical Study

Mile-Posts in Pianistic …

Volume 30, Number 11 (November 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Benefit of Playing in the Polyphonic Style

Master Study Page—The Real Gounod, 1818-1893

Keep the Finger Nails Trimmed

With the World's Great Educators—Rousseau

Selecting Standard Classics for the Study Season

Well Known Composers of To-day—W.D. Armstrong

Volume 30, Number 10 (October 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Master Study Page—The Real Beethoven, 1770-1827

Reminiscences of Some Famous Musicians

Famous Mythological Characters in Music

Selected Technical Truths from World Famous Pianists: Gems of Pedagogical Thought Crystallized in the Crucible of Time and Experience

Solving the Missed Lesson Problems

Wrist in Piano Playing

What Every Teacher Should Know About Teaching: Home-Study Hints on the Greatest of Arts

Selecting Standard Classics for the Study Season: Useful Pianoforte Pieces for Special Development

Jules Massenet, Eminent French Master, Passes Away

Death of Samuel Coleridge-Taylor

Well Known Composers of To-day—J. Lamont Galbraith

Wagner on How Mendelssohn Conducted Beethoven

Practical Hints on Securing New …

Volume 30, Number 09 (September 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Need for a Good Position at the Keyboard

Interesting Vacation Trip to Mozart's Workshop

New Thoughts on the Physiology of Practice

His Majesty's Violins: A Tale of the Court of Louis XIV

Leschetizky on the Pedals

Why Should We Have Pieces for Left Hand Alone?

Pointers on Position at the Piano

Famous Mythological Characters in Music—Apollo

Some Personal Recollections of Chopin

Excessive Octave Practice

Well Known Composer Reaches Opus 1000—Arnold Sartorio

Some Conundrums on Musicians' Names

Women in the Orchestra

About Verdi's Operas

Volume 30, Number 08 (August 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Position at the Piano

Carnival Music

Busoni and the Press

Correct Position at the Keyboard: A Symposium

Characteristic Features of Russian Music

Reading Music Like a Book

Exciting Musical Career of Tillie Clapsaddle

Famous Mythological Characters in Music—Pan

His Majesty's Violins: A Story of Music at the Court of Louis XIV

Bright Sayings of Famous Masters

Odd Effect of Music on Animals

Volume 30, Number 07 (July 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Great Musicians on Their Contemporaries

Training of the Pianist of the Future (interview with Wilhelm Bachus)

Schumannisms

Musical History During the Piano Lesson

Modern Ideas on Broken-Chord Practice

Playing Duets with Schumann

How I Gave My First Lesson: A Symposium of Particular Interest to Your Teachers and Students Who Aspire to Be Teachers

Analysis Guide to Intelligent Musical Interpretation

Famous Mythological Characters in Music: Orpheus

Bishop Who Wrote Operas

Berlin's Concerts

Volume 30, Number 06 (June 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Clara Schumann's Father on Study

How Analysis Benefits the Piano Pupil (interview with Katharine Goodson)

Selecting Piano Studies that Insure Progress

Famous Mythological Characters in Music—Sappho

To Memorize or Not to Memorize

How Chopin Played: As told by Liszt, Schumann, Mendelssohn and Other Contemporaries

Hours with Leschetizky (interview with Lolita D. Mason)

Rubinstein's Bitter Valedictory

Tributes of Noted Musicians to the Memory of the Late W.S.B. Mathews

How the Mind Should Guide the Body in Practice

Dramatic Moments in the Careers of the Masters

Well-Known Composers of To-day—Charles Wakefield Cadman

Volume 30, Number 05 (May 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Conquering the Stiff Wrist

Passing of W.S.B. Mathews

Important Points Frequently Neglected in the Study of Pianoforte Works

From Beethoven to Wagner

Mental Effect of Tones

Married Woman Pupil

Great Pianists at the Keyboard: A Lesson in Position (portraits)

Symposium on Position at the Keyboard

Some Secrets of Success in Playing in Public

Some Royal Musicians

Student Days with Dvorák

Well-Known Composers of Today—George Eggeling

Composers as Conductors

Volume 30, Number 04 (April 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Famous Standard Etudes: Their Value to the Teacher and to the Music Student

How George Bernard Shaw Learned to Play the Piano

Pitfalls in the Road to Musical Success

Daily Hints for Diligent Pupils

Perplexing Embellishments and Their Execution

Mental Technic of Memorizing

I Could Play it All Right at Home

Some Practical Helps to Sight Reading

How Small Hands May be Trained To Play Arpeggio Chords

Modern French and German Opera

Real Ole Bull, Personal Reminiscences

Little Known Musical Facts

Road to Expression (interview with Harold Bauer)

Well Known Composers of To-day—Robert M. Stults

Volume 30, Number 03 (March 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Some Facts about Musical Ireland

Artistic Aims in Piano Playing (interview with Harold Bauer)

Chopin and the Tempo Rubato

Centurion Composers of Opera

Mendelssohn's Phenomenal Memory

Gluck's Operatic Ideals

How to Execute Mordents, Trills and Appoggiaturas

Modern Italian Opera: Its Tendencies and Its Composers

Offenbach's Remarkable American Experiences

Making a Success of the Pupils Recital: With Important Suggestions upon Overcoming Stage Fright

Ten Most Important Epochs in Musical History

Adventurous Composer of Maritana

Volume 30, Number 02 (February 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Probable Origin of Syncopation

Opera of the People (interview with Victor Herbert)

Boccherini and His Friends

If My Daughter Should Study for Grand Opera (interview with Andreas Dippel)

When Different Pupils Make the Same Mistakes

How a Great Operatic Production is Prepared: Opinions from Many Celebrated Specialists upon a Subject of Much Human Interest to all Music Lovers

Grand Opera as a Business

Self-Help in Voice Study (interview with Charles Dalmores)

Alphabet of the Opera Composers

Names of the Notes in Other Languages

Success at the First Lessons: Five Important Points for Teachers to Remember and Employ

Well-Known Composers of …

Volume 30, Number 01 (January 1912), James Francis Cooke

The Etude Magazine: 1883-1957

Italy, the Home of Grand Opera (interview with Enrico Caruso)

Interpretation of Beethoven's Piano Masterpieces

Progress in Piano Playing (interview with Josef Holmann)

Beginnings of Opera

Ten Most Famous Opera Singers of the Last Century

Should American Opera Aspirants Study Abroad?

Bel Canto: The Foundation of All Successful Operatic Singing (interview with Bernice de Pasquali)

Prolific Opera Composer

Improving Arpeggio Chord Playing

Last Work of Wagner, Parsifal

Mystery of the Lethbridge Strad

$10,000 Stradivarius Violin Demolished by Unknown Fanatic