Composition Commons^™

Voice Recitals At The Unl School Of Music: Compilation Study, Audrey M. Nicholson

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

An informative compilation of Voice Recitals at the UNL School of Music categorized by Masters, DMA, and Faculty recitals from 1988-2012. Information includes: composer, work title, song title, performer, performance date, instrumentation, audio availability, and online program link.

"Download" button links to pdf version of file. Spreadsheet version (.xls) is attached below as "Related file." ".xlr" files are spreadsheets and can be opened from MS Excel.

Makiko Kinoshita And Her 9 Preludes For Piano: The Amalgam Of American Jazz And European Tradition, Mai Nagatomo

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Makiko Kinoshita is one of the leading contemporary composers in Japan. Kinoshita’s 9 Preludes (2001) is remarkable twenty-first century piano literature that provides abundant use of various musical styles. The most important style that Kinoshita combined with traditional Western writing is jazz; especially the rhythmic and harmonic language of Jazz music. This document provides a detailed analysis of Kinoshita’s unique treatments of form, tonality, harmony, rhythm, and motivic materials. The central section of this study employs musical examples in order to examine how Kinoshita fuses diverse elements of musical styles with modern musical language to create her own idiom. Along …

The Choral Music Of Allen Henry Koepke (1939-2012) With A Conductor's Special Focus On The Preparation Of His Seminal Work, Missa Brevis, Keith J. Curington

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Although American choirs have been performing Allen Koepke’s compositions since 1973 and his music is witnessing greater and greater international appeal, especially in Asia, academic writings about the composer and his contribution to the choral art have been absent. This document examines Missa Brevis, the seminal work by Allen Koepke, and serves as a conductor’s guide for score study and rehearsal preparation. It will address practical problems unique to the work and will suggest solutions that will ensure excellence in its performance. A biography, a complete catalogue of the composer’s large number of choral works in print, a listing …

Directional Tonality In Schumann's Early Works, Benjamin K. Wadsworth

Faculty and Research Publications

Beginning and ending a work in the same key, thereby suggesting a hierarchical structure, is a hallmark of eighteenth- and nineteenth-century practice. Occasionally, however, early nineteenth-century works begin and end in different, but equally plausible keys (directional tonality), thereby associating two or more keys in decentralized complexes. Franz Schubert’s works are sometimes interpreted as central to this practice, especially those that extend third relationships to larger, often chromatic cycles. Robert Schumann’s early directional-tonal works, however, have received less analytical scrutiny. In them, pairings are instead diatonic between two keys, which usually relate as relative major and minor, thereby allowing Schumann …

An Infusion Of Eastern And Western Music Styles Into Art Song: Introducing Two Sets Of Art Song For Mezzo-Soprano By Chen Yi, Wen Zhang

UNLV Theses, Dissertations, Professional Papers, and Capstones

Chinese-American composer Chen Yi has been praised as "the most internationally renowned female Asian composer of contemporary music today," and she "has in particular become a prominent figure in music circles in the United States and China." Besides her successes in writing orchestral and chamber music, Chen Yi has also written numerous vocal compositions including some art songs. This document aims to introduce two sets of Chen's art songs written for mezzo-soprano voice, Meditation and Bright Moonlight, and study the features of these compositions that represent the unique style of her music, which is influenced by Chinese folk music idioms …

A Modest Proposal: A Chamber Opera In One Act, Kevin Morse

Electronic Thesis and Dissertation Repository

A Modest Proposal is a chamber opera in one act adapted from the 1729 satirical essay of the same name by Jonathan Swift. The opera’s narrative was developed in close partnership with Toronto-based Governor-General’s Literary Award-nominated playwright Lisa Codrington, whom I commissioned to write the libretto. Set in an unnamed city in the present day, the work explores themes of economic disparity, social class, political power and process, parents and children, love, anger, and revenge. I integrate musical quotations from (or references to) folk lullabies and the works of Mahler, Debussy, and Schoenberg to support and enhance the richness and …

2012-2013 New Music Festival, Donald Waxman, Lisa Leonard

New Music Festival

Seventh Annual New Music Festival

• Donald Waxman, Composer-in-Residence
• Lisa Leonard, Director

Monday, October 1, 2012 at 7:30 pm

• Spotlight 1: Young Composers

Tuesday, October 2, 2012 at 7:30 pm

• Contemporary Forum

Thursday, October 4, 2012 at 7:30 pm

• Spotlight 2: Donald Waxman

Suite For Chamber Orchestra, Liahna R. Guy

Masters Theses

Suite for Chamber Orchestra is a three-movement composition for an orchestra of reduced size. Over the course of the three movements, a variety of influences can be seen from the 19th and 20th centuries in regard to harmony and rhythmic practices. This Suite is scored for flute, oboe, Bb clarinet, bassoon, French horn, trumpet in C, timpani, violin (I and II), viola, cello, and double bass, and utilizes a moderate level of dissonance, harmonies consisting of perfect fourths and fifths, as well as a high level rhythmic activity.

This paper provides an analysis of the Suite in terms of musical …

Concertino, Doug Lofstrom, Jennet Ingle, Kelsey Molinari, Kirk Muspratt

Doug Lofstrom

Orchestral works released on Origin Classical out of Seatlle, Washington on July 17, 2012. Featuring: Jennet Ingle, oboe; Kelsey Molinari, harp; with accompanying musicians; Kirk Muspratt, conductor; Doug Lofstrom, conductor.

Concerto For Trumpet And String Orchestra (Full Score), Emmanuel M. Dubois

Emmanuel Dubois Compositions

Op. 40 : 1 score (iv + 96 pages) ; includes table of contents and Instrumentation table.

National Treasures of the American Midwest

Movements:

1. At Sleeping Bear Dunes - Lake Michigan
2. On the Great Plains
3. Dance of the Loons - the Ten Thousand Lakes of Minnesota

Third Divergence: Representations And Reflections, Nathan Weaver

Critical and Creative Thinking Capstones Collection

This paper presents an exploration of the process of developing a music composition through various layers of interaction with ideas through the abstract and the real. The composition is the most significant component of the project as a whole, and this paper regards itself as a sort of artist's journal developed during creation of the composition, making some attempt to show the process of improvising through the project. The project as a whole explores the various conceptualizations of the idea, of the relationship between the abstract and the real, and representations of a work that cannot be fully known. The …

Mythologies: Three Tableaux For Flute, Harp, Strings And Percussion, Alice J. Hansen

Electronic Thesis and Dissertation Repository

Mythologies: Three Tableaux for Flute, Harp, Strings and Percussion is a c. 12-minute composition that deals with the nature of ambience in music. Compositional procedures used in each tableau attempt to highlight acoustic and atmospheric idiosyncrasies within the instrumental ensemble. The first tableau is based on two melodic and harmonic motives which are systematically expanded through repetition and variation. The second tableau features a call and response between flute and harp in a dreamy and lyrical interlude. The third tableau develops material through a process of shifting harmonic and rhythmic textures to create a mosaic of ambient colour. Each tableau …

Student Teaching Band Arrangement, Whitney Mensink

Undergraduate Honors Capstone Projects

As a future music educator, I have learned how to teach students through various courses and instruction. During the last semester of my undergraduate, I am required to student teach. This gives me an opportunity to apply everything I’ve learned to see if it really works, and what my particular teaching style and philosophy is. At Sky View High School, I had the opportunity to teach the Sophomore Concert Band. For my thesis project, I decided to arrange a piece just for them – to rehearse with them and to score it to the strengths of the ensemble. Since I …

The Form Of The Preludes To Bach's Unaccompanied Cello Suites, Daniel E. Prindle

Daniel E. Prindle

This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four musical dimensions, tonal structure, motive, texture, and the potential implications of a piece’s genre, parse the preludes in different ways. As the features of these musical dimensions undergo either an evolution or a dramatic change over the course of each prelude, they each suggest a different form. Points of change in each dimension delineate segments in the music. When aligned, these changes create significant formal junctures and suggest an overall form …

A Performer’S Guide To Six Song Cycles Composed Between 1959 And 2010 By Mississippi Composers, Sarah Hogrefe Mabary

Dissertations

This dissertation offers a performer’s guide to six song cycles by Mississippi composers, including the structure and form of the songs, possible poetic interpretations, and performance practice techniques. The song cycles addressed are Samuel Jones’s Four Haiku, Howard Keever's Dreams, Raymond Liebau's Song Set I and Song Set II, and James Sclater's Three Songs on Texts of Emily Dickinson and Songs from “Telephone Poles.” For the purposes of this study, a Mississippi composer is defined as one who has a significant connection to Mississippi, either by birth or by having worked as a musician in the state for many years. …

Joseph Kreines: A Biographical Sketch, An Analysis Of American Song Set For Band And A Descriptive Catalogue Of His Original Compositions And Transcriptions For Wind Band, Paul Eugene Weikle Jr.

Dissertations

Joseph Kreines is a well-respected composer, conductor and educator who has maintained an illustrious musical career in Florida and elsewhere. Originally from Chicago, Illinois, Kreines came to Florida in the 1960s as the Associate Conductor of the Florida Symphony Orchestra. Other professional conducting appointments with the Brevard Symphony Orchestra, The Gulf Coast Symphony Orchestra and appointments as the conductor of the Florida Symphony Orchestra Youth Symphony, Pinellas Youth Symphony Orchestra and Brevard Youth Symphony Orchestra proved to be the launching of a successful free-lance career as guest conductor for hundreds of Secondary programs in Florida and elsewhere including band, orchestra …

An Analysis And An Historical Contextualization Of Frank Ticheli’S “Cajun Folk Songs”, Jody Anthony Besse

Dissertations

This document was constructed using a qualitative research approach to discuss and illuminate the various compositional techniques used by Frank Ticheli in his composition Cajun Folk Songs. The content will include a biographical background of Mr. Ticheli, documentation related to the Cajun Culture and Cajun Music, an analysis of Ticheli’s composition Cajun Folk Songs, and valuable information related to the rehearsal and performance of this work. The intent of the study is to shed light on the relevant aspects pertinent to the musical interpretation of the selected work for the conductor, the performer, and the listener.

Olympia: A Musical Composition For Wind Ensemble, Kyle Macdonald

Mahurin Honors College Capstone Experience/Thesis Projects

Olympia is a one movement musical composition to be performed by a wind ensemble. Written for the composer’s honors capstone project, Olympia is an exploration into the world of composing for large musical ensembles. The main theme, heard in the trombone solo at measure 40, is the proverbial “voice in the wilderness” that heroically comes out of chaos and is heard throughout the piece in different forms. Starting in short score with piano and percussion, the piece was then orchestrated into the final version. Written in the fall of 2011 and the spring of 2012, Olympia was rehearsed and performed …

Mouth's Cradle Presents: Wisdom Teeth, Kevin Hegedus

Honors Capstone Projects - All

[See attached document for abstract]

A Conductor’S Guide To The Poetic And Musical Style Of The Cante Jondo Based On The Work Of Mario Castelnuovo-Tedesco’S Romancero Gitano, Op.152, For Choir And Guitar With Selected Poems Of Federico Garcia Lorca’S Poema Del Cante Jondo, Elsa Patricia Ramierz-Hacker

Dissertations

Composers around the world have found the poetry of Federico García Lorca a source of inspiration for solo and choral works. Mario Castelnuovo- Tedesco used seven texts from Lorca’s Poema del Cante Jondo (Deep Song Poems) in his work Romancero Gitano, op. 152, for choir and guitar.

The purpose of this study is to provide a conductor’s guide to the poetic, historical, and musical structure of the cante jondo. Cante jondo or “deep song” is considered the most serious and profound collection of songs in Flamenco music. These songs express the history and landscape of the Andalucían region. Donn Phoren …

Song Of The Wind, Aaron B. Bittman

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

Song of the Wind is an original cantata for contralto soloist, chorus, and chamber orchestra. More similar to Carmina Burana than a cantata such as those written by J. S. Bach, musical influences were drawn from such diverse sources as Greek Orthodox chant, minimalism, and New Age popular music. The story of Song of the Wind is drawn from a number of different texts, mostly Eastern and Mid-Eastern in origin, but European texts are represented as well. These texts span a period of time between 3,000 years before the Common Era and the Renaissance, and also include newly written verse. …

Dawn: A Symphonic Sketch For Orchestra, Jeff Mcclellan

Electronic Thesis and Dissertation Repository

Dawn was written as a tribute to the Aquatic Ape Hypothesis, and, more particularly, its author, Elaine Morgan, who has been a restless proponent of the hypothesis for more than three decades. The evolutionary theory explains the anatomical differences between modern humans and apes by proposing that hominids lived through a semi-aquatic phase at some time in their development, providing reason for many of the aquatic characteristics & impulses that humans have and experience today.

My composition aims to capture the magic of this divergence of the genus homo over several million years. The music is programmatic, meaning an …

Garden Theatre, Patrick F. Arteaga

Electronic Thesis and Dissertation Repository

Garden Theatre is a fifteen-minute piece for voices and chamber ensemble, which sets to music two poems by William Carlos Williams entitled Daisy and Queen Anne’s Lace. This piece is divided into two scenes (movements), each comprising three distinct sections. Garden Theatre will combine allusions to early music elements such as forms and methods of motivic development with a modern music aesthetic.

In Garden Theatre there are four main pitch collections from which pitch material is derived. Continuity is promoted throughout the work by using many large and small-scale inter-referential elements such as recurring instrumental textures, pitch structures and …

"Celebracion Mexicana" For String Orchestra, Dominic Dousa

Dominic Dousa

A performance of my original composition by the UTEP String Orchestra, conducted by Lowell Graham.

Variations On A Russian Folk Song, Brian R. Denu

Student Publications

This piece for solo piano demonstrates a wide range of techniques utilized in twentieth century composition. The theme is taken from the Finale of Igor Stravinsky's ballet "The Firebird", which itself is based on a Russian folk song. Each subsequent variation focuses on one or more compositional technique.

I. Theme

II. March (chords by thirds, extended triads)

III. Molto grave e expressivo (chromaticism)

IV. L'istesso tempo (ten-tone row)

V. Fast and light (twelve-tone row, secundal harmony)

VI. Much less (minimalism, extended techniques)

VII. Hazy (quartal harmony, modal melody)

VIII. Finale (spectralism)

The order of the variations partly reflects a chronological …

Amy Beach: Tenacious Spirit, Ariel Foshay Bacon

B.A. in Music Senior Capstone Projects

Nineteenth-century composer Amy Beach is one of the first of her gender to successfully compose in the large orchestral forms. She was also one of the first American musicians to be trained entirely in the U.S and receive international acclaim. Incredibly, these achievements took place against the backdrop of a patriarchal society that confined women to the domestic sphere. Also, in the musical community, large orchestral forms were considered the exclusive creative property of men and any women who attempted them were immediately ascribed the status of a dilettante. In order to illustrate Amy’s unique place in this setting, I …

Sonnet 29, Matthew Carlson

Student Publications

"Sonnet 29" is an a capella choral piece written for the Gettysburg College Choir in the Spring of 2012. Dr. Robert Natter, director of the College choir, asked me if I would like to write a piece with text of Shakespeare, as he was planning to program a concert that consisted entirely of Shakespearean text. I chose this particular sonnet because it has a great metaphor of transformation which lends itself well to being set to music. In the first half of the piece, the speaker is in utter despair, and I bring this out with clustered harmonies, quiet dynamics, …

Tiny Sounds, Valeria Ch. Jonard Perez

Masters Theses

Our auditory system perceives sounds within a specific range of frequencies and amplitudes. It is the way we define our aural world and the sounds we are able or willing to hear. Just above the border of the threshold of human audition hearing, we find unique sounds with particular characteristics. These sometimes forgotten or ignored sounds interest me as compositional elements.

Listening attentively requires extra effort from our ears and concentration; listening to sounds that vacillate from imperceptible to audible changes how humans typically listen to sounds in their environment. Although amplifying these discreet sounds would rob them of their …

The Influence Of The Unaccompanied Bach Suites, Meredith Lawrence

Music and Worship Student Presentations

Bach was very influential in changing the function of the violoncello from an accompanying instrument to a solo instrument, showing the cello’s potential in his writing of the unaccompanied cello suites. Throughout the cello’s history, the instrument was considered to be primarily an accompanying instrument, playing the basso continuo line of most music. Through research of primary and secondary sources, it was found that during Bach’s time in Cöthen, he was given freedom and the resources to compose what he wished. These resources included excellent musicians such as the gambist, played by Abel and the cellist, Linigke. It was most …

Symphony In Three Marches, Nels D. Daily

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

This symphony is in three movements and lasts about 25 minutes. The form of the music for each movement has been influenced by the marches of Wolfgang Amadeus Mozart, Edward Elgar, John Philip Sousa, and Dimtri Shostakovich.

The first movement is in a march form related to the music of John Philip Sousa: 1st strain, 2nd strain, trio, dogfight, trio dogfight, trio. This form has been adapted to merge with sonata form. Broad fanfares play a central role in the formal outline. They introduce formal sections similar to Beethoven's slow introduction in the first movement of the "Pathetique" sonata acting …