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Articles 1 - 12 of 12
Full-Text Articles in Composition
Volume 38, Number 12 (December 1920), James Francis Cooke
Volume 38, Number 12 (December 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Self Study in the Art of Singing (interview with Mme. Amelita Galli-Gurci)
Harsh Chords in the Bass and What To Do With Them
Rubinstein, Master of Tone
Environment and the Child's Musical Life
Ten-Toned Scales
Harmonious Blacksmith
Revolutionary Etude: A Christmas Story of Music and the Great Unrest
Getting Results in Pianoforte Study
Doing too Much for Students
Like Flying to a Bird
Schubert and Schubart
Bringing Out the Master's Meaning
Some Interesting Things to Know About Playing Scales, Chords and Arpeggios
Marking Accidentals
Apple-pie-ano
Christmas Festival of Peace, Music and Good Cheer
Practical Exercises in Weight Playing
How to …
Volume 38, Number 11 (November 1920), James Francis Cooke
Volume 38, Number 11 (November 1920), James Francis Cooke
The Etude Magazine: 1883-1957
From Liszt to Leschetizky: Forty Years with Great Pianists
Unmusical Fugue
Chart for Remembering Key Signatures
Music and the Home
Practical Exercises in Modern Phrasing
Tonal Perception
Don't Be Fooled by Applause
How Can I Study the Art of Instrumentation?
Preparedness: The Secret of Speed
Getting Results in Pianoforte Study: Some Modern Ways of Reaching the Goal Through New Artistic Means
Musical Misnomers
Lessons We Dread
Early Hours for Practice
Passing on the Credit
Some Tricky Musical Signs, Ties, Slurs and Accidentals
Planning Practice to Get Best Results
Why are Sharps Harder than Flats
Effective Finger Exercises
Fingers versus Brains …
Volume 38, Number 10 (October 1920), James Francis Cooke
Volume 38, Number 10 (October 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Musical Soul of the American Indian
Keyboard Masters of Other Years
Does Your Piano Need a Scavenger?
Light Touch
American Indian's Music Idealized
Great Possibilities of American Music Clubs
Places That Don't Sound Right and What to Do With Them
Shall I Take Up Music as a Profession?
Be Generous with Praise
Impressions of Indian Music as Heard in the Woods, Prairies, Mountains and Wigwams
Passing of Carlos Troyer, Musician and Explorer: Famous Friend of the Indians and the Notable Work He Accomplished
Interesting Facts About the Indians
Indian Musicians in the Modern World
Lieurance Program
Collectors of Native American …
Volume 38, Number 09 (September 1920), James Francis Cooke
Volume 38, Number 09 (September 1920), James Francis Cooke
The Etude Magazine: 1883-1957
How to Hold Your Audience
Injured Right Hand a Blessing
Playing in the Right Octave
How to Make Your Practice Time Less Tedious
Music Composition as a Field for Women (interview with Carrie Jacobs-Bond)
Why Underpay the Music Teacher?
Early Fall Recital
Does Your Pupil Know What Music to Bring to the First Fall Lesson?
Painless Musical Bookkeeping
Opening Gun of the Teaching Season: What a Teacher Must Do to Insure a Prompt Start and a Full Class
Gradual Hand Stretching Exercise
All About Variations
Some Hints on Modern Fingering
Ultra-Modern Music Explained: Unusual Futurist Harmony and Form Discussed
Remembering …
Volume 38, Number 08 (August 1920), James Francis Cooke
Volume 38, Number 08 (August 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Three Touches Employed in Melody Playing
How to Create New Teaching Business
Direct Method in Music Study
Basis of Success in Music Reading
Fighting Fate to Triumph
Never Too Late
To Parents—Don't Give Up Your Music
To the Pupil Without a Teacher
School and Studio: Studies in the Cirriculum of the Public School Which Compare with Musical Studies
Practical Aspects of Modern Pianoforte Study (interview with M. Alfred Cortot)
Accenting Compound Measures
By-Product of Counting Aloud
Passing Notes
How Much Do You Practice?
More Advanced Technical Exercises and the Relation of Technical Exercises to Studies
Starting Them In
First Steps …
Volume 38, Number 07 (July 1920), James Francis Cooke
Volume 38, Number 07 (July 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Know How in the Art of Singing (interview with Mary Garden)
Summer Activities of the Music Teacher
Music and Mechanics
Why Use the Letter C in 4/4 Time?
What Every Piano Student Should Know About Pedaling
Technic or No Technic? Which?
Best Remedy I Have Ever Found for Nervousness in Public Performance
Secrets of the Success of Great Musicians
Good Beginning
Memories of Rubinstein and Liszt
Why Go to Pieces?
Make Your Left Hand Intelligent
Musical Patriotism
Strengthening the Weaker Digits
Where Does Father Come In?
Helpful Hints on Arpeggio Fingering
Illustration and Story in Piano Teaching
That Loud Pedal …
Volume 38, Number 06 (June 1920), James Francis Cooke
Volume 38, Number 06 (June 1920), James Francis Cooke
The Etude Magazine: 1883-1957
What Must I Go Through to Become a Prima Donna? (interview with Geraldine Farrar)
More Income for Music Teachers: How and Why One Teacher Made Good at an Increased Price
Count the Cost
Musical Genius Everywhere
Child's First Piano Lesson
How to Get Your First Pupils
Compelling Force in Musical Success (interview with Alberto Jonás)
What Shall I Teach?
Most Simple Way of Teaching Lines and Spaces
Scale Maxims
Hint on Memorizing
New Pianistic Beauties Through New Pedal Effects
Did You Say You Couldn't Memorize Music? Read This!
Taking American Music Seriously
Temperature and Practice
Let the Light Fall Right …
Volume 38, Number 05 (May 1920), James Francis Cooke
Volume 38, Number 05 (May 1920), James Francis Cooke
The Etude Magazine: 1883-1957
New Tendencies in Pianistic Art (interview with Benno Moiseiwitsch)
Note on Interpretation
How to Write Characteristic Music
Some Big Thoughts from a Great Writer
Slow Scales
Don't be Fooled by Fake Memory Systems
Technic versus Interpretation in Piano Study
Those Tiresome Five-Finger Exercises!
Teaching in the Language of Do
What Do You Mean by Musical Expression?
Well-tuned Piano
Start the Fashion of Punctuality
How the Great Masters Practiced
Interest at the Very Beginning
Dictating Music
Mystery of Genius
New Pianistic Beauties by New Pedal Effects
Tone-Deaf Pupils
Will Ragtime Turn to Symphonic Poems (interview with Major Rupert Hughes)
Some Interesting …
Volume 38, Number 04 (April 1920), James Francis Cooke
Volume 38, Number 04 (April 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Music for the Man of To-day (interview with Rupert Hughes)
Don't Be Discouraged
Need for Wrist Freedom
Psychic Influence in Modern Music
Slow Practice the First Step on the Road to Virtuosity
Romance of a Famous Song: Judge Galloway's The Gypsy Trail
Recipes for Profitable Practice
Piano Playing of To-day
Temperament, Technic and Tact in Accompanying
Some Important Facts About Studying Real Composition
Introducing Yourself to the Pupil
Scales in Four Octaves
Getting the Most from Technical Exercises
Hateful Half Hour' Practice and Some Ways of Overcoming It
How Some Composers Compose
Attention as a Factor in Piano Study
Why …
Volume 38, Number 03 (March 1920), James Francis Cooke
Volume 38, Number 03 (March 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Musical Aftermath of the Great War (interview with Walter Damrosch)
Catchy Fourth
Getting Ahead in Music
Method versus Methods: A Practical Talk to Teachers from a Renowned European Pedagog
Murdering Your New Piece
Secrets of the Success of Great Musicians
Secret of a Good Musical Memory: Successive Steps in Acquiring the Art of Remembering Music
Piano Teacher's Best Advancement
Home-Made Metronome
Classic Piano Playing from Beethoven to the Modern
Hints for Your Repertoire
Ill-Founded Conclusion Concerning the Great Mozart
Every Music Student Should Learn How to Accompany
Right Kind of Musical History
Do You Want a Flexible Wrist?
What Instrument …
Volume 38, Number 02 (February 1920), James Francis Cooke
Volume 38, Number 02 (February 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Notable Group of American Musical Educators
Etudes of Chopin and How They Ought to be Practiced
Multiple Rhythm
Indispensables in Pianistic Success
Some Errors and How I Corrected Them
What is Shape in Music
All Sorts and Conditions of Pupils
Is Playing by Ear Harmful? Play What You See, See What You Play; Play What you Hear, Hear What You Play; See What You Hear, Hear What You See
Key Relationship and Key Signatures
Hearing Wrong Fingering
Secrets of the Success of Great Musicians
High-Grade Concerts in a Small Town
Gather Memories! The True Story of a Musician Who Did …
Volume 38, Number 01 (January 1920), James Francis Cooke
Volume 38, Number 01 (January 1920), James Francis Cooke
The Etude Magazine: 1883-1957
Indispensables in Pianistic Success (interview with Josef Hofmann)
Irregular Rhythms
Records That Help the Music Teacher
Qu-est-ce Que Vous Voulez?
Don't Be Too Awfully Dignified
Three Rs of Sight Reading
Musical Embellishments
Taking Stock
Conquer Your Bête Noire
Inter-relationship of the Ear and the Eye
Some Practical Hints on Pedaling
Dressing the Part
Lines and Spaces
Musical Pot-Boilers: Facts about the Mental Tasks Which Great Masters Have Been Forced to Undertake to Earn a Bare Existence
Difficulty in Piano Music
After the Novelty Has Gone
Clairvoyance, Spiritism and Occultism in Music
Sensations in the Spotlight
Blazing New Trails
Will Richard …