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Articles 1 - 12 of 12
Full-Text Articles in Composition
Catalog Of Current Compositions, Dan Rager
Catalog Of Current Compositions, Dan Rager
Dan Rager
Igor Stravinsky (Primitivism & Cubism), Dan Rager
Igor Stravinsky (Primitivism & Cubism), Dan Rager
Dan Rager
Robert Schuman "Novellette In F Major", Opus. 21 No. 1 (Part 1), Dan Rager
Robert Schuman "Novellette In F Major", Opus. 21 No. 1 (Part 1), Dan Rager
Dan Rager
Robert Schumann "Novellette" Opus 21- No. 1 / Full Piano Score (Part 2), Dan Rager
Robert Schumann "Novellette" Opus 21- No. 1 / Full Piano Score (Part 2), Dan Rager
Dan Rager
The Band Came Back (Sousa -1895/Clarke - 1926/Rager - 2016), Dan Rager
The Band Came Back (Sousa -1895/Clarke - 1926/Rager - 2016), Dan Rager
Dan Rager
Musical Syntax (Music Vs. Human Language), Dan Rager
Musical Syntax (Music Vs. Human Language), Dan Rager
Dan Rager
In Search Of The Wind-Band: An International Expedition, Daniel Rager
In Search Of The Wind-Band: An International Expedition, Daniel Rager
Dan Rager
In Search of the Wind-Band: An International Expedition is a new interactive E-book, exploring 16 countries.
The first-of-a-kind, interactive encyclopedic e-book uses text, video, mp3 and pdf files to bring the history and development of the wind-band to life.
1. Overture: What Constitutes a Wind Band? - 2. Introduction to European History and Development - 3. Historical Homogeneous Wind-Bands - 4. American Wind Music - 5. Denmark Wind Music - 6. Finnish Wind Music - 7. Industry Wind Bands - 8. Ireland Wind Music - 9. Japanese Wind Music - 10. Mexican Wind Music - 11. Native American Indian Wind …
History Of The Blues, Dan Rager
History Of The Blues, Dan Rager
Dan Rager
This all inclusive History of the Blues introduction begins as early as 1400, when the first global trading routes began. Two early maps are enclosed from this period showing the direction and locations from which people, food and supplies were moved.
This research presentation illustrates African tribes such as the Arada, Dahomey and Fulani who sang music in their daily rituals and ceremonies long before they were moved to other continents. Early developmental music elements are introduced including spirituals, worksongs, Scottish ballads, Methodist and Baptist hymns, call and response, guttural effects, interpolated vocality, falsetto and blue notes. All of these …
J. P. Sousa Vol 15 (The Band Came Back), Dan Rager
J. P. Sousa Vol 15 (The Band Came Back), Dan Rager
Dan Rager
Aesthetics In Culture, Dan Rager
Aesthetics In Culture, Dan Rager
Dan Rager
This article examines the role of aesthetics in art, music, non-art objects, and activities in daily life. It shows that recognition is vital to our understanding of art and art-objects and sometimes creates conflicts which ask, what does one do with art? The question becomes more confusing when we think about non-art objects and activities which concern our everyday experiences from eating, clothing, cleaning and dealing with life's natural elements. The author points out that Western cultures have a distinct artworld that is usually limited for special occasions set aside for that purpose. He suggests that aesthetics in culture is …
The Interpretation Of Sousa, Daniel Rager
The Interpretation Of Sousa, Daniel Rager
Dan Rager
This article creates a recording anthology from four of John P. Sousa's finest marches and includes "The Washington Post," "The Fairest of the Fair," "Hands Across the Sea," and "The Thunder." The titles were chosen because of their popularity as being the most recorded marches, and that they all have a common thread between them. Together, they create a unique collage of themes that when put together take on a new life. The author shows how all four compositions were assembled into a symphony titled Symphony on the Themes of Sousa written by Hollywood composer Ira Hearshen. Frederick Fennell recorded …
Johann Sebastian Bach's Wind/Brass Instruments And Scoring Techniques, Daniel Rager
Johann Sebastian Bach's Wind/Brass Instruments And Scoring Techniques, Daniel Rager
Dan Rager
Each time period has its own social, cultural and religious rules from which composers obey. Bach’s sacred and secular works walk a fine line and are hard to distinguish between, but each has been performed throughout the ages in a variety of settings. This paper investigates Bach’s: Ideologies and Scoring which include his petition of August 23, 1730, his Horn (Corno) and its many names and uses. The author details Bach’s trombone (s), how he use them and in what compositions they can be found as well as Bach’s trumpet (s), their various keys and uses including musical excerpts, ornaments …