Museum Studies Commons^™

Creating The Experience: Engaging Millennials In Museums With A Focus On Jewish Millennials And Museums, Sarah G. Drozda

Museum Studies Theses

In this research, I explore two main ideas: The relationship that millennials have with museums and what programming excites them into coming back to the museum. To do this, I did a background review of the motivations and passions of the millennial generation, as well as various programming that have engaged millennials in museums. As someone who is a millennial and passionate about Jewish museums and Jewish engagement, I focused my research on how museums can help to bring Jewish millennials closer to their heritage, culture, and Jewish identity. A good segment of Jewish millennials is not drawn to traditional …

The Function Of Memory From The Warsaw Ghetto As Presented By The Polin Museum Of The History Of Polish Jews, Hannah M. Labovitz

Student Publications

Because of the extreme challenges they endured within Warsaw Ghetto and the slim chance they had at survival, the Jewish people sought to protect their legacy and leave a lasting impact on the world. They did so by both documenting their experiences, preserving them in what was known as the Oyneg Shabes archives, and by engaging in a bold act of defiance against the Nazis with the Warsaw Ghetto Uprising in 1943, rewriting the narrative of Jewish passivity. With both instances, the POLIN Museum presents these moments of the past and shapes a collective memory based on a Jewish perspective …

The Jewish Museum Of Florida-Fiu: Archives On The Edge, Todd Bothel, Jacqueline Goldstein, Luna Goldberg

Archives Day

As the COVID-19 pandemic has threatened much of our access to communal spaces of learning and research such as universities, libraries, and museum collections, many new technologies have emerged to make these resources accessible to the public from the comfort of their homes.

The Jewish Museum of Florida-FIU (JMOF) collection consists of ~60,000 objects, documents, images and ephemera. The collections are wide-ranging in content, cover numerous subject headings and geographically represent all sixty-seven counties of Florida and Cuba.

Join the JMOF staff for a series of lightning talks with Registrar Todd Bothel, Curator Jacqueline Goldstein, and Education Manager Luna Goldberg. …

Nazi-Confiscated Art: Eliminating Legal Barriers To Returning Stolen Treasures, Stephanie J. Beach

Loyola of Los Angeles Law Review

World War II ended over three-quarters of a century ago, but there still remain prisoners of war. Before and during the war, the Nazis confiscated approximately 650,000 works of art—an “art theft” orchestrated by Adolf Hitler to rid society of Jewish art and artists and to collect worthy works to build his own art capital. Seventy-five years later, looted Holocaust-era artworks are still either undiscovered or in the possession of museums across the globe without proper ownership attribution or payment to Holocaust survivors or their heirs. There are modern remedies, such as the 1998 Washington Conference on Holocaust Era Assets, …

Tolerance As A Way To Remember, Natalie Figueroa

Voces Novae

This project examines the topic of Holocaust memorialization with a specific focus on the Simon Wiesenthal Center and their Los Angeles Museum of Tolerance. It posits that the mission and design of the museum were shaped by two major factors, first, the values of Nazi hunter Simon Wiesenthal for whom the Center was named, and second, racial and ethnic tensions within the City of Los Angeles during the late 1980s and early 1990s, which culminated in the Los Angeles riots in 1992 following the acquittal of four white police officers in the 1991 beating of Rodney King. The museum opened …

Museum Approaches To Judaica: The Forgotten Spoils Of The Nazi Plunder Of Europe, Derek Butler

Seton Hall University Dissertations and Theses (ETDs)

Museum professionals are faced with many legal and ethical issues on a daily basis, many of which are rooted in the actions of people in the past. One of the largest issues discussed in our community over the last several decades stems from the mass looting of artwork across Europe by the Nazis during World War Two. While much attention has been given to the procedures and practices museums must go through in order to identify potential stolen works and return them to their rightful owners, Jewish homes, businesses, and synagogues were also ransacked by German soldiers and anything of …

Time Travel, Labour History, And The Null Curriculum: New Design Knowledge For Mobile Augmented Reality History Games, Owen Gottlieb

Articles

This paper presents a case study drawn from design-based research (DBR) on a mobile, place-based augmented reality history game. Using DBR methods, the game was developed by the author as a history learning intervention for fifth to seventh graders. The game is built upon historical narratives of disenfranchised populations that are seldom taught, those typically relegated to the 'null curriculum'. These narratives include the stories of women immigrant labour leaders in the early twentieth century, more than a decade before suffrage. The project understands the purpose of history education as the preparation of informed citizens. In paying particular attention to …

Armenian Textile Terminology, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The part of the Armenian vocabulary that is inherited from the Indo-European protolanguage is notoriously limited, variously estimated to include between 450 and 700 stems. Otherwise, the lexicon is dominated by etymologically obscure elements and an impressive amount of Middle Iranian loanwords, reflecting the centuries of Iranian political dominance. In particular the Parthian loans, introduced during the Arsacid dynasty (247 BC-224 AD), have left their mark on the Classical Armenian language, attested from the early 5th century, to a similar extent as Old French on English or Low German on Danish, so that linguists until the late 19th century still …

List Of Contributors

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The 42 contributors include Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch, Elena Soriga, Louise Quillien, Luigi Malatacca, Nahum Ben-Yehuda, Christina Katsikadeli, Orit Shamir, Agnes Korn, Georg Warning, Birgit Anette Olsen, Stella Spantidaki, Peder Flemestad, Peter Herz, Ines Bogensperger, Herbert Graßl, Mary Harlow, Berit Hildebrandt, Magdalena Öhrman, Roland Schuhmann, Kerstin Droß-Krüpe, John Peter Wild, Maria Mossakowska-Gaubert, Julia Galliker, Anne Regourd, Fiona J. L. Handley, Götz König, Miguel Ángel Andrés-Toledo, Stefan Niederreiter, Oswald Panagl, Giovanni Fanfani, Le Wang, Feng Zhao, Mari Omura, Naoko Kizawa, Maciej Szymaszek, Francesco Meo, Felicitas Maeder, Kalliope Sarri, Susanne Lervad, and Tove Engelhardt Mathiassen.

Listening For Licia: A Reconsideration Of Latin Licia As Heddle-Leashes, Magdalena Öhrman

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The semantic field of Latin licium and its plural form licia is undoubtedly wide, with the term applied to thread both generally and in specific legal, medical and magical usage as well as in relation to weaving, and this paper does not aim to survey Latin usage of this term comprehensively. Rather, it focuses on one of the uses of licia in Latin literary sources, namely those where licia appears to denote heddle-leashes. Two much-discussed passages occur in Augustan poetry where licia may be used in this sense: Vergil’s Georgics 1.285 and Tibullus elegy 1.6.79. Both passages have been subject …

Tunics Worn In Egypt In Roman And Byzantine Times: The Greek Vocabulary, Maria Mossakowska-Gaubert

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The principal element of the fashion in clothing introduced in Egypt with the arrival of the Romans was a tunic made of two rectangular pieces of fabric sewn together. Such a tunic either would leave the arms naked, or cover the arms to the elbow (fig. 1). This fashion changed with the turn of the 2nd and 3rd century AD. At this time, in addition to the tunics without sleeves, the inhabitants of Egypt started to wear tunics with ‘true’ sleeves – long or short, wide or tight – inspired by the Eastern fashion: the manner of making the tunics …

“Der Faden Soll Nicht Reißen, Während Ich Meine Dichtung Webe…”: Zum Metaphorischen Gebrauch Von Textilterminologie Im Rigveda, Stefan Niederreiter,

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Wenn man sich als historisch-vergleichender Sprachwissenschaftler mit einem speziellen realienkundlichen Thema einer ausgewählten Epoche einer altindogermanischen Sprache beschäftigt, so ist man aus Erfahrung darauf gefasst, dass Informationen zumeist lückenhaft vorhanden sind und die Erschließung der Texte mit den unterschiedlichsten philologischen und linguistischen Schwierigkeiten verbunden sein kann. Trägt man das Erkenntnisinteresse textilterminologischer Fragestellungen an den ältesten indischen Text, den Rigveda (RV), heran, liegt es schon an der Textsorte der für rituelle Zwecke bestimmten sacerdotalen Dichtung, dass Informationen zur handwerklichen Praxis des Webens allenfalls verstreut, beiläufig und dann vor allem in poetischen Metaphern den vedischen Hymnen zu entnehmen sind. Aber gerade der …

Der Text Als Gewebe: Lexikalische Studien Im Sinnbezirk Von Webstuhl Und Kleid, Oswald Panagl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Thematik des folgenden Beitrags ist gleichsam doppelt gepolt. Sie ist zunächst im terminologischen Feld der Prozesse, Instrumente und Produkte der Sachbereiche von Weben und Flechten verankert. Zugleich ist sie auch in den metaphorischen Verwendungsweisen der zugehörigen Sinnbezirke bzw. Wortfelder, also im weitgespannten Horizont der Herstellung von Stoffen, Tüchern und Gewändern verortet. „Vom Textil zum Text“ ließe sich die Intention des Artikels bündig zusammenfassen: Dabei verläuft also die Richtung der Bedeutungsentwicklung des Produkts in ihrer Tendenz gegen den Vorgang der zugehörigen morphologischen Ableitung. Ich möchte mich meinem Vorhaben zunächst mit einem Blick auf die bekannten beiden konversen Zugänge zur Semantik …

Weaving A Song. Convergences In Greek Poetic Imagery Between Textile And Musical Terminology. An Overview On Archaic And Classical Literature, Giovanni Fanfani

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In an analysis of the household-management (οἰκο- νομία) in the first book of the Politics, Aristotle discusses the nature and use of tools (ὄργανα), both inanimate (τὰ ἄψυχα) and animate (τὰ ἔμψυχα). While such a distinction is functional, in Aristotle’s argument, to illustrate the priority of the latter group (represented by the assistant, ὁ ὑπηρετής, and the slave, ὁ δοῦλος) over the first, what interests us here lies mainly within the realm of inanimate tools. As commentators to the passage have not failed to notice, a first literary frame of reference for Aristotle’s exemplum fictum is to be found …

Lost & Found: Order In The Court -- The Party Game, Owen Gottlieb, Ian Schreiber

Presentations and other scholarship

Lost & Found is a strategy card-to-mobile game series that teaches medieval religious legal systems with attention to period accuracy and cultural and historical context.

The Lost & Found games project seeks to expand the discourse around religious legal systems, to enrich public conversations in a variety of communities, and to promote greater understanding of the religious traditions that build the fabric of the United States. Comparative religious literacy can build bridges between and within communities and prepare learners to be responsible citizens in our pluralist democracy.

The second game in the series, Lost & Found: Order in the Court …

Remarks On The Interpretation Of Some Ambiguous Greek Textile Terms, Stella Spantidaki

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The study of written sources of the Classical period (5th and 4th centuries BC) reveals the existence of a very rich vocabulary related to textile production. There are terms referring to materials, tools, manufacture and decoration techniques, colours, people and places related to textile manufacture. Many terms are quite clearly defined, while others present major difficulties in their interpretation. Usually these concern terms for tools, such as κερκίς (pin beater or shuttle) and ἡλακάτη (distaff or spindle) or terms describing fabrics with some kind of decoration. Among the decorative terms, some refer to specific decorative techniques, such as κατάστικτος (embroidered) …

Sasanian Exegesis Of Avestan Textile Terms, Miguel Ángel Andrés-Toledo

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Zoroastrian religion, taking its name from the prophet Zoroaster, Greek version of the Avestan name Zaraϑuštra, developed in South and Central Asia out of the Indo-Iranian religious practices going back to the 2nd millennium BC, and is one of the few ancient Indo-European religions that still survive, concretely in some communities in Iran, India and the diaspora. The most ancient Zoroastrian sacred texts, commonly designated as the Avesta, were orally composed and transmitted during the 2nd and 1st millennia BC in the most archaic Iranian language preserved, known as Avestan, until they were eventually put down to writing in …

Beschaffung Und Handel Mit Farbstoffen, Peter Herz

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Farbstoffe sind alles andere als ein leicht zu behandelndes Thema, denn von wenigen Ausnahmen abgesehen, die die mineralischen Farben betreffen, geht die archäologische Nachweisbarkeit in der Regel fast gegen Null, was gerade für die Textilfarben sehr bedauerlich ist. Die frühesten Nachweise auf einen internationalen Handel mit Farbstoffen stammen aus dem Ägypten der 4. Dynastie. In vielen Gräbern dieser Epoche finden wir Wandgemälde aus einem ganz speziellen Blau, dem sogenannten Ägyptischen Blau. Einer der Grundstoffe war Lapislazuli oder Blaustein, ein Mineral, das noch heute in den östlichen Teilen von Afghanistan abgebaut wird. Von dort aus wurde das Rohprodukt mit Eselskarawanen bis …

Ordinary People’S Garments In Neo- And Late-Babylonian Sources, Luigi Malatacca

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The investigation of textiles and clothes in ancient Mesopotamia has been anything but neglected in Assyriological studies. For the Neo- and Late Babylonian periods, in particular, two fundamental monographs have shed light on the clothes worn by the deities worshiped in lower Mesopotamia. 2 Scholars, however, have focused almost exclusively on clothing in the cultic context. This is due to a prevalence of textual sources – mostly economic or administrative documents – recording clothing items worn by divine images during festivals and rituals. Sources on the clothes worn by common people, instead, are close to non-existent. Still, we cannot overlook …

Zur Textilterminologie Auf Römischen Bleitäfelchen: Probleme Der Lesung Und Interpretation, Herbert Graßl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Vorlage und das Studium römischer Bleitesserae, das in den letzten Jahren einen beachtlichen Aufschwung erlebt hat,1 lieferte gerade für die kaiserzeitliche römische Textilwirtschaft viele neue Einsichten. Dazu zählen neben dem in diesem Wirtschaftszweig tätigen Personenkreis vor allem die Herstellung, Verarbeitung und Vermarktung von Textilien, ihre Bezeichnungen und auch Preise in verschiedenen Provinzen des Imperiums. Trotz aller neuer Erkenntnisse bleibt auf diesem Feld aber noch viel zu tun: die Lesung der Texte ist häufig nicht gesichert, die inhaltliche Deutung auch wegen der häufigen Verwendung von Abkürzungen schwierig, dazu kommt noch die verstreute und oft nur schwer erreichbare Publikationsform. Dass sich …

Tools And Crafts, The Terminology Of Textile Manufacturing In 1st-Millennium Bc Babylonia, Louise Quillien

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

What did sheep shears in the 1st millennium BC Babylonia look like? We are not sure. Many cuneiform texts were written about textile work in Babylonia, but it was largely about administration or accounting. There were hardly any descriptions of the actual tools and processes. In this article we go back over the words, the iconography, and the archaeology in an attempt to find these missing descriptions. This study is limited to Babylonia during the 1st millennium BC, and this period correspond to a state of the Akkadian language, called Neo-Babylonian. At these times, major evolution took place. Mesopotamia entered …

Zur Bekleidung Der Krieger Im Avesta: Rüstung Und Magischer Schmuck, Götz König

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Während die in Altavestisch komponierten Lieder des Avesta (die Gāϑās und das Yasna Haptaŋhāiti) einen rituellen Dichtungsstil pflegen, der sich in eigentümlicher Weise gegen die Dinge der Welt weitgehend verschließt, d.h. Wörter, die auf Materiales – auf in Raum und Zeit Identifizierbares – sich beziehen, vermeidet, stellen die in Jungavestisch abgefaßten metrischen wie prosaischen Texte des Avesta eine weitaus ergiebigere Quelle zur Rekonstruktion der materiellen avestischen Kultur dar. Richten dabei diejenigen Texte, welche die tägliche bzw. zu bestimmten Anlässen zu feiernde, um die altavestischen Texte herum komponierte Priesterzeremonie bilden (Yasna bzw. Yasna mit Vīsparad), ihre Aufmerksamkeit auf …

Sha’Atnez – The Biblical Prohibition Against Wearing Mixed Wool And Linen Together And The Observance And Enforcement Of The Command In The Orthodox Jewish Communities Today, Orit Shamir

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Jewish law forbids Sha’atnez – wearing mixed wool and linen together was forbidden for the Jewish population. The article will first explain the meaning and acronym of sha’atnez, and then review the sha’atnez textiles which were found in the Land of Israel. The possible reasons for the prohibition of sha’atnez will be presented and remarks on observance and enforcement of the law in Orthodox Jewish communities today will be made according to ethnographic investigation.²

The concept of sha’atnez: Jewish law forbids sha’atnez – wearing garments of mixed wool and linen. This is mentioned twice in the Hebrew Bible: …

A Name Of A Private Factory (Or Workshop) On A Piece Of Textile: The Case Of The Document A.L.18 (Vienna), Anne Regourd, Fiona J. L. Handley

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Arabic Leinwand (A.L.) collection is held by the Department of Papyrus (Papyrussammlung) in the Austrian National Library of Vienna.1 The collection was acquired in Egypt in the late 19th century by an antiquity trader in Cairo commissioned by Joseph von Karabacek, the famous papyrologist, and contains 68 items.2 Almost all of these have an association with writing, hence the reason why they were collected for the Library, and only eight objects have no association at all. The language for the most part is Arabic with a few texts in Greek, or with Greek with Arabic. The collection of pieces …

The Textile Term Gammadia, Maciej Szymaszek

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

This paper aims to investigate the origin of the term gammadia by determining the oldest examples of its use both in source texts and secondary literature.1 For nearly four centuries this term was commonly applied to the various motifs on mantles of figures represented in art of the 1st millennium AD.2 These right-angled and letter-like signs attracted the attention of several authors who were seeking to explain their possible symbolic meaning, but they did not pay attention to the correctness of the term adapted to name such motifs.3 This approach contributed to the terminological confusion and difficulties in understanding the …

A Diachronic View On Fulling Technology In The Mediterranean And The Ancient Near East: Tools, Raw Materials And Natural Resources For The Finishing Of Textiles, Elena Soriga

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Among the operations required in the overall cycle of the ancient production of textiles, Greek and Roman sources refer to the fulling of woollen fabrics as the most complex and expensive technical process performed both in the 1st millennium BC and the 1st millennium AD. Indeed, the finishing of woollen clothes needed a large amount of time, energy and labour, as well as involving the use of specialized skills and costly raw materials. Fulling fulfilled two functions that were necessary for the proper finishing of cloth, namely the scouring and consolidation of the fibres in the fabric. Woven cloth straight …

Sabellic Textile Terminology, Peder Flemestad, Birgit Anette Olsen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Despite numerous recent studies of Italic textiles and textile production etc., no systematic study has so far been attempted regarding the textile terminology of Italic languages besides Latin. The present study seeks to remedy this, making a first step into the textile terminology of Sabellic languages, predominantly Oscan and Umbrian. There are two types of sources for Sabellic textile terminology: inscriptions and glosses in Greek and Latin literature. Both are, however, fraught with uncertainties. The glosses, as for example seen in the case of Etruscan, may have been misunderstood or misinterpreted and should be treated with due caution, and there …

Purple And Its Various Kinds In Documentary Papyri, Ines Bogensperger

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The colour purple evokes an inestimable, priceless luxury in our understanding. It almost belongs in a legendary world along with other exquisite goods. Purple is seen as example par excellence for a symbol of social status, a token of prestige. A significant study on the importance of purple has brought to light the persistent desire for this colour throughout the Greek and Roman world.2 Literary sources from Roman times provide us quite comprehensive information on the colour and its sources. The most often quoted author is doubtlessly Caius Plinius Secundus, known as Pliny the Elder, who compiled specialist knowledge in …

Flax And Linen Terminology In Talmudic Literature, Nahum Ben-Yehuda

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Material culture data is mentioned in Talmudic (or ‘rabbinical’) literature when a relevant legal (‘halakhic’) or homiletic (‘midrashic’) context arises. Therefore, certain details may be lacking or ambiguously stated. This however is not presented in a systematic and detailed manner, such as in ‘Pliny’s Natural History’.2 Additional classical authors mention flax and linen. First and foremost: Diocletian3 in his edict of maximum prices. And in less scope and detail: Xenophon,4 Virgil,5 Strabo,6 Columella,7 Pausanias,8 and Theodosius II9 – in his codex. In some instances, these sources may be useful for comparison, contrast and clarification – to Talmudic sources. It is …

Armenian Karmir, Sogdian Karmīr ‘Red’, Hebrew Karmīl And The Armenian Scale Insect Dye In Antiquity, Agnes Korn, Georg Warning

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

This paper looks at three terms denoting the colour ‘red’, viz. Armenian karmir, the obviously corresponding Sogdian word karmīr, and karmīl ‘scarlet’ found in the Hebrew Bible. It will first briefly discuss the etymology of these words (summarising an argument made elsewhere) and argue that the words in question represent a technical term for a red dye from Armenia produced by scale insects. We will then attempt to show that historical data and chemical analysis of extant historical textiles confirm the Armenian red as the relevant dye.

Late Biblical Hebrew karmīl occurs only three times. All three attestations are …