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Articles 1 - 4 of 4
Full-Text Articles in Modern Languages
Intertexts Of The Ecological: Literary Space Revisited In Yanick Lahens's Bain De Lune, Jason Herbeck
Intertexts Of The Ecological: Literary Space Revisited In Yanick Lahens's Bain De Lune, Jason Herbeck
World Languages Faculty Publications and Presentations
The opening lines of Yanick Lahens’s Bain de lune (2014) find an unidentified narrator lying on a beach not far from the coastal community of Anse Bleue, staring at the worn, muddy boots of the man who has just discovered her lifeless body. As her narrative reveals, a hurricane has devastated the region over the past three days, and, in the wake of the storm, the deceased protagonist tries to piece together the fragmented memories of her life as a means of determining how she has ended up dead on the sand. From the very beginning of Lahens’s novel, however, …
Derechos Humanos Y Corporeidad En Los Ejércitos De Evelio Rosero, Carlos Gardeazábal Bravo
Derechos Humanos Y Corporeidad En Los Ejércitos De Evelio Rosero, Carlos Gardeazábal Bravo
Global Languages and Cultures Faculty Publications and Presentations
La novela Los ejércitos (2007) del escritor colombiano Evelio Rosero (1958) ha conseguido un amplio público lector en el mercado internacional, gracias en parte a un conjunto importante de premios, entre los cuales se cuentan el Tusquets 2006, el Independent Foreign Fiction Prize 2009, el Aloa del Danish Center for Culture and Development 2011. Antonia Byatt, miembro del jurado del Independent Foreign Fiction Prize, afirmó sobre la novela: "A book that not only tells us about how life is torn apart in a country wrought by war, but also adds to our understanding of the human condition" (cit. en Flood …
La Magie Comme Paradoxe Dans Moi, Tituba, Sorcière Noire De Salem, Jamie Gaffin
La Magie Comme Paradoxe Dans Moi, Tituba, Sorcière Noire De Salem, Jamie Gaffin
The University Honors Program
Le roman de Maryse Condé Moi Tituba, Sorcière Noire de Salem est une oeuvre de fiction historique qui invente une adaptation de la vie de Tituba Indien, une esclave accusée de sortilèges pendant les procès des sorcières de Salem. Les critiques littéraires discutent souvent du roman dans les termes du criticisme postcolonial et féministe. Tituba Indien est, comme le titre suggère, une sorcière, compétente dans les pouvoirs surnaturels lui communiqués par Man Yaya. Même-si Tituba est littéralement sorcière, les capacités magiques de Tituba fonctionnent aussi au niveau symbolique. L'usage de la magie symbolise la façon de laquelle son oppression est …
What Women Know: The Power Of Savoir In Marguerite De Navarre’S Heptaméron, Nora Martin Peterson
What Women Know: The Power Of Savoir In Marguerite De Navarre’S Heptaméron, Nora Martin Peterson
Department of Modern Languages and Literatures: Faculty Publications
The verbs savoir and connaître appear in central moments in the Heptaméron. Knowledge—as it appears in the frame narrative and in the novellas—can be a way for men and women to debate, among many other things, the relationship between the sexes. When women use this word, or when they demonstrate that they know something, it creates the space to participate – not always unambiguously – in otherwise male-dominated conversations. How Marguerite writes about the acquisition, possession, fragmentation, or loss of knowledge, underscores her interest in exploring the role of women in communities of knowledge.