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Articles 1 - 5 of 5
Full-Text Articles in Jewish Studies
Belsen Silence, Monica Gil
Belsen Silence, Monica Gil
Geifman Prize in Holocaust Studies
I often look to text for musical inspiration, and after searching through swaths of Holocaust poetry online, I discovered "Belsen Silence" by Iolo Lewis. Its message is less graphic than some of the other texts I found, but that in no way detracts from its power of emotion. It is about looking back, tending to old wounds that are no longer fresh but are still healing. The Holocaust may have happened over fifty years ago, but it is still relevant, even alarmingly so at times. Today's reflections on yesterday's shortcomings are arguably the only way we learn, and that is …
S.S. Schatten Schmidt, Emma Albers-Lopez
S.S. Schatten Schmidt, Emma Albers-Lopez
Geifman Prize in Holocaust Studies
This poem attempts to display the horrors that prisoners in Auschwitz endured, but also the internal struggles of S.S. guards. It has a large focus on music in the camp.
This poem has a personal connection to my family. My great-grandmother did steal Nazi flags to make clothes for her six children. The seventh child was killed in the way that is explained in the poem. That seventh child is where I received my name "Emma". It was a privilege to honor my namesake through this poem.
To See In Color, Sarah Rebban
To See In Color, Sarah Rebban
Geifman Prize in Holocaust Studies
No abstract provided.
Review Of The Book Harmful And Undesirable: Book Censorship In Nazi Germany, John A. Drobnicki
Review Of The Book Harmful And Undesirable: Book Censorship In Nazi Germany, John A. Drobnicki
Publications and Research
Review of the book Harmful and undesirable: Book censorship in Nazi Germany.
Juristische Und Epische Verfremdung. Fritz Bauers Kritik Am Frankfurter Auschwitz-Prozess (1963–1965) Und Peter Weiss’ Dramatische Prozessbearbeitung Die Ermittlung. Oratorium In 11 Gesängen (1965), Kerstin Steitz
World Languages and Cultures Faculty Publications
Beginning with the influences of Schiller's humanist ideals on Hessian Attorney General Fritz Bauer's expectations of the Frankfurt Auschwitz trial as legal working through of the past, this article compares the Holocaust narrative created by the West German criminal trial to Peter Weiss's reworking of the transcripts Die Ermittlung. Oratorium in 11 Gesangen. The article aims to show that literature is able to convey and commemorate aspects of the Holocaust that German criminal law misrepresents and omits.