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University of Nebraska at Omaha

Articles 1 - 25 of 25

Full-Text Articles in Jewish Studies

Sects, Lies, And Videotape: Debunking Deadly Tropes About Jews And Israel In Tv, Film And Media, Dereck Daschke Jan 2024

Sects, Lies, And Videotape: Debunking Deadly Tropes About Jews And Israel In Tv, Film And Media, Dereck Daschke

Journal of Religion & Film

The "Beyond Film" panel, "Sects, Lies, and Videotape: Debunking deadly tropes about Jews and Israel in TV, film and media" occurred at the 2024 Sundance Film Festival. This is a summary of the presentation.

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Between The Temples, Dereck Daschke Jan 2024

Between The Temples, Dereck Daschke

Journal of Religion & Film

This is a film review of Between the Temples (2024), directed by Nathan Silver.

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Under G-D, Dereck Daschke Feb 2023

Under G-D, Dereck Daschke

Journal of Religion & Film

This is a film review of Under G-d (2022), directed by Paula Eiselt.

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Beyond Film: #Mejew: Antisemitism, Authentic Representation And Jewish Identity In Hollywood, Dereck Daschke Jan 2023

Beyond Film: #Mejew: Antisemitism, Authentic Representation And Jewish Identity In Hollywood, Dereck Daschke

Journal of Religion & Film

This is a report on the Sundance Film Festival panel from the BEYOND FILM program: "#MeJew: Antisemitism, Authentic Representation and Jewish Identity in Hollywood" which occurred in Park City on January 22, 2023.

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The Vigil, Daniel Ross Goodman Apr 2022

The Vigil, Daniel Ross Goodman

Journal of Religion & Film

This is a film review of The Vigil (2021), directed by Keith Thomas.

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Tantura, Sheila J. Nayar Apr 2022

Tantura, Sheila J. Nayar

Journal of Religion & Film

This is a film review of Tantura (2022), directed by Alon Schwarz.

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Where Is Anne Frank, Ken Derry Oct 2021

Where Is Anne Frank, Ken Derry

Journal of Religion & Film

This is a film review of Where Is Anne Frank (2021) directed by Ari Folman.

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Three Minutes: A Lengthening, Sherry Coman Oct 2021

Three Minutes: A Lengthening, Sherry Coman

Journal of Religion & Film

This is a film review of Three Minutes: A Lengthening (2021), directed by Bianca Stigter.

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Silver Screen, Hasidic Jews: The Story Of An Image, Eric Michael Mazur Mar 2021

Silver Screen, Hasidic Jews: The Story Of An Image, Eric Michael Mazur

Journal of Religion & Film

This is a book review of Shaina Hammerman, Silver Screen, Hasidic Jews: The Story of An Image (Indiana University Press, 2018).

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By And For Jewish Women Only: The Musical Film "The Heart That Sings", Celia E. Rothenberg Mar 2021

By And For Jewish Women Only: The Musical Film "The Heart That Sings", Celia E. Rothenberg

Journal of Religion & Film

The musical film, “The Heart that Sings” (2011), written and directed by Robin Saex Garbose, is part of a genre of films created by and for Orthodox Jewish women. Heart provides a case study that illustrates the depth and breadth of Lubavitch Rebbe Menachem Mendel Schneerson’s (1902-1994) influence on Jews and Jewish life well beyond his own community members. Schneerson’s outreach work via his shlichim, or emissaries, to unobservant Jews is well-recognized. The extent and nuance of his influence on a broad cross-section of Jews, however, has yet to be fully traced. Heart tells its viewers that Jewish women …

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Temporal And Topological: Two Ways Of Living Israel/Palestine, Rocco Giansante Oct 2019

Temporal And Topological: Two Ways Of Living Israel/Palestine, Rocco Giansante

Journal of Religion & Film

Elia Suleiman and Amos Gitai are two Israeli filmmakers, Palestinian and Jewish respectively. Gitai’s first film, House (1980), was censored by Israeli Television—the producers of the film—due to its sympathetic portrayal of Palestinians. Elia Suleiman’s debut film, Chronicle of a Disappearance (1996), was criticized at the Carthage Film Festival in Tunisia for a sequence showing an Israeli flag and Suleiman himself was accused of being a Zionist collaborator. By comparing the ways in which these two films deal with the political and social implications of the Israel-Palestine conflict, this article highlights two distinct methods of relating to facts on the …

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Who Is Like God? The Deer Hunter As Angelic Allegory, Nicholas J. Schaser Apr 2019

Who Is Like God? The Deer Hunter As Angelic Allegory, Nicholas J. Schaser

Journal of Religion & Film

Michael Cimino’s The Deer Hunter utilizes Christian contexts and biblical motifs in order to present an allegory in which Michael (Robert De Niro) represents an angelic being. While Michael displays powers that parallel those of biblical angels, his lack of religious reverence and divine self-perception lead to a metaphorical fall in Vietnam. Michael’s friend Nick (Christopher Walken) is also an allegorical symbol for imperiled humanity in need of salvation. When Michael is unable to rescue Nick from a Russian roulette table in Saigon, Cimino’s film emerges as a theological statement about the problem of human violence and the necessity for …

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Abe, John C. Lyden Jan 2019

Abe, John C. Lyden

Journal of Religion & Film

This is a film review of Abe (2019) directed by Fernando Grostein Andrade.

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A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih Dec 2018

A Journey Into The Heart Of God: Darren Aronofsky’S Noah (2014) As A Subversive Kabbalistic Text, Lindsay Macumber, Magi Abdul-Masih

Journal of Religion & Film

The title of this paper reflects our interpretation of this film as a subversive mystical text, from within the Jewish tradition of Kabbalah. This interpretation is itself the product of a long journey of thinking about, and wrestling with this film in various ways. In this paper, we will outline this journey, concentrating on our first impressions of the film, some notable shifts in our thinking on this film that alerted us to the connection between the film and Jewish mysticism, and some concluding remarks about the implications of this reading.

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The Problem With David: Masculinity And Morality In Biblical Cinema, Kevin M. Mcgeough Mar 2018

The Problem With David: Masculinity And Morality In Biblical Cinema, Kevin M. Mcgeough

Journal of Religion & Film

The King David of the Bible, and especially as portrayed in the books of Samuel, is one of the most complex characters in ancient literature. We are told his story from his youth as a shepherd until his death as king of Israel. He kills a mighty warrior with a slingshot, goes to war with his king and later his son, and has an affair that threatens to throw his kingdom into disarray. The stories surrounding David seem perfect for cinematic adaptation yet what makes this character so compelling has been problematic for filmmakers. Here, three types of Biblical filmmaking …

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Interview With Jessie Auritt, Director Of Supergirl, William L. Blizek Jan 2017

Interview With Jessie Auritt, Director Of Supergirl, William L. Blizek

Journal of Religion & Film

This is an interview with Jessie Auritt, the director of Supergirl (2017), conducted by Bill Blizek.

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Supergirl, William L. Blizek Jan 2017

Supergirl, William L. Blizek

Journal of Religion & Film

This is a film review of Supergirl (2017), directed by Jessie Auritt.

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Menashe, John C. Lyden Jan 2017

Menashe, John C. Lyden

Journal of Religion & Film

This is a film review of Menashe (2017), directed by Joshua Weinstein.

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The Crimes Of Love. The (Un)Censored Version Of The Flood Story In Noah (2014), Wojciech Kosior Oct 2016

The Crimes Of Love. The (Un)Censored Version Of The Flood Story In Noah (2014), Wojciech Kosior

Journal of Religion & Film

A swift survey of Noah reviews clearly shows that the audience’s sensitivity was challenged in several regards; Noah was portrayed as a “religious extremist” and “borderline psychopath”, the Creator proved to be a “distant—unaware or uncaring—overseer”, while Aronofsky himself was said to have a “sinister purpose of leading people to believe that Christianity and Judaism are something they are not.” On closer examination, however, the above summarized pleas are not entirely relevant for two basic reasons. First, the movie consists of ideas that have been in use since antiquity, rearranged and composed into a new-old story and all the arguments …

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Risen, Katie Turner Oct 2016

Risen, Katie Turner

Journal of Religion & Film

This is a film review of Risen (2016), directed by Kevin Reynolds.

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The Wolf Of Wall Street, Daniel Ross Goodman Oct 2014

The Wolf Of Wall Street, Daniel Ross Goodman

Journal of Religion & Film

This is a film review of The Wolf of Wall Street (2013), directed by Martin Scorsese.

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Museum Hours, Daniel Ross Goodman Oct 2013

Museum Hours, Daniel Ross Goodman

Journal of Religion & Film

This is a film review of Museum Hours (2013), directed by Jem Cohen.

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Holocaust Cinema, Beth Dotan Apr 2013

Holocaust Cinema, Beth Dotan

Journal of Religion & Film

This is a book review of Historical Dictionary of Holocaust Cinema, by Robert C. Reimer and Carol J. Reimer. (Lanham, Maryland: Scarecrow Press, Inc. 2012), and “Holocaust Movies,” by Guy Matalon, in The Bloomsbury Companion to Religion and Film, edited by William L. Blizek. (London: Bloomsbury Publishing, 2013). Previously published as The Continuum Companion to Religion and Film, 2009.

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The Gatekeepers, William L. Blizek Feb 2013

The Gatekeepers, William L. Blizek

Journal of Religion & Film

This is a film review of The Gatekeepers (2013) directed by Dror Moreh.

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Fill The Void, John C. Lyden Jan 2013

Fill The Void, John C. Lyden

Journal of Religion & Film

This is a film review of Fill the Void (2012) directed by Rama Burshtein.

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