Italian Literature Commons^™

Veni, Pati, Scripsi: The Maghrebi Diaspora In Driss Chraïbi’S Les Boucs And Salah Methnani-Mario Fortunato’S Immigrato, Mohamed Baya

Electronic Thesis and Dissertation Repository

The empire knows how to write back even after it shrinks, but the formerly colonized who move to the metropolis write differently. Two Maghrebi diasporic novelists – Driss Chraïbi, a Moroccan living in France and Salah Methnani, a Tunisian who found shelter in Italy --, scan the territories of their adoptive countries, produce maps of tortured inner experience, and amalgamate the autobiographic with the fictional. They write in the respective languages of their adoptive countries: Chraïbi, at the very beginning of the Maghrebi diasporic literature in France, published Les Boucs in 1955 and Methnani (in collaboration with Mario Fortunato), published …

Embodiment Of Creative Thought And Visual Logic In Bookmaking: An Example Of Intermediality In Word-Picture Adaptation, Diana Bychkova

Electronic Thesis and Dissertation Repository

This interdisciplinary study discusses word-picture translation for book illustrations and brings together visual art, book/illustration history, the materiality of the book, literature, and library science. The focus is on communication between the creator, the work of literary and visual art, and the receiver. Theories that observe verbal-visual relations appear typically disconnected from the practical aspects of bookmaking and publishing. In bridging practice and theory, I have developed my own method of word-picture interpretation that can be applied to any adult fiction text.

The thesis discusses the outside and the inside of illustration-making, presents the methodology and theoretical framework, explores such …

Romance, Politics And Minor Art: A Nomadology Of Inamoramento De Orlando And Star Wars, Andrea Privitera

Electronic Thesis and Dissertation Repository

While existing theories of romance (in particular, those formulated by Northrop Frye and Fredric Jameson) accurately characterize this literary mode as a highly politicized example of art, this thesis contends that the political nature of romance is broader and more complex than discussed so far. In order to offer a new and comprehensive political theory of romance, this work proposes a comparison between two historically and culturally diverse examples of romance, that is Matteo Maria Boiardo’s chivalric poem Inamoramento de Orlando and George Lucas’ space opera film Star Wars. By reading Boiardo and Lucas’ texts via Gilles Deleuze and …

Beyond The Suffering Of Being: Desire In Giacomo Leopardi And Samuel Beckett, Roberta Cauchi-Santoro

Electronic Thesis and Dissertation Repository

In this dissertation, I question critical approaches that argue for Giacomo Leopardi’s and Samuel Beckett’s pessimism and nihilism. Beckett quotes Leopardi when discussing the removal of desire in his monograph Proust, a context that has spurred pessimist and nihilist readings, whether the focus has been on one writer, the other, or both. I argue that the inappropriateness of the pessimist and nihilist label is, on the contrary, specifically exposed through the role of desire in the two thinkers. After tracing the notion of desire as it developed from Leopardi to key twentieth-century thinkers, I illustrate how, in contrast to …

Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera

Modern Languages and Literatures Annual Graduate Conference

In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.