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Articles 1 - 11 of 11
Full-Text Articles in Women's History
Radically Feminist Or Monstrously Feminine?: Witches And Goddesses In Guadagnino's Suspiria (2018), Lindsay Macumber
Radically Feminist Or Monstrously Feminine?: Witches And Goddesses In Guadagnino's Suspiria (2018), Lindsay Macumber
Journal of Religion & Film
Guadagnino’s 2018 remake of Suspiria explicitly and implicitly incorporates two connected myths, witchcraft and goddess centered matriarchal prehistory. The fact that each of these myths have been claimed by feminists in myriad ways may explain Guadagnino’s claim that Suspiria is a great feminist film that escapes the male gaze. In this article, I argue that Guadagnino’s representation of these myths lays bare their misogynistic origins and perpetuates, rather than subverts, patriarchal power structures.
Illuminated Histories, Laura Meader
Illuminated Histories, Laura Meader
Colby Magazine
Artist Maggie Libby ’81 unearths the hidden histories of Colby women with their portraits.
Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart
Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart
Journal of Religion & Film
Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …
Inner Martyrdom: Deconstructing The Sacrificial Female Subject In Post-Soviet Georgia, Gvantsa Gasviani
Inner Martyrdom: Deconstructing The Sacrificial Female Subject In Post-Soviet Georgia, Gvantsa Gasviani
Journal of Feminist Scholarship
This article analyzes the 2017 film, My Happy Family, and how it depicts the archetypical Georgian woman and the sacrifices she is required to make for the family and, by extension, the nation. In doing so, I explore the socio-historical construction of the ideal woman and the ways women resist gendered demands, often through unseen means. Scholars have explored the cultural politics of “postsocialism,” analyzing the “New Woman” archetype in relation to class, sexuality, and labor. Finding that many neglect issues of women’s own socio-psychic negotiation of the postsocialist terrain, I argue that we must investigate more closely the production …
Confronting Student Resistance To Ecofeminism: Three Perspectives, Jennifer Browdy De Hernandez, Holly Kent, Colleen Martell
Confronting Student Resistance To Ecofeminism: Three Perspectives, Jennifer Browdy De Hernandez, Holly Kent, Colleen Martell
The Seneca Falls Dialogues Journal
Teaching ecofeminism is a dynamic, vital practice, demanding a great deal of both educators and students. At the heart of this essay is the question: how can we teach ecofeminism effectively? In this work, we reflect on our successes and failures teaching ecofeminism within various topics and in different settings. While each co-author of this piece brings ecofeminism into our classrooms, we do so in very different ways and have diverse approaches to making ecofeminist theories and ideas feel vital, necessary, and relevant for our students. In our essay, we aim to offer some productive and provocative suggestions and ideas …
Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire
Revising Mary Queen Of Scots: From Protestant Persecution To Patriarchal Struggle, Jennifer M. Desilva, Emily K. Mcguire
Journal of Religion & Film
Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936; Froelich, 1940; Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of female directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice to female/collaborative strength in hardship and a struggle against patriarchal prejudice. …
Consider The Source: The Media’S Coverage Of Female Fbi Agents In The 1970s, Kali Devarennes
Consider The Source: The Media’S Coverage Of Female Fbi Agents In The 1970s, Kali Devarennes
The Forum: Journal of History
This paper explores the representation of female FBI agents in newspapers throughout the 1970s until the early 1990s. While this subject is not widely discussed, due to lack of exposure and research, this paper reveals how crucial these women were during this period as they redefined how society and male FBI agents viewed women in previously male-dominated fields. In 1970, the media responded to these women with a variety of assumptions and stereotypes defining women as sex objects, physically weak, and mentally unable to handle the dangerous work environment. Through examination of scholarly and primary sources, this paper uncovers the …
Film Review: The Impure: An Abolitionist Documentary Film Of The 19th Century Traffic In Jewish Women, Caroline Norma
Film Review: The Impure: An Abolitionist Documentary Film Of The 19th Century Traffic In Jewish Women, Caroline Norma
Dignity: A Journal of Analysis of Exploitation and Violence
No abstract provided.
Book Reviews: Recent Books On Pornography: From Discussions Of Harm To Normalization, Robert Brannon
Book Reviews: Recent Books On Pornography: From Discussions Of Harm To Normalization, Robert Brannon
Dignity: A Journal of Analysis of Exploitation and Violence
Nine books addressing the specific harms linked to adults’ viewing of heterosexual pornography are examined. All were published since 2010, and range from some that are opposed to all pornography, to others that approve of pornography. The books differ considerably in scope, quality, and scientific rigor. Several include discussions of the feminist anti-pornography movement, in the U.S. and worldwide, from 1975 to the present. These accounts range from criticism of the anti-pornography movement to praise and appreciation. This collection of books provides a useful view of the remarkable diversity of thought about all issues connected with pornography’s effects on adult …
She Would Not Be Silenced: Mae West's Struggle Against Censorship, Charlotte N. Toledo
She Would Not Be Silenced: Mae West's Struggle Against Censorship, Charlotte N. Toledo
The Downtown Review
Mae West, an actress during Hollywood's Golden Age, used her fame on stage, in films, and on the radio to offer social commentary on relationships between men and women in society. Her irreverent style of addressing issues of female sexuality and power certainly caught peoples attention and made them think about these issues in new ways. At the same time, her racy delivery made her a target of stage, film, and radio censorship. She refused to be silenced and continually pushed against restrictions to deliver he message of empowerment in her trademark provocative manner.
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Pugnacité Et Pouvoir: La Représentation Des Femmes Dans Les Fi Lms D’Ousmane Sembène, Sheila Petty
Présence Francophone: Revue internationale de langue et de littérature
As a pioneer of African fi lmmaking, Ousmane Sembène has demonstrated a remarkable dedication to exploring the importance of women in African society. From the struggle against colonial oppression by Diouana in La Noire de… (1966) at the beginning of his career, to the character of Kiné and her struggle to build a life for her children in postcolonial Senegal in Faat Kiné (2000), Sembène has portrayed African women as agents of change and courage in their societies. This essay explores women’s representations in two fi lms from Sembène’s oeuvre, including Black Girl (1966) and Faat Kine (2000). Using narrative …