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James Connolly's Bloodstained Vest: Mediating Death And Violence In Commemorative Exhibitions, Siobhan Doyle
James Connolly's Bloodstained Vest: Mediating Death And Violence In Commemorative Exhibitions, Siobhan Doyle
Articles
The actions surrounding the display of images and artefacts in museums – collection, conservation, research and exhibition – are bound up with how the past is presented and remembered. These conditions and decisions relating to exhibitions are largely invisible to viewers who are confronted with the apparent completeness of an exhibition display. By conducting a historical and visual analysis of the bloodstained vest of political leader James Connolly, this article uncovers how this artefact has become a relic of historical violence due to the way in which particular aspects of its configuration, form and trajectory have been manipulated in order …
Avenging Carlota In Africa: Angola And The Memory Of Cuban Slavery, Myra Ann Houser
Avenging Carlota In Africa: Angola And The Memory Of Cuban Slavery, Myra Ann Houser
Articles
Fidel Castro’s meta-narrative of Cuban history emphasizes the struggle – and eventual triumph – of the oppressed over their oppressors. This was epitomized in Nelson Mandela’s 1991 visit to the island, when his host took him to the northwestern city of Matanzas, and the pair gave speeches titled “Look How Far We Slaves Have Come!” The use of Matanzas as a site of public political memory began in 1843, and the memory of slavery soon became a surrogate for Cuba’s flawed liberation movement. One-hundred and fifty years after the execution of Carlota, one of the enslaved leaders of the Triumvirato …