Medieval History Commons^™

Memorializing The Middle Classes In Medieval And Renaissance Europe, Anne C. Leader

Studies in Medieval and Early Modern Culture

Memorializing the Middle Classes in Medieval and Renaissance Europe investigates commemorative practices in Cyprus, Flanders, France, Germany, Italy, Poland, and Spain between the twelfth and seventeenth centuries. Offering a broad overview of memorialization practices across Europe and the Mediterranean, individual chapters examine local customs through particular case studies. These essays explore complementary themes through the lens of commemorative art, including social status; personal and corporate identities; the intersections of mercantile, intellectual, and religious attitudes; upward (and downward) mobility; and the cross-cultural exchange of memorialization strategies.

The Impact Of Latin Culture On Medieval And Early Modern Scottish Writing, Alessandra F. Petrina, Ian M. Johnson

Studies in Medieval and Early Modern Culture

In the late medieval and early modern periods, native tongues and traditions, including those of Scotland, cohabited and competed with latinitas in fascinating and inventive ways. Scottish latinity had its distinctive stamp, most intriguingly so in its effects upon the literary vernacular and on themes of national identity. The present book shows how, when viewed through the prism of its latinity, Scottish textuality was distinctive and fecund. The flowering of Scottish writing owed itself to a subtle combination of literary praxis, the ideal of eloquentia, and ideological deftness. This combination enabled writers to service a burgeoning national literary tradition, and …

Saints And Sainthood Around The Baltic Sea: Identity, Literacy, And Communication In The Middle Ages, Carsten Selch Jensen

Studies in Medieval and Early Modern Culture

This volume addresses the history of saints and sainthood in the Middle Ages in the Baltic Region with a special focus on the cult of saints in Russia, Prussia, Finland, Sweden, Denmark, Estonia, and Latvia (more commonly referred to in the Middle Ages as Livonia). The articles cover a wide range of topics, for example the introduction of foreign (and "old") saints into new regions, the creation of new local cults of saints in newly Christianized regions, the role of the cult of saints in the creation of political and lay identities, the adaption of the cult of saints in …

The Third Gender And Ælfric's Lives Of Saints, Rhonda L. Mcdaniel

Richard Rawlinson Center Series

In The Third Gender, McDaniel addresses the idea of the "third gender" in early hagiography and Latin treatises on virginity and then examines Ælfric's treatment of gender in his translations of Latin monastic Lives for his non-monastic audiences. She first investigates patristic ideas about a "third gender" by describing this concept within the theoretical frameworks of monasticism provided by the four Latin Doctors and illustrated in the early Latin Lives of Roman martyrs, revealing the importance of memory in the construction of the monastic "third gender." In the second section McDaniel turns to creating a historical and theological cultural …

Tmg 4 (2018): Seals--Making And Marking Connections Across The Medieval World, Brigitte Miriam Bedos-Rezak

The Medieval Globe Books

This book is a publication of Arc Humanities Press and is available on ProjectMUSE. After March 31, 2022, this title will no longer be available on ScholarWorks at WMU.

Extensive geographic coverage, including China, South East Asia, Arabia, Sasanian Persia, the Muslim Empire, the Byzantine empire, and Western Europe allows the essays gathered in this volume to offer a well differentiated examination of seals and sealing practices between 400 and 1500 CE. Contributors expose rather than assume the inter-subjective, transnational, and transcultural connectivity at work within the varied processes mediated by seals and sealing – representation, authorization, identification, and …

16, The Nativity, Jereme Shaver

Kerver Book of Hours: 2018 Senior Capstone

In Thielman Kerver’s 1507 Book of Hours, a depiction of the Nativity of Christ is located in the Infancy Cycle within the Hours of the Virgin. Placement of this image in the Hours of the Virgin in the Prime section, which was used during the early morning, included devotion to Psalms 50, 62, and 89, as well as the Nativity scene. This essay discusses the symbolism included in this image in the context of the time of its publication.

11, The Three-Faced Representation Of The Holy Trinity, Zoe Goedecke

Kerver Book of Hours: 2018 Senior Capstone

In the thirteenth century, artists began depicting the Holy Trinity as a single tricephalic figure, likely in an attempt to convey that the Father, the Son, and the Holy Spirit are One. This essay discusses the three-faced image of the Trinity in the Book of Hours and the history of tricephalic imagery in Christian representations, from its early appearances to eventual condemnation by the papacy.

15, The Flight Into Egypt, Jereme Shaver

Kerver Book of Hours: 2018 Senior Capstone

The flight of Holy Family into Egypt and their eventual return was interpreted by the Gospel writer Matthew as the fulfillment the prophecy of Hosea. An image of this biblical event is located on sig. i8 of Thielman Kerver’s 1507 Book of Hours, in the Vespers section, which are the evening prayers at the end of the Hours of the Virgin. This essay discusses the rich symbolism included in this illustration.

14, Arma Christi, Bridget Eide

Kerver Book of Hours: 2018 Senior Capstone

As part of spiritual discipline, daily prayer was a routine practice and was believed to bring the reader closer to God. The Arma Christi and the Instruments of the Passion images found within a medieval book of hours were used for purposes of prayer and reflection. This essay examines the Arma Christi as it is pictured, and duplicated, in Thielman Kerver's 1507 printing.

08, Comparison Of Two Books Of Hours Printed By Thielman Kerver, Chase Shepard

Kerver Book of Hours: 2018 Senior Capstone

Portland State University Library Special Collections and the Mt. Angel Abbey Library both hold copies of books of hours printed by Thielman Kerver in Paris during the 1500s. This essay looks at some of the differences between the two books and the changes they demonstrate in the printer's work and audience.

07, Kerver's Colophon, Quinn Haslett

Kerver Book of Hours: 2018 Senior Capstone

First established at the “the sign of the Unicorn,” Thielman Kerver’s Parisian shop was surrounded by other members of the printing community. The shared use of engravers often led printers to duplicate or share the images they used. The particular marks they developed to distinguish their work took shape as early trademarks that separated one printer’s work from another. This essay examines the symbolism and visual elements incorporated into the unique colophon that identified Kerver's work.

10, Danse Macabre, Stefano Paparo

Kerver Book of Hours: 2018 Senior Capstone

The Danse Macabre (the Dance of Death) is a 15th-century conceit, both pictorial and textual, of the humbling power of death. In the years following the plagues of late 14th-century Europe, it seems almost inevitable that the Danse Macabre would become a popular theme in medieval art. The Danse Macabre in Thielman Kerver’s printed Book of Hours (1507) is depicted in a series of marginal illustrations in which Death, pictured as a decomposing corpse or transi, accompanies 66 “dancers” to the afterlife. Medieval artists and their patrons could subvert attitudes toward certain figures of power by including their images in …

18, Martyrdom Of St. John The Evangelist, David Powers

Kerver Book of Hours: 2018 Senior Capstone

Stories like St. John’s trial in boiling oil, pictured in Kerver's 1507 Book of Hours, were used by the Church to demonstrate the power of faith against threats of pain and death.This essay examines the symbolism in the image of St. John's martyrdom and discusses how narratives of self-sacrifice worked to inspire the spread of Christianity.

05, Kerver's Widow And Female Printers In Sixteenth-Century France, Darrah Culp

Kerver Book of Hours: 2018 Senior Capstone

After the Parisian printer Thielman Kerver died in 1522, his widow Iolande Bonhomme took over his shop at the "Sign of the Unicorn" in the Rue St. Jacques, and in 1526 she produced the first Bible printed by a woman. This essay discusses Bonhomme's assumption of the business and the roles and skills open to the widows of certain tradesmen in medieval France.

02, 16th-Century French-Spanish Book Trade, Henry Tallman

Kerver Book of Hours: 2018 Senior Capstone

While it is impossible to trace the specific journey of the 1507 Kerver Book of Hours, it is consistent with the historical record to conclude that it was produced for an international market, and quite plausibly, specifically for the Catalonian Spanish market. This essay summarizes the development of the book trade between France and Spain by 1600 and the importance of books of hours to that market.

17, The Crucifixion, Shawn Peralta

Kerver Book of Hours: 2018 Senior Capstone

The image of the Crucifixion of Jesus in the Book of Hours provides visual context for remembrance of the Octave of Easter in the liturgical calendar, and it is also the basis for the Passion of Jesus. This essay discusses the Biblical context, characters, and symbols included in the illustration of the Crucifixion in Thielman Kerver's 1507 printing.