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Articles 1 - 4 of 4
Full-Text Articles in Medieval History
The Gaelic Background Of Old English Poetry Before Bede, Colin A. Ireland
The Gaelic Background Of Old English Poetry Before Bede, Colin A. Ireland
Richard Rawlinson Center Series
Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes (“wise ones”) produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide …
Sexual And Erotic Transgression Through Aesthetic History: A Study Of Algernon Charles Swinburne, Ronny F. Ford
Sexual And Erotic Transgression Through Aesthetic History: A Study Of Algernon Charles Swinburne, Ronny F. Ford
Beyond the Margins: A Journal of Graduate Literary Scholarship
This article examines the relationship between Algernon Charles Swinburne’s poetic writing and history, especially in regards to how he explores sexual transgressions. The article begins with how aestheticism works in tangent with history to further these transgressions within a historical context and especially within the realm of Victorian Christianity. Next, Swinburne’s medieval aesthetics in “The Leper” will be analyzed in regards specifically necrophilia and the taking care of a leper, and how the writing of this poem was both a condemnation of Christianity and an accidental upholding of it. The violent homoeroticism and monstrous femininity of “Anactoria” are also looked …
"So Vexed Me The Þouȝtful Maladie": Public Presentation Of The Private Self In Hoccleve's My Compleinte And The Conpleynte Paramont, Lauren M. Silverio
"So Vexed Me The Þouȝtful Maladie": Public Presentation Of The Private Self In Hoccleve's My Compleinte And The Conpleynte Paramont, Lauren M. Silverio
Honors Scholar Theses
The scholarship surrounding the life and work of Thomas Hoccleve is relatively young and lean compared to the tomes of knowledge that have been circulated about the slightly older and vastly more popular Geoffrey Chaucer. Up until the second half of the 20th century, Hoccleve came through history with the unfortunate moniker of the "lesser Chaucer." What this insult neglects, however, is that Hoccleve was more than just a lowly clerk who spent his days admiring and emulating the so-called Father of English Literature. Thomas Hoccleve deserves recognition for conceiving and creating works that are impressive both in their form …
Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites, Shannon K. Wilsey
Interpretations Of Medievalism In The 19th Century: Keats, Tennyson And The Pre-Raphaelites, Shannon K. Wilsey
CMC Senior Theses
This thesis describes how different 19th century poets and artists depicted elements of the medieval in their artwork as a means to contradict the rapid progress and metropolitan build-up of the Industrial Revolution. The poets discussed are John Keats and Alfred, Lord Tennyson; the painters include William Holman Hunt and John William Waterhouse. Examples of the poems and corresponding Pre-Raphaelite depictions include The Eve of Saint Agnes, La Belle Dame Sans Merci and The Lady of Shalott.