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Articles 1 - 5 of 5
Full-Text Articles in Medieval History
"So Vexed Me The Þouȝtful Maladie": Public Presentation Of The Private Self In Hoccleve's My Compleinte And The Conpleynte Paramont, Lauren M. Silverio
"So Vexed Me The Þouȝtful Maladie": Public Presentation Of The Private Self In Hoccleve's My Compleinte And The Conpleynte Paramont, Lauren M. Silverio
Honors Scholar Theses
The scholarship surrounding the life and work of Thomas Hoccleve is relatively young and lean compared to the tomes of knowledge that have been circulated about the slightly older and vastly more popular Geoffrey Chaucer. Up until the second half of the 20th century, Hoccleve came through history with the unfortunate moniker of the "lesser Chaucer." What this insult neglects, however, is that Hoccleve was more than just a lowly clerk who spent his days admiring and emulating the so-called Father of English Literature. Thomas Hoccleve deserves recognition for conceiving and creating works that are impressive both in their form …
The Anti-Crusade Voice Of Chaucer's Canterbury Tales, Malek Jamal Zuraikat
The Anti-Crusade Voice Of Chaucer's Canterbury Tales, Malek Jamal Zuraikat
Graduate Theses and Dissertations
This study reads some Middle English poetry in terms of crusading, and it argues that the most prominent English poets, namely Geoffrey Chaucer, William Langland, and John Gower, were against the later crusades regardless of their target. However, since the anti-crusade voice of Gower and Langland has been discussed by many other scholars, this study focuses on Chaucer's poems and their implicit opposition of crusading. I argue that despite Chaucer's apparent neutrality to crusading as well as other sociopolitical and cultural matters of England, his poetry can hardly be read but as an indirect critique of war in general and …
“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington
“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington
Undergraduate Honors Theses
“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.
Introduction To Innovative Approaches To Teaching Chaucer, Alison (Ganze) Langdon, David Sprunger
Introduction To Innovative Approaches To Teaching Chaucer, Alison (Ganze) Langdon, David Sprunger
English Faculty Publications
Many a medievalist has been seduced by Chaucer. Perhaps it’s the totality of Chaucer’s enduring characters, memorable tales, elusive narrator, and fragmented whole that keeps us coming back. We are fascinated and delighted, too, by his linguistic play and the lyrical cadence of Middle English. Chaucer may have led us to graduate study in the first place and remains a treat that organizes our pedagogical lives. For some who teach in smaller programs or two-year colleges, Chaucer’s canonical status may provide the only guaranteed place for medieval texts in the curriculum and thus represents one small chance to share our …
The Ethics Of Mourning: The Role Of Material Culture And Public Politics In The 'Book Of The Duchess' And The 'Pearl' Poem, Tarren Andrews
The Ethics Of Mourning: The Role Of Material Culture And Public Politics In The 'Book Of The Duchess' And The 'Pearl' Poem, Tarren Andrews
Graduate Student Theses, Dissertations, & Professional Papers
This project is a socio-historic analysis of two late 14th century dream visions: Chaucer’s Book of the Duchess and the Pearl poem. Utilizing Robert Pogue Harrison’s concept of objectifying grief through ritualized communal mourning, this thesis examines the ways in which mourning literature functioned as consolatory device, and a form of public performance for the powerful patrons who commissioned the pieces. By engaging with pre-existing communities of grief, material culture, and courtly discourse these poems perform the work of mourning while simultaneously enacting modes of public performativity that stress the ethics of grieving, and suggest that, for royal patrons, …