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A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti Dec 2009

A Study Of The Social And Political Implication Of Friedrich Schlegel’S ‘Comedy Of Freude’, Manjit Singh Bhatti

Masters Theses

Generally speaking, scholarship in the field of Germanistik has taken an interest in Friedrich Schlegel’s early publication, “Vom aesthetischen Werte der griechischen Komoedie” (1794), either because of its perceived influence on German Romantic Comedy [(Catholy 1982), (Kluge 1980), (Holl 1923), (Japp 1999)], or else because of its relevance as an example of Schlegel's still inchoate aesthetic philosophy [(Dierkes 1980), (Behrens 1984), (Schanze 1966), (Michel 1982), (Dannenberg 1993), (Mennemeier 1971)]. As a theory of comedy in its own right, Schlegel’s essay has garnered little attention, in part because of its supposed inapplicability to comedic praxis and at times utopian implications, in …


James Tyrrell, John Locke, And Robert Filmer: Ideas On Property In Late Seventeenth Century England, Christopher Chatlos Strangeman Jan 1997

James Tyrrell, John Locke, And Robert Filmer: Ideas On Property In Late Seventeenth Century England, Christopher Chatlos Strangeman

Masters Theses

In this thesis, I examine the political theories of Sir Robert Filmer, John Locke, and James Tyrrell and, in turn, compare their respective conceptions of property which are at the foundation of their political theories. This political debate about property must be set amongst the political circumstances of the exclusion crisis. Arising from the Whig-Tory division, which arose in part from the Popish Plot, Filmer, Locke, and Tyrrell reveal the ideas of the parties they represented. Locke and Tyrrell, as Whig representatives, refuted the patriarchal theory of Filmer's Patriarcha, representative of the Tory party. In refuting Filmer, Locke and …