Cultural History Commons^™

No Happy Endings: Anna May Wong’S American Film Roles From 1931-1942, Kayla G. O'Leary

CSB and SJU Distinguished Thesis

In the 1930s and ‘40s, shifting relations with China, Japan, and the United States drastically impacted American public sentiment towards these Asian countries. US films produced during these decades starring Anna May Wong illuminate how harmful stereotypes about Chinese culture and people were portrayed on screen. I analyze five of Wong’s films from this period to examine how the gendered and racial stereotypes within them provide a cultural lens of changing US-Chinese relations. The stereotypical archetypes of her characters, which include the formidable Dragon Lady, helpless American citizen, and Chinese war hero, demonstrate how American perceptions of China and Chinese …

Weaponizing Ballet: An Episode In American Cold War Diplomacy, Remy Laray Naumann

Senior Projects Spring 2022

In October 1962, as American citizens were building bomb shelters in their backyards, the New York City Ballet toured the Soviet Union, receiving raving applause from Soviet audiences. The tour is just one example of the many ballet exchanges in the late 1950s and early 1960s between the United States and the Soviet Union. In these acts of cultural diplomacy, ballet companies became ideological weapons, selling their country's achievements to audiences abroad.

Tours such as the New York City Ballet’s 1962 trip have been acknowledged in analyses on cultural diplomacy between the US and Soviet Union in the Cold War …