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Full-Text Articles in Cultural History

Documenting Internationalism: The Instituto Cubano Del Arte E Industria Cinematográficos As A Cultural Extension Of Cuban Foreign Policy, Vella V. Voynova Dec 2016

Documenting Internationalism: The Instituto Cubano Del Arte E Industria Cinematográficos As A Cultural Extension Of Cuban Foreign Policy, Vella V. Voynova

Theses and Dissertations

This thesis examines the connection between the Instituto Cubano del Arte e Industria Cinematográficos and the Cuban Revolution's internationalism and argues that it made ICAIC documentarians, their methods of production, and their documentary films a valuable asset to Cuban foreign policy in the 1960s and 1970s.


Chinese Cubans: Transnational Origins And Revolutionary Integration, Kevin J. Morris Oct 2016

Chinese Cubans: Transnational Origins And Revolutionary Integration, Kevin J. Morris

Russell Library Undergraduate Research Award

As a transnational group, Chinese Cubans or “colonos asiaticos” existed neither within the black-white racial binary standard in Cuban culture nor within the niche this paradigm provided to "mulatto" Cubans or other “mixed” Cubans of African-descent. While assimilation and various racial re-classifications offered some degree of integration, Chinese Cubans often appeared as wholly foreign to Cuban society until the extensive participation of Chinese Cubans in the Communist Revolution. This paper demonstrates that the extensive participation of Chinese Cubans in the Communist Revolution as well as implemented Revolutionary racial policies finally legitimized and normalized the Cuban peoplehood and nationhood …


To Be Magic: The Art Of Ana Mendieta Through An Ecofeminist Lens, Elizabeth Ann Baker Jan 2016

To Be Magic: The Art Of Ana Mendieta Through An Ecofeminist Lens, Elizabeth Ann Baker

Honors Undergraduate Theses

Ana Mendieta was a Cuban-born American artist whose unique body of work incorporated performance, activism, Earth art, installation, and the Afro-Cuban practices of Santería. She began her career at the University of Iowa, were she initially received her degree in painting in 1969. It was not until 1972 that Mendieta shifted radically to performance art.

Though she was raised Catholic, she developed an interest in the rituals involved with Santería, a culturally predominant Cuban religion, and it deeply influenced her work in her choice of materials and settings. Santería is one of the major faith-based lifestyles of Cuba …