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Cultural History Commons

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Articles 1 - 14 of 14

Full-Text Articles in Cultural History

12/12/1988 Birthday Note, Sumner T. Bernstein Dec 1988

12/12/1988 Birthday Note, Sumner T. Bernstein

Rosalyne S. Bernstein Correspondence

For more information on the Rosalyne S. Bernstein Papers, please visit the finding aid HERE

Brief note from Sumner T. Bernstein to Rosalyne S. Bernstein on the occasion of her birthday.


Our Paper 12/1988, Our Paper Dec 1988

Our Paper 12/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 11/1988, Our Paper Nov 1988

Our Paper 11/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 10/1988, Our Paper Oct 1988

Our Paper 10/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 09/1988, Our Paper Sep 1988

Our Paper 09/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 08/1988, Our Paper Aug 1988

Our Paper 08/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 07/1988, Our Paper Jul 1988

Our Paper 07/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 06/1988, Our Paper Jun 1988

Our Paper 06/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 05/1988, Our Paper May 1988

Our Paper 05/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 04/1988, Our Paper Apr 1988

Our Paper 04/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 03/1988, Our Paper Mar 1988

Our Paper 03/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Our Paper 02/1988, Our Paper Feb 1988

Our Paper 02/1988, Our Paper

Our Paper (1983-1992)

No abstract provided.


Tarquinia Molza (1542-1617): A Case Study Of Women, Music And Society In The Renaissance, Joanne M. Riley Jan 1988

Tarquinia Molza (1542-1617): A Case Study Of Women, Music And Society In The Renaissance, Joanne M. Riley

Joanne M. Riley

Tarquinia Molza (1542-1617), an Italian musician of the late Renaissance, worked at the Este court of Ferrara in the 1580's with several other women collectively referred to at the time as the "concerto delle donne." The vocal virtuosity of this group of women supposedly inspired famous male composers to write madrigals featuring ornamented soprano parts that undermined the equal-voiced madrigal ideal, and paved the way for the concertante principle of the Baroque.

However, contradictions and questions still surround the historical contribution of the "singing Ladies of Ferrara"-- questions that can be satisfyingly answered after examining the roles of both women …


Tower 1988, Une Library Services Westbrook College History Collection Jan 1988

Tower 1988, Une Library Services Westbrook College History Collection

Yearbooks

1988 yearbook of Westbrook College in Portland, Maine.