African History Commons^™

Slaves, Soldiers, Citizens: African American Artifacts Of The Civil War Era, Lauren H. Roedner, Angelo Scarlato, Scott Hancock, Jordan G. Cinderich, Tricia M. Runzel, Avery C. Lentz, Brian D. Johnson, Lincoln M. Fitch, Michele B. Seabrook

Other Exhibits & Events

Based on the exhibit Slaves, Soldiers, Citizens: African American Artifacts of the Civil War Era, this book provides the full experience of the exhibit, which was on display in Special Collections at Musselman Library November 2012- December 2013. It also includes several student essays based on specific artifacts that were part of the exhibit.

Table of Contents:

Introduction Angelo Scarlato, Lauren Roedner ’13 & Scott Hancock

Slave Collars & Runaways: Punishment for Rebellious Slaves Jordan Cinderich ’14

Chancery Sale Poster & Auctioneer’s Coin: The Lucrative Business of Slavery Tricia Runzel ’13

Isaac J. Winters: An African American Soldier from Pennsylvania …

Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power

Student Publications

Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …

Southern Injustice And Radical Discontent: The Black Panther Party In The Post-Civil Rights South, Adam Nolan

History Undergraduate Theses

This paper looks at the efforts, obstacles, and outcomes of attempts to organize Black Panther Party chapters in four southern states – Georgia, Kentucky, Tennessee, and Texas - using a variety of sources, including the The Black Panther and Southern Patriot newspapers. Organized in 1966, the BPP mobilized against police brutality and injustices inflicted upon African Americans throughout American history. While successfully establishing various popular community survival programs to help uplift local communities, the BPP’s revolutionary rhetoric and imagery instantly attracted state-sponsored repression that exacted a heavy toll on the organization on local and national levels.

Tennessee’S Black Postwar Emigration Movements, 1866–1880, Selena Sanderfer

History Faculty Publications

No abstract provided.

Before King Came: The Foundations Of Civil Rights Movement Resistance And St. Augustine, Florida, 1900-1960, James G. Smith

UNF Graduate Theses and Dissertations

In 1964, Dr. Martin Luther King, Jr. called St. Augustine, Florida, the most racist city in America. The resulting demonstrations and violence in the summer of 1964 only confirmed King’s characterization of the city. Yet, St. Augustine’s black history has its origins with the Spanish who founded the city in 1565. With little racial disturbance until the modern civil rights movement, why did St. Augustine erupt in the way it did?

With the beginnings of Jim Crow in Florida around the turn of the century in 1900, St. Augustine’s black community began to resist the growing marginalization of their community. …

Quantitative Literacy And The Humanities, Rachel Chrastil

Faculty Scholarship

No abstract provided.

An Enslaved Landscape: The Virginia Plantation At The End Of The Seventeenth Century, David Arthur Brown

Dissertations, Theses, and Masters Projects

Lewis Burwell II designed Fairfield plantation in Gloucester County to be the most sophisticated and successful architectural and agricultural effort in late seventeenth-century Virginia. He envisioned a physical framework with the intent to control the world around him so that he might profit from growing tobacco, while raising his family's status to the highest in the colony through the display of wealth and knowledge and the enslavement of both Africans and the natural surroundings. The landscape he envisioned contrasted with those of the enslaved Africans he purchased and put to work in the fields and buildings surrounding his '1694 brick …