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Isolation And Companionship: Disability In Australian (Post) Colonial Cinema, Kathleen Ellis
Isolation And Companionship: Disability In Australian (Post) Colonial Cinema, Kathleen Ellis
Wagadu: A Journal of Transnational Women's & Gender Studies
Despite reflecting a postcolonial rethinking of identity throughout the 1990s, disability was positioned as ‘Other’ in Australian national cinema. The intersection between culture, gender, nationality, and disability is evident in films located in traditional colonial spaces (The Well, The Piano). This article concentrates on the fascination 1990s Australian filmmakers had with disabled women; otherwise strong characters who redundantly fulfill cultural expectations of femininity. A disability perspective illustrates the link between disability and sexism in Australian Cinema.
Constructing Indigenousness In The Late Modern World, Robert Cribb, Li Narangoa
Constructing Indigenousness In The Late Modern World, Robert Cribb, Li Narangoa
Robert Cribb
Examines changing meanings of the term 'indigenous" in relation to other ideas that have been valued in various (mainly Western) philosophical system, such as priority, attachment to the land, and technical knowledge.