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Full-Text Articles in History
"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud
"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud
Theses and Dissertations (Comprehensive)
Contributing to the spirited discussion regarding feminist and pro-feminine readings of Middle English hagiography, this dissertation challenges the tradition of grouping accounts of medieval holy women into a single genre that relies on stereotypes of meekness and obedience. I argue that fifteenth-century England saw a pro-feminine literary movement extolling the virtues of women who engaged in what I term “performative self-abjection,” a form of vicious self-renunciation and grotesque asceticism based on Julia Kristeva's model of the abject. The corollary of women's performative self-abjection is ex-gratia spiritual authority, public recognition, and independence, emphasized in the English corpus of fifteenth-century women’s hagiography. …
05, Kerver's Widow And Female Printers In Sixteenth-Century France, Darrah Culp
05, Kerver's Widow And Female Printers In Sixteenth-Century France, Darrah Culp
Kerver Book of Hours: 2018 Senior Capstone
After the Parisian printer Thielman Kerver died in 1522, his widow Iolande Bonhomme took over his shop at the "Sign of the Unicorn" in the Rue St. Jacques, and in 1526 she produced the first Bible printed by a woman. This essay discusses Bonhomme's assumption of the business and the roles and skills open to the widows of certain tradesmen in medieval France.