History Commons^™

The Charge Of Deserting Their Sphere: The Boston Female Anti-Slavery Society And Women’S Place In The Abolitionist Movement, Megan Irene Brady

Graduate Masters Theses

Responding to the all-male American Anti-Slavery Society and inspired by the expansion of women’s benevolent organizations, the Boston Female Anti-Slavery Society (BFAS) was founded in 1833. At the outset, the members defined themselves as pious women dedicated to immediate emancipation, while making no overtures to challenging their place in society. BFAS grew quickly in influence and membership, and helped organize the first national women’s anti-slavery convention in 1837. The convention brought together female abolitionists from all over the United States, some of whom espoused more radical views on women’s rights. This thesis examines how interactions at the national conventions—a network …

Life As The Wife Of Buffalo Bill, Summer Weaver

Student Works

Buffalo Bill was and still is considered a symbol for the American West. His Wild West Show brought the excitement of frontier life to people in the Eastern U.S. and even in Europe. The more subtle frontier story, however, is told by his wife, Louisa Frederici Cody. In her memoir, Memories of Buffalo Bill, Louisa further idealizes her husband by giving an "inside look" at the life of the great American hero. Never mentioning William Cody's two divorce attempts, Louisa maintains a flawless depiction of her husband as they both "worked for tomorrow."

My essay examines the reasons why …

“Your Love Is Too Thick”: An Analysis Of Black Motherhood In Slave Narratives, Neo-Slave Narratives, And Our Contemporary Moment, Kaitlyn M. Spong

University of New Orleans Theses and Dissertations

In this paper, Kait Spong examines alternative practices of mothering that are strategic nature, heavily analyzing Patricia Hill Collins’ concepts of “othermothering” and “preservative love” as applied to Toni Morrison’s 1987 novel, Beloved and Harriet Jacob’s 1861 slave narrative, Incidents in the Life of a Slave Girl. Using literary analysis as a vehicle, Spong then applies these West African notions of motherhood to a modern context by evaluating contemporary social movements such as Black Lives Matter where black mothers have played a prominent role in making public statements against systemic issues such as police brutality, heightened surveillance, and the …

Contact, Christine M. Stevralia

University of New Orleans Theses and Dissertations

A year after Alyssa Milano’s tweet launched the #MeToo movement, survivors of sexual assault are being called ‘accusers’ in the media, and public opinion is swinging in favor of guilty men. #MeToo raised awareness but not understanding. What is rape? What is consent? As evidenced by the #MeToo movement and the backlash against it, clearly, as a society, we don’t know. Contact is a work of Creative Nonfiction that uses scenes and details from the narrator’s personal experiences to illuminate the micro-negotiations that occur in sex and seduction.

In a world where women are still expected to stay small and …

Uncovering The Voices That Have Been Silenced: How The Cherokee Young Women Are Continuing The Traditions Of Their Ancestors Through Literature And Rhetoric, Carly L. Callister

Student Works

When the Cherokee women, back in 1817, first heard the news that they were being stripped of their lands and being forced to journey through the Trail of Tears, they decided to fight for what was right by speaking up and using their voices to be heard around the world. They created petitions and speeches, explaining their love for their people, motherhood, and the land, and how it was “their duty as mothers” to fight for the right to stay in the southeastern part of the United States (Lauter 2399). Though the Cherokee women’s voices were silenced when their petitions …

Representations Of Nineteenth Century Mormonism In A Mormon Maid: A Cinematic Analysis, Elisabeth Weagel

Journal of Religion & Film

During the first quarter of the 20th century there was a trend in Hollywood to make films about Mormons. Practices such as polygamy created just the kind of sensationalism that attracted filmmakers (even Thomas Edison contributed with his 1902 film A Trip to Salt Lake). Many of these were B-pictures, but the 1917 film A Mormon Maid stands out because it was produced by a major production company (Paramount) and was backed by top director Cecil B. DeMille. It is often given passing reference, but very little genuine scholarship has been done on the film. A hundred years …

Degoosh, Milo, May Hohman

Querying the Past: LGBTQ Maine Oral History Project Collection

Milo Degoosh is a 28 year old FTM transgender adult. He works at Bard Coffee Shop in Portland, and competes in National Barista competition. He elaborates on how the Queer community has influenced the Barista competition and how he is a Queer figure in this environment. Milo has two moms and big family, all of which have helped him in his transition. He started hormones in 2015 and has had many changes since, such as mood, attitude, and work ethic. Milo participating in the National Campaign for Marriage Equality by knocking on doors. The necessity and cost for transition …

Beck-Poland, Sherry, Ariana Wenger, Johnna Ossie

Querying the Past: LGBTQ Maine Oral History Project Collection

Sherry Beck-Poland is 64 years old and lives in Lewiston, Maine with their wife Dee, and two sons, Jacob and Joe. Sherry has dedicated much of their life helping others including fostering over ten children, adopting their two sons, working for DHHS with individuals with PTSD, personality disorders, and other disabilities, as well as their involvement with political activism for marriage equality, and their help in organizing pride in Lewiston.

Sherry has attended the University of Southern Maine for their undergraduate degree where they graduated with honors, then attended Seminary where they received their master’s degree in theology. Sherry is …

Responding To Change: Girl Scouts, Race, And The Feminist Movement, Phyllis E. Reske

Theses and Dissertations

The purpose of the Girl Scouts of the United States of America (GSUSA) is to teach girls to be giving, self-sufficient, and independent in their homes and communities through volunteer work and earning merit badges. Open to all girls since its inception, the GSUSA offers Girl Scouts training in both gender-conforming and nontraditional vocations. However, during the first half of the twentieth century, segregation and domesticity was emphasized in American society. The organization began to focus less on careers, independence, and racial inclusion to preparing predominately white girls to be good wives and mothers. As Black Power and women’s liberation …

Fenton-Snell, Butch, Danielle Fraser, Jarod Wescot

Querying the Past: LGBTQ Maine Oral History Project Collection

Butch is 68 years old and was born in Youngstown Ohio, One of 6 children, Moved to Maine in 1980 to be with his husband. Family life was relatively normal for Butch in terms of coming out. However his father was not very emotionally available in general. Butch Knew he was gay from a very young age and did not feel as if he was ever confused about his sexuality. Butch later joined the military and was in the Vietnam War. Continued to move to different states and eventually ended up in Maine later becoming owner of Blackstones in Portland. …

Brushaber, Skip, Jack Barrett, Branden Pratt

Querying the Past: LGBTQ Maine Oral History Project Collection

Skip Brushaber is a 71-year old gay man who uses he/his/him pronouns. Skip worked as a nurse and social worker during the AIDS crisis. He was born in Buffalo, New York, on January 9th, 1947. Skip studied English in college but later became a nurse and social worker. He lived in New York and Pennsylvania before moving to Portland in 1980. He helped found the AIDS Project in 1983, a group in Portland that helped support individuals dealing with AIDS, and founded and wrote for Our Paper throughout the 80s, an LGBTQ paper aimed at covering issues related to queerness …

Kawamoto, Eric, Cosette Holmes, Tiana Cope-Ferland

Querying the Past: LGBTQ Maine Oral History Project Collection

This interview with Eric Kawamoto reveals a journey of self-discovery in Chicago, L.A., Boston, and Portland; an intersection between being Asian American and being queer; and survival of AIDS as a result of reserve. Kawamoto places these personal themes among his account of the LGBTQ+ and Asian American communities’ overarching struggles, like the fight for domestic partnership benefits, representation of Asian American gay men, and spreading awareness about Japanese American internment in California.

Citation

Please cite as: Querying the Past: LGBTQ Maine Oral History Project Collection, Lesbian, Gay, Bisexual, Transgender, and Queer+ Collection, Jean Byers Sampson Center for Diversity in …

Mckenzie, Ellen, Caroline Wheeler, Marwa Ibrahim

Querying the Past: LGBTQ Maine Oral History Project Collection

This interview features Ellen McKenzie, an African-American lesbian woman living in Portland, Maine. Having lived in Portland for almost her entire life, Ellen can provide insight on growing up in one of the only black families in her community, the intersections between race and sexuality, co-parenting children from a spouse’s previous marriage and generally navigating the world and her career as a queer woman of color. Throughout this interview, we hear a lot about her childhood and her family’s history as civil rights activists in Maine, her relationship with her spouse and and co-parenting their children with both her spouse, …

Cusack, Ralph, Hannah Cain

Querying the Past: LGBTQ Maine Oral History Project Collection

Ralph Cusack was born in Maine and has lived most of his life in the state. He is one of the founders of The Harbor Masters of Portland Maine, men’s leather club, and an active member of the leather community and a navy veteran. This interview covers his participation in the Harbor Masters of Portland, Maine, living through the HIV/AIDS epidemic of the 80s, his participation in many years of gay pride events and the march on Washington in 1987, owning the gay bar Blackstones in Portland, ME, and his service in the US Navy.

Citation

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Hopkins, Susan, Ysanne Bethel

Querying the Past: LGBTQ Maine Oral History Project Collection

Susan Hopkins is a 53-year-old member of the LGBTQIA community, living in Westbrook, Maine. Susan grew up with her family on the small island of Vinalhaven in Penobscot Bay, hearing tales of her anti-racist bisexual aunt. A self-identified feminist in her adolescence, Susan recognized that she was not straight early on, but did not feel safe to come out in her small community. Going to the University of Maine, Orono, Susan experienced her first lesbian relationship and taste of chosen family. Eventually, Susan found herself at the Howard University School of Law, where she interned at Whitman Walter Clinic in …

Leveille, Lee, Student Interviewer

Querying the Past: LGBTQ Maine Oral History Project Collection

Lee Leveille is a 30-year-old Californian transplant that grew up in Sumner and Greene, ME. S/he works as an intentional peer support specialist in central Maine and is currently finishing up his/her bachelor’s in Psychology and Community Studies at the University of Maine at Machias. S/he is an active member of his/her local synagogue after beginning the conversion process to Judaism in 2016.

Lee considers him/herself to be a transgender butch, or someone who lives simultaneously as both a butch woman and transman. His/her pronouns are thus conditional in order to provide him/her with the flexibility to adapt to different …

Ward, Jeffrey, Benjamin Cornwall

Querying the Past: LGBTQ Maine Oral History Project Collection

Jeffrey Ward, from Northern Maine, talks about his experience interacting with the Portland LGBTQ community and his experience coming out as a gay man at the age of 47. Some subjects include: his experience with the Casco Gay Men group, Portland Pride Parade, The Front Porch, Blackstones, his involvement in the Methodist Church, his family life, and how he met his partner of 16 years.

Citation

Please cite as: Querying the Past: LGBTQ Maine Oral History Project Collection, Lesbian, Gay, Bisexual, Transgender, and Queer+ Collection, Jean Byers Sampson Center for Diversity in Maine, University of Southern Maine Libraries.

For more …

Elias, Richard, Benjamin Cornwall

Querying the Past: LGBTQ Maine Oral History Project Collection

Richard Elias grew up in Northern Maine and moved to Portland at a young age. In this interview, we discuss: coming out as a gay man, his family life, his experience with Portland gay bars (The Phoenix, Roland’s and Blackstones), some of his travel stories, his love for dancing, and the effect of the AIDS epidemic on his life.

Citation

Please cite as: Querying the Past: LGBTQ Maine Oral History Project Collection, Lesbian, Gay, Bisexual, Transgender, and Queer+ Collection, Jean Byers Sampson Center for Diversity in Maine, University of Southern Maine Libraries.

For more information about the Querying the Past: …

Maceachern, Meredith, Skylar Hebert, Emma Chapin

Querying the Past: LGBTQ Maine Oral History Project Collection

Meredith MacEachern is a 25 year old graduate of Acadia University in Canada, and has completed the Stonecoast MFA program. The only child of two archeologists, Meredith spent her childhood in Canada and South Africa, with most of her middle and high school years in Brunswick, Maine. She is passionate about activism for the indigenous populations of Canada, and uses her voice as a writer to speak about stigma towards psychosis and mental illness. She is hoping to move back to Canada in the next year and act as a supporter of justice for indigenous peoples.

Citation

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Quezada, Alzenira, Wendy Chapkis

Querying the Past: LGBTQ Maine Oral History Project Collection

Alzenira Quezada, also known as Lady Zen, is a queer artist, singer and performer. Quezada was born to Brazillian parents and raised by white adoptive parents who were members of the Church of the Nazarene, a branch of evangelical Christianity. She was cut off by her adoptive parents when she came out at 17. She studied music at Evergreen College in Washington State. She grew up in Arkansas and spent many years in Portland, Maine before moving to Mexico where she currently resides. Quezada owns a production company in Mexico and also works at a queer run bar. Her current …

Hart, Bunny, Johnna Ossie

Querying the Past: LGBTQ Maine Oral History Project Collection

Frederica 'Bunny' Hart was born in 1930. She spent the first nine years of her life living with her grandparents in Boston. Her mother died when she was three. When she was nine her father remarried and the family moved to Newton Center. She graduated from Junior College in 1950 where she studied History and English. From there, she traveled to New York City to look for work. Bunny first started dating women in the 1950s while she was living in New York. She worked as a stage manager in NYC in a time where it was very difficult for …

Poem As Space For Artistic Contestation: Finding Multiple Voices Of Female Writers Through Artistic Vocabularies, Edil Hassan

Independent Study Project (ISP) Collection

This project is a creative piece that consists of ten poems and a critical analysis of artistic vocabularies utilized by women writers: Aicha Bassry, Furugh Farrukhzad, and Fatima Mernissi. I argue that their speaking together, especially through multiple voices, is a political act that can be privileged above normative discussions of art currently. This comes from the common worlds they build in their poetic and scholarly work, which despite differences in voice and vocabulary, centralize women. I define artistic vocabulary in this project as the transformation that takes place when image is translated into word. I explore this idea of …

O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier

Critical Inquiries Into Irish Studies

Martha C. Carpentier is Professor of English at Seton Hall University in New Jersey, where she teaches courses in 20^th-century British and Irish literature. Most recently, she is the editor of Joycean Legacies (Palgrave MacMillan 2015) and author of articles on James Joyce, George Orwell, and Graham Greene that have appeared in Mosaic and Joyce Studies Annual. She is a co-editor of Critical Inquiries Into Irish Studies.

Dawnbreaker Vol 65 No 1 (Fall 2018), Dawnbreaker Staff

Maine Women's Publications - All

No abstract provided.

Ua19/16/1 2018-19 Wku Track & Field Cross Country Record Book, Wku Athletic Media Relations

WKU Archives Records

WKU track and field media guide for 2018-19 season.

Giving The Noose The Slip: An Analysis Of Female Murderers In Oregon, 1854-1950, Jenna Leigh Barganski

Dissertations and Theses

Analyzing the crimes of women murderers and how they fared in the criminal justice system demonstrates that though perceptions of gender evolved, resistance to sentencing women to death often persisted. The nature of homicides committed by women in Oregon set them apart from their male counterparts. Women were, and are, more likely to commit domestic homicides -- murders that involve a family member or partner. These crimes are typically not equated with crimes that warrant capital punishment. As a result, no woman has been subjected to the death penalty in the state.

This thesis analyzes the twenty-five women who were …

The Politics Of Wounds, Jonathan Nash

Electronic Thesis and Dissertation Repository

What configuration of strategies and discourses enable the white male and settler body politic to render itself as simultaneously wounded and invulnerable? I contextualize this question by reading the discursive continuities between Euro-America’s War on Terror post-9/11 and Algeria’s War for Independence. By interrogating political-philosophical responses to September 11, 2001 beside American rhetoric of a wounded nation, I argue that white nationalism, as a mode of settler colonialism, appropriates the discourses of political wounding to imagine and legitimize a narrative of white hurt and white victimhood; in effect, reproducing and hardening the borders of the nation-state. Additionally, by turning to …

Toward Culturally Competent Archival (Re)Description Of Marginalized Histories, Annie Tang, Dorothy Berry, Kelly Bolding, Rachel E. Winston

Library Presentations, Posters, and Audiovisual Materials

Influenced by the radical archives movement, panelists discuss their (re)processing projects for which they wrote or rewrote descriptions in culturally competent approaches. Their case studies include materials regarding underrepresented peoples and historically oppressed groups who are marginalized from or maligned in the archival record. Targeted to processors, this session aims to teach participants to apply their cultural competencies in writing finding aids through an introduction to cultural competency framework, the case study examples, and a short audience-participation exercise.

“María Llena Eres De Gracia” Y Una Desconocida: La Fortaleza Del Espíritu Humano, Yaakov Oliveira

Best Integrated Writing

The compassion for, and understanding of, The Other, without bias, is the most revealing attribute of this paper. Given that immigration, and undocumented people constantly coming to the US, has become a national issue, it is inspiring to see that there still are ways of evaluating the problematic--with objectivity--yet with admiration. This writer is capable of seeing with the inner eyes, perceiving the colloquialisms of the Spanish language, the traits of the culture, and the emotion of both narratives that he is comparing. At the end of the day, film and art remain as the bridge between cultures.

Will To Remember: Counter-Archives In The Work Of Alvarez, Danticat, And Díaz, Megan Elizabeth Feifer

LSU Doctoral Dissertations

This dissertation argues the essays, fiction, non-fiction, and non-profit work of authors Julia Alvarez, Edwidge Danticat, and Junot Díaz produce counter-narratives that when assembled, create a counter-archive of the Rafael Leonidas Trujillo dictatorship and its lasting effects. To support this claim, I analyze the various genres and medias they employ throughout the late 20^thand early 21^st centuries as redressing not only the “official” state history of the dictatorship, but also the overarching construction of history with a capital “H”. Through a close reading of form and the thematic concerns present in their work, I demonstrate how they …