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Visions Of Race And Gender: Press Coverage Of The French Colonial Expositions Of 1922 And 1931, Zachary Morgan
Visions Of Race And Gender: Press Coverage Of The French Colonial Expositions Of 1922 And 1931, Zachary Morgan
Electronic Theses and Dissertations
During the interwar period, France attempted to reinvigorate interest in the empire amongst the public via elaborate colonial expositions. The colonial expositions of Marseille (1922) and Paris (1931) served as a means to celebrate the empire and to educate the French about the benefits of living within Greater France, an entity that included the metropole and the colonies. This thesis examines how press coverage of both expositions worked alongside these events to counteract anxieties regarding France's economic recovery after the war, continuing world presence, demographic losses, and most importantly the relationship between France and its colonies. It explores how the …
Le Temps Des Copains: Youth And The Making Of Modern France In The Era Of Decolonization, 1958-1968, Drew Fedorka
Le Temps Des Copains: Youth And The Making Of Modern France In The Era Of Decolonization, 1958-1968, Drew Fedorka
Electronic Theses and Dissertations
This thesis examines the popular yé-yé phenomenon and its role in articulating a vision of modern France in the aftermath of decolonization. Yé-yé, a teen-oriented and music-based popular culture that flourished from roughly 1962-1966, was in a unique position to define what it meant to be young in 1960s France. I argue that the yé-yé popular culture, through its definition of youth, provided an important cultural channel through which to articulate a modern French identity after the Algerian War (1954-1962). Using a combination of advertisements, articles, and sanitized depictions of teenage pop singers, the yé-yé popular culture constructed an idealized …