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Paris, Bibliotheque Nationale De France, Codex Grec 54: Modus Operandi Of Scribes And Artists In A Palaiologan Gospel Book, Kathleen Maxwell
Paris, Bibliotheque Nationale De France, Codex Grec 54: Modus Operandi Of Scribes And Artists In A Palaiologan Gospel Book, Kathleen Maxwell
Art and Art History
Much can be learned about the working methods of scribes and artists when they leave their product unfinished. This is true of the late thirteenth-century illustrated Gospel book, Paris, Bibliothe`que Nationale de France, cod. gr. 54. It was intended to be a deluxe, bilingual (Greek and Latin) manuscript featuring full-page evangelist portraits and an extensive narrative cycle of some fifty-two miniatures. In the end, only about half of its Latin text and twenty-two narrative miniatures were actually completed. Five other miniatures remain unfinished, and space was reserved in the text for twenty-five additional miniatures that were never even begun. No …
Review Of 1900: Art At The Crossroads, Antoni Pizà
Review Of 1900: Art At The Crossroads, Antoni Pizà
Publications and Research
There is probably little doubt that the fissure between "high" and "low" culture is more conspicuous nowadays than it ever was. Clement Greenberg, that dashing arbiter of contemporary art, had already sensed it in 1939 when he wrote the seminal essay quoted above, as Adorno also perceived it decades before him. Their foreboding premonitions, however, could not hinder the relentless success of popular culture and the retreat of so-called high art into the safe harbors of the university campus, the museum, and the private sphere.