History Commons^™

Love And Romance In Early Modern British Literature, Sophia Szeneitas

Senior Honors Projects

This paper seeks to describe and analyze the way in which themes of love and romance were presented in literature in early modern Britain, and how those may differ from or be similar to romantic themes in the media of today. The works being analyzed include plays by William Shakespeare and Christopher Marlowe, as well as some of Shakespeare’s sonnets. A few different lenses will be explored, including the interaction that love could have with the societal power structure and hierarchy present within the literature (such as the ways in which someone being the lover of a powerful person might …

Homoerotic Medievalism: Looking At Queer Desire In The Homosocial Relationships Of Chaucer’S “The Knight’S Tale” And Fletcher And Shakespeare’S The Two Noble Kinsmen, Juan P. Espinosa

FIU Electronic Theses and Dissertations

The purpose of this thesis is to explore queer interiority within the heteronormative social constructions of late medieval England. Queer interiority is not an occurrence of modernity, but rather a response to social constructions that date back to the Middle Ages. It is essential to account for queerness in the Middle Ages because authors like Chaucer promote the successive resurfacing of queer characters within heteronormative social constructions. Writing during the queer reign of Richard II, Chaucer constructs the interior identities of Palamon and Arcite as a reflection of the king and the political norms of England. Inspired by Chaucer, authors …

Wherein To Catch The Conscience Of The Queen: Dystopian Politics In Elizabethan Drama, Helen Fielding

Senior Honors Theses

Though established English history portrays Elizabeth I (1533-1603) as uniting England under the new Protestant religion, recent historical evidence reveals that extensive counter-currents still existed. This thesis examines how the politico-religious beliefs of Elizabethan and Jacobean playwrights manifest themselves in their drama, particularly through imagery and allusions. It draws especially from Frances Yates to assert that imagery of white magic, Christian Cabala, and alchemy in these dramatists’ works refers to the pure imperial reform movement of Elizabeth’s reign, and also from Clare Asquith to illuminate a reading of Shakespeare as a playwright who encoded in his plays a Catholic message …

In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick

Publications and Research

No abstract provided.

From England's Bridewell To America's Brides: Imprisoned Women, Shakespeare's Measure For Measure, And Empire, Alicia Meyer

Department of English: Dissertations, Theses, and Student Research

This thesis examines the experience of largely single women in London’s house of correction, Bridewell Prison, and argues that Bridewell’s prisoners, and the nature of their crimes, reveal the state’s desire for dependent, sexually controlled, yet ultimately productive women. Scholars have largely neglected the place of early modern women’s imprisonment despite its pervasive presence in the everyday lives of common English women. By examining the historical and cultural implications of early modern women and prison, this thesis contends that women’s prisons were more than simply establishments of punishment and reform. A closer examination of Bridewell’s philosophy and practices shows how …

Reading With The Grain: On Vin Nardizzi’S Wooden Os: Shakespeare’S Theatres And England’S Trees, Steven Swarbrick

Publications and Research

No abstract provided.

Revenge, Guilt, And Greed: Feast Scenes And Political Order In Shakespearian Society, Ashley Vanderweele

Academic Symposium of Undergraduate Scholarship

Feasts are a time of community unity, a time of imposed order even if chaos abounds. Feasts can be for celebratory reasons, they can be of a religious nature, and as Samuel Pepys points out, they can help mend rifts among people at odds with one another. Even when feasts have celebratory or religious purposes, they may also involve political matters. A monarch, for example, may host a feast to celebrate his wedding, but, while celebrating the joyous royal union, the guests are also celebrating the political union of two kingdoms. Many times a king marries to strengthen his kingdom …

Interview With James Myers, March 28 & 31, 2011, James P. Myers Jr., Brad R. Miller

Oral Histories

James Myers was interviewed on March 28 & 31, 2011 by Brad Miller about his childhood, collegiate years and teaching at Gettysburg College. He also discussed Carl Arnold Hanson's presidency, the political unrest during that time, and how the college has changed during his time here.

Length of Interview: 103 minutes

Course Information:

• Course Title: HIST 300: Historical Method
• Academic Term: Spring 2011
• Course Instructor: Dr. Michael Birkner '72

Collection Note: This oral history was selected from the Oral History Collection maintained by Special Collections & College Archives. Transcripts are available for browsing in the Special Collections Reading Room, 4 …

Review Of A Brave Vessel: The True Tale Of The Castaways Who Rescued Jamestown And Inspired Shakespeare's The Tempest, Michael F. Russo

Faculty Publications

No abstract provided.

Rules Of Misrule, Meghan Forgione

Honors Scholar Theses

The project seeks to offer an alternative interpretation of sport culture in Renaissance England with respect to theater and football. I seek to show how sport culture, although seemingly threatening to the state, actually reinforces the monarchy due to its ability to provide the people with a controlled social release. The prose explores the function of carnival in sport culture and the way in which the two are manifested in football and theater in the Renaissance.

Racial Impersonation On The Elizabethan Stage: The Case Of Shakespeare Playing Aaron, Imtiaz Habib

English Faculty Publications

The article focuses on the implications of playwright William Shakespeare performing racial roles himself, such as Aaron in "Titus Andronicus." Several plays are discussed, including "Titus Andronicus," "The Merchant of Venice," and "Othello." The SHAXICON database, which compiles the text of Shakespeare's plays, is the primary source of evidence to suggest Shakespeare acted in his plays. Information about race relations in Great Britain's society during Shakespeare's time is also given.

Taking Liberties, Matt Kozusko

English Faculty Publications

The 'place' scholars have assigned to the stage in early modern London is as much a reflection of the procedures of contemporary literary criticism as a reflection of the cultural function of popular drama in the early modern period. Modern critics are often not engaged in re-examining available data, preferring instead to rest on a conjectural paradigm or heuristic that has hardened, over the past couple of decades, into a New Historicist version of 'fact'. Critics have collapsed boundaries and important distinctions in London jurisdiction and geography in the interest of a unified critical narrative that characterizes the theatre as …

Shakespeare And The Marginalized “Others”, Carole Levin

Department of History: Faculty Publications

When we think of the London and England of Shakespeare and Elizabeth I, traditionally we have assumed a fairly homogeneous society. But more recently scholars have recognized that England, and especially the London of early modern England, was instead a truly heterogeneous place, as was the Edinburgh of early modern Scotland. In early modern British cities, there was a wide range of peoples of different statuses and backgrounds. This chapter discusses the actual lives of those somehow perceived as different, attitudes about them, and how these attitudes were reflected in the drama of the time, especially in the works of …

Menorah Review (No. 3, Spring, 1985)

Menorah Review

Apathy, Anti-Semitism, and Authority -- Shakespeare's Shylock, and Ours -- Varieties of Mysticism -- R.S.V.P. -- The Ethiopian Jewish Community -- Out of the Classroom

Phantastes Chapter 14: Winter's Tale, William Shakespeare

German Romantic and Other Influences

William Shakespeare (1564-1616), The Winter’s Tale, published in 1623 in the First Folio.

Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher

German Romantic and Other Influences

John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.

Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur

German Romantic and Other Influences

Cyril Tourneur (1575-1626) was an English dramatist, a contemporary of Shakespeare; Tourneur was also a soldier and politician. The Revenger’s Tragedy (1607), as its name implies, is a revenge tragedy, and comments on the battle to avenge the destruction by the giants that lead to the brothers’ deaths. Literary critics now believe that the play was written by Thomas Middleton (1580-1627).