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Articles 1 - 12 of 12

Full-Text Articles in History

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis Sep 2017

Their Meister's Voice: Nazi Reception Of Richard Wagner And His Works In The Völkischer Beobachter, David B. Dennis

David B. Dennis

A detailed examination of Richard Wagner's reception in Nazi Germany.


"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis Sep 2017

"The Most German Of All German Operas": Die Meistersinger Through The Lens Of The Third Reich, David B. Dennis

David B. Dennis

A detailed analysis of the reception of Wagner's, Meistersinger, in the Third Reich.


Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis Sep 2017

Michael H. Kater, "Carl Orff Im Dritten Reich," Vierteljahrshefte Für Zeitgeschichte 43, 1 (January 1995): 1-35., David B. Dennis

David B. Dennis

A review of Michael H. Kater's article, "Carl Orff im Dritten Reich." Vierteljahrshefte für Zeitgeschichte 43, 1 (January 1995): 1-35.


In Search Of The Wind-Band (Video Trailer) Book Video Excerpts From Around The Globe, Dan Rager Feb 2016

In Search Of The Wind-Band (Video Trailer) Book Video Excerpts From Around The Globe, Dan Rager

Dan Rager

 “International Instrumental Dissemination” describes instrument types in 16 countries that include Rock & Roll to Sousa and Puccini. This book explores detailed and precise history. The 21 chapters contain hundreds of photos, videos, mp3 and pdf files bringing to life unknown cultures and ensembles from around the globe from which I visited and recorded first hand. The book is designed to take an entire semester to study and explore. I promise you have never heard or seen most of these groups much less the enormous, precise evolution of instruments presented in the book. Where did our modern instruments evolve from? …


The Interaction Of Music And Dance In Africa, Dan Rager Dec 2015

The Interaction Of Music And Dance In Africa, Dan Rager

Dan Rager

This article examines the role of music and dance in African life and how it is intertwined with the culture. The author investigates many styles, elements and ngomas to show how they are used in daily life from the womb to the grave.

Music and other art forms are an inseparable part of African life and are culminated into everyday activities. Instrumental, singing and dance are art forms embedded in the diverse cultures of African peoples and their traditions, beliefs, values, religions and artistic expression.

According to the author, traditional arts practices can contribute to creativity, perception and understanding of …


In Search Of The Wind-Band: An International Expedition, Daniel Rager Jun 2015

In Search Of The Wind-Band: An International Expedition, Daniel Rager

Dan Rager

In Search of the Wind-Band: An International Expedition is a new interactive E-book, exploring 16 countries.

The first-of-a-kind, interactive encyclopedic e-book uses text, video, mp3 and pdf files to bring the history and development of the wind-band to life.

1. Overture: What Constitutes a Wind Band? - 2. Introduction to European History and Development - 3. Historical Homogeneous Wind-Bands - 4. American Wind Music - 5. Denmark Wind Music - 6. Finnish Wind Music - 7. Industry Wind Bands - 8. Ireland Wind Music - 9. Japanese Wind Music - 10. Mexican Wind Music - 11. Native American Indian Wind …


History Of The Blues, Dan Rager Dec 2014

History Of The Blues, Dan Rager

Dan Rager

This all inclusive History of the Blues introduction begins as early as 1400, when the first global trading routes began. Two early maps are enclosed from this period showing the direction and locations from which people, food and supplies were moved.

This research presentation illustrates African tribes such as the Arada, Dahomey and Fulani who sang music in their daily rituals and ceremonies long before they were moved to other continents. Early developmental music elements are introduced including spirituals, worksongs, Scottish ballads, Methodist and Baptist hymns, call and response, guttural effects, interpolated vocality, falsetto and blue notes. All of these …


Johann Sebastian Bach's Wind/Brass Instruments And Scoring Techniques, Daniel Rager Nov 2014

Johann Sebastian Bach's Wind/Brass Instruments And Scoring Techniques, Daniel Rager

Dan Rager

Each time period has its own social, cultural and religious rules from which composers obey. Bach’s sacred and secular works walk a fine line and are hard to distinguish between, but each has been performed throughout the ages in a variety of settings. This paper investigates Bach’s: Ideologies and Scoring which include his petition of August 23, 1730, his Horn (Corno) and its many names and uses. The author details Bach’s trombone (s), how he use them and in what compositions they can be found as well as Bach’s trumpet (s), their various keys and uses including musical excerpts, ornaments …


Postmodern Musicology, Babette Babich Nov 2012

Postmodern Musicology, Babette Babich

Babette Babich

The discipline of musicology is a rather specificially 20th century institution growing out of a disparate range of 19th century studies of music theory, history, composition, etc. The OED edition extant at the time of the writing of this article dates the term musicology itself to 1909 or later. Although there are indeed practitioners throughout the world, most theorists are Anglo-American, with echoes in the French tradition of musicologie and German Musikwissenschaft. As a still-modern project, postmodern musicology derives from a predominantly Austro-German generation of scholars who translated an originally European tradition of analysis (Heinrich Schenker and -- in …


Undergraduate Research Programs And The Academic Library, Nancy Cunningham, Richard Pollenz Ph.D., Drew Smith, Mark I. Greenberg Ph.D. Apr 2012

Undergraduate Research Programs And The Academic Library, Nancy Cunningham, Richard Pollenz Ph.D., Drew Smith, Mark I. Greenberg Ph.D.

Mark I. Greenberg

Undergraduate research (UR) programs attract highly motivated students who often continue on to graduate/professional schools but may lack necessary information literacy skills. Collaboration with UR programs provides librarians new opportunities to help students develop these skills and work with specialized collections in the context of a research experience. In this webinar, librarians and UR administrators share their experiences in forging collaborations based on UR and library training resources, explain how information literacy skills programming has been embedded into UR, and demonstrate how this partnership has led to greater visibility of library services, collections and UR among all undergraduates.


Wrong’S What I Do Best: Hard Country Music And Contemporary Culture: Introduction And Table Of Contents, Barbara Ching Jan 2001

Wrong’S What I Do Best: Hard Country Music And Contemporary Culture: Introduction And Table Of Contents, Barbara Ching

Barbara Ching

This book is about hard country music for two reasons. First, it's impossible to really understand country music, now one of the most popular forms of music in the United States, without recognizing that its "country" is a disputed territory where a mainstream-oriented pop production style reigns over a feisty and less fashionable form-"hard country." Second, hearing hard country music offers an important perspective on the bewildering cultural situation, often called postmodernism, in which we find ourselves. Conversely, once we recognize the postmodern rhetoric of cultural distinction embedded in contemporary hard country, we can hear the music as something more …


Tarquinia Molza (1542-1617): A Case Study Of Women, Music And Society In The Renaissance, Joanne M. Riley Jan 1988

Tarquinia Molza (1542-1617): A Case Study Of Women, Music And Society In The Renaissance, Joanne M. Riley

Joanne M. Riley

Tarquinia Molza (1542-1617), an Italian musician of the late Renaissance, worked at the Este court of Ferrara in the 1580's with several other women collectively referred to at the time as the "concerto delle donne." The vocal virtuosity of this group of women supposedly inspired famous male composers to write madrigals featuring ornamented soprano parts that undermined the equal-voiced madrigal ideal, and paved the way for the concertante principle of the Baroque.

However, contradictions and questions still surround the historical contribution of the "singing Ladies of Ferrara"-- questions that can be satisfyingly answered after examining the roles of both women …