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Writing Centers & The Dark Warehouse University: Generative Ai, Three Human Advantages, Joe Essid Dec 2023

Writing Centers & The Dark Warehouse University: Generative Ai, Three Human Advantages, Joe Essid

Interdisciplinary Journal of Leadership Studies

Institutions are scrambling, at an unaccustomed pace, to adapt to generative artificial intelligence. While justified concerns focus on plagiarism, the nature of student learning, and changes to assignments, recent scholarship has largely ignored the potential for faculty and staff unemployment that may accompany acceptance and deployment of the new technology. As we ponder seismic changes in higher education, one voice should join, indeed lead, campus discussions. Writing center professionals have proven adept at weathering technological changes, budget cuts, administrative big ideas, and professional marginalization for more than half a century. Early on, centers were sometimes dismissed as mere “fix-it shops” …


The Survival Of Manuscripts: Resistance, Adoption, And Adaptation To Gutenberg's Printing Press In Early Modern Europe, Kaitlin Jean Kojali Jul 2023

The Survival Of Manuscripts: Resistance, Adoption, And Adaptation To Gutenberg's Printing Press In Early Modern Europe, Kaitlin Jean Kojali

The Kennesaw Journal of Undergraduate Research

This paper seeks to provide a brief survey of three types of responses to Gutenberg’s moveable type printing press and its effect on early modern Europe: resistance, adoption, and adaptation. Analyzing the respective examples of these three responses to print will help to explain why manuscript production survived in a world that was seemingly dominated by print. Although several different arguments for the survival of the manuscript may be derived from the exhaustive examples of print reactions, the theme of the newfound overabundance of information is the most prominent. This paper opens with an introduction, which is followed by a …


Interview With Danielle Dybbro, Danielle Dybbro Apr 2018

Interview With Danielle Dybbro, Danielle Dybbro

Madison Historical Review

Interview with Danielle Dybbro, Winner of the 2018 James Madison Award for Excellence in Historical Scholarship


Lincoln The Profiler: Combining A Poet’S Voice And A Rhetorician’S Argument To Unite A Nation And Strive For Progress, Maelee Fleming Jan 2017

Lincoln The Profiler: Combining A Poet’S Voice And A Rhetorician’S Argument To Unite A Nation And Strive For Progress, Maelee Fleming

The Student Researcher: A Phi Alpha Theta Publication

“Lincoln acquired his power by exacting obedience from words, and this discipline he acquired in only two ways known to man – by reading and writing,” asserts Jacques Barzun in his Lincoln: the Literary Genius.1 While from humble farming beginnings, President Abraham Lincoln cultivated his writing abilities into a tool for satisfying his ambitions, which far exceeded those of his forefathers, and those ambitions would eventually lead him to the White House. Complimentary to his success was Lincoln’s ability to write in a way that catered to the auditory, as well as the logical, senses, thus producing works that left …


Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.


Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.


We Share Our Matters / Teionkwakhashion Tsi Niionkwariho:Ten: Two Centuries Of Writing And Resistance At Six Nations Of The Grand River By Rick Monture, Eric Russell Feb 2016

We Share Our Matters / Teionkwakhashion Tsi Niionkwariho:Ten: Two Centuries Of Writing And Resistance At Six Nations Of The Grand River By Rick Monture, Eric Russell

The Goose

Review of We Share Our Matters / Teionkwakhashion Tsi Niionkwariho:Ten: Two Centuries of Writing and Resistance at Six Nations of the Grand River by Rick Monture.


La Première Couche D’Encre, Abdourahman Waberi Dec 2015

La Première Couche D’Encre, Abdourahman Waberi

Présence Francophone: Revue internationale de langue et de littérature

The author reexamines his engagement with the Rwandan genocide.


Visualizing Abolition: Two Graphic Novels And A Critical Approach To Mass Incarceration For The Composition Classroom, Michael Sutcliffe Sep 2015

Visualizing Abolition: Two Graphic Novels And A Critical Approach To Mass Incarceration For The Composition Classroom, Michael Sutcliffe

SANE journal: Sequential Art Narrative in Education

This article outlines two graphic novels and an accompanying activity designed to unpack complicated intersections between racism, poverty, and (d)evolving criminal-legal policy. Over 2 million adults are held in U.S. prison facilities, and several million more are under custodial supervision, and it has become clearly unsustainable. In the last decade, there has been a shift in media conversations about criminality, yet only a few suggest decreasing our reliance upon incarceration. In meaningfully different ways, the two novels trace the development of incarceration from its roots in slavery to its contemporary anti-democratic iteration and offer an underpublicized alternative.

Critical and community …


La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga Dec 2014

La Fiction Du Génocide Ou Le Partage Des Émotions, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

The goal of this study is to show that the fiction of genocide aims to share emotions between the narrator and the reader. It is possible to consider the narrator as representing the real reader and not only as the simple recipient written into the text. This is to say that the narrator is a part of the story but is also the reader’s counterpart as the real recipient, because both-- narrator and real reader-- are integrated in the imaginary world of the story. The role of the author is to construct intermediate mechanisms between the reader and the author. …


Visitor's Switzerland In Haiku, Marilyn Driscoll Feb 2011

Visitor's Switzerland In Haiku, Marilyn Driscoll

Swiss American Historical Society Review

During some of her vacation trips, Marilyn Driscoll enjoys writing

Haiku as a way of recording her personal impressions. She shares with

us her "Visitor's Switzerland" that grew out of a brief trip in 2009. Her

other Haiku collections include impressions of Iceland, Ireland, Sicily

and Turkey.


La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal Dec 2009

La Dramatisation De L’Écriture Chez Sony Labou Tansi, Georges Ngal

Présence Francophone: Revue internationale de langue et de littérature

As an author always articulates his writing with idioms that reflect a specific time period and a given social group, Sony Labou Tansi talks about “tropicalité”, and gives himself the goal to create multiple “tropicalités”.


De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol Dec 2009

De La Parole Poétique À La Parole Politique Dans Les Oeuvres Théâtrales D’Aimé Césaire Et De Sony Labou Tansi, Virginie Darriet-Féréol

Présence Francophone: Revue internationale de langue et de littérature

Aimé Césaire and Sony Labou Tansi wished for acting and voicing for their people both on the political and literary level. By choosing the drama, they presented the language. By creating a new language, a new literature, a new artistic aesthetics, consequently a new trend of thinking, their writing served policy.


Architectural Chastity Belts: The Window Motif As Instrument Of Discipline In Italian Fifteenth-Century Conduct Manuals And Art, Jennifer Megan Orendorf Jan 2009

Architectural Chastity Belts: The Window Motif As Instrument Of Discipline In Italian Fifteenth-Century Conduct Manuals And Art, Jennifer Megan Orendorf

Quidditas

Offering advice on a range of topics from the quotidian to the extraordinary, from superstition to scientific, fifteenth-century conduct manuals appealed to readers of all Italian social classes. This essay focuses specifically on manuals which prescribe behaviors for women, and investigates the reception of these precepts and the extent to which these notions informed and transformed women’s lives. Specifically, I examine one piece of advice which recurs throughout instructional literature during this time: the prescribed notion that women should remain far removed from their household windows for the sake of their honor, reputation and chastity. Widely read manuals, such as …


« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi Dec 2007

« La Femme Qui Pleure » : La Nouvelle D’Assia Djebar Et Le Tableau De Picasso, Farah Aïcha Gharbi

Présence Francophone: Revue internationale de langue et de littérature

This article is a study of the dialogue that is maintained between the novel « La femme qui pleure » by Assia Djebar and the Picasso painting that bears the same title. This article also aims to show author’s achievement of the liberation of the feminine subject through an aesthetic means, in other words, through an angle that allows for an encounter between that which has been written and the painting, which combined give the women the right to the word and the image portrayed. The form and the structure that are shared between the novel and the painting appear …


Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda Dec 2007

Le Témoignage Dans L’Oeuvre De Yolande Mukagasana, Théopiste Kabanda

Présence Francophone: Revue internationale de langue et de littérature

this article analyzes the status of testimony in Mukagasana’s La mort ne veut pas de moi and N’aie pas peur de savoir, by bringing out the main narrative strategies allowing to get round the unspeakable. It demonstrates the connection of the testimony, the memory and the history of the genocide in Rwanda as event which marked the humanity in 20th century. This link is studied through the conditions and the postures of testimony, the textual marks of dentification of the addressees and the roles of the testimony.


Le Nouvel « Engagement »? : Rachid Boudjedra Entrehistoire Et Écriture, Hafid Gafaït Jun 2007

Le Nouvel « Engagement »? : Rachid Boudjedra Entrehistoire Et Écriture, Hafid Gafaït

Présence Francophone: Revue internationale de langue et de littérature

According to Charles Bonn and other critics in the 1980’s and 1990’s, North-African literature evolved from a perspective that underlined both the centrality of style, or the writer’s aesthetic standpoint, and the importance of themes, ideas and content, to a production that was dominated by ideology, politics, factual events and testimony. To what extent can this statement be generalized? Does referentiality necessarily exclude literarity? These are questions I will explore on the basis of Rachid Boudjedra’s recent work, which is characterized by an increasingly visible fusion of writing and History. From this, I will consider if what we are witnessing …


Topographie Idéale Pour Une Agression Caractérisée : Roman De L’Émigration, De La Ville Ou De L’Écriture?, Charles Bonn Jun 2007

Topographie Idéale Pour Une Agression Caractérisée : Roman De L’Émigration, De La Ville Ou De L’Écriture?, Charles Bonn

Présence Francophone: Revue internationale de langue et de littérature

Published in 1975 after a wave of anti-Algerian racist attacks in France, this novel is first and foremost a statement of urban space, whose labyrinthian subway lines merge with those of writing, and participate in the drawing of spatiality. But this writing, which disconcerts the documentary expectation of the readers, betrays that expectation : instead of describing the daily life of the emigrant, it seizes his marginalization in order to represent itself, both as a victim who is sacrificed like the hero without name of the novel and as the ridiculous object of a narcissistic and ludic utterance.


De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi Dec 2005

De L’Écriture Romanesque Comme Traversée Et La Maghrébinité, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay explores how some “Maghrebian” novelists represent and problematize their relation to “Maghrebness” or “maghrebinité”. Using postcolonial theory and Réda Bensmaia's Alger ou La maladie de la mémoire, the author shows how problematic the concept of “Maghrebian literature” can be when one considers its transnational and transcultural poetics and its de-territorialization.


La Poétique Transgénérique De L’Oeil Et La Nuit D’Abdellatif Laâbi : Du Théâtral Au Filmique Dans Un Roman-Poème, Lucia Trifu Dec 2005

La Poétique Transgénérique De L’Oeil Et La Nuit D’Abdellatif Laâbi : Du Théâtral Au Filmique Dans Un Roman-Poème, Lucia Trifu

Présence Francophone: Revue internationale de langue et de littérature

The study proposes a re-reading, a new interpretation of the novel-poetry work L’oeil et la nuit by Moroccan writer Abdellatif Laâbi. In this literary text, the borders of writing are dismantled and new affinities are revealed between writing, performance, theatre and film; all of which aim to redefine the postcolonial


L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam Dec 2005

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.


Trop De Soleil Tue L'Amour : Une Expression De L'Écriture Du Mal-Être De Mongo Beti, Rodolphine Sylvie Wamba Dec 2004

Trop De Soleil Tue L'Amour : Une Expression De L'Écriture Du Mal-Être De Mongo Beti, Rodolphine Sylvie Wamba

Présence Francophone: Revue internationale de langue et de littérature

The classical and dissident African writer Mongo Beti perpetually uses the theme of man’s quest for freedom in everything he does. In fact, the philosophy of “Rubénism” is found in each of his works. Given that man must survive in the “ocean of shit” he lives in, the writer, using a popular language, freely chooses to add some humour to everyday life. Thus, the text we studied appeared as a genuine thriller, complete with comedy and tragedy, which presents a deviation from more formal writing. This is the main idea of this analysis, which consists of showing Trop de soleil …


Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua Jun 2003

Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua

Présence Francophone: Revue internationale de langue et de littérature

By engaging his works against apartheid, André Brink chose at the same time to face a double problem of identity: identity of his writing and his personal identity. To the first problem he responds by the relationship with the alter ego (borrowing from others) and to the second by his identification to Africa. His texts, luxuriant in “intertextual relations” but essentially oriented towards Europe, reveals a eurocentric reflex in him that revokes the problem of his personal identity.


Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio Jun 2003

Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

The objectives of self-determination displayed by the Cameroon cultural and political agents look identical. However the present communication, that examines the reception of the works of Mongo Beti and René Philombe in Cameroon and its implications on the relationship between the writers and the dominating political order, reveals that the harmony is only a concealment. In fact, the political order conceives the institution of its own discourse exclusively either in terms of exclusion all nonconformist speech or in terms of its dominance.


Cliffhangers And Extracts From Fact And Fantasy, Dan Hamilton Jan 1997

Cliffhangers And Extracts From Fact And Fantasy, Dan Hamilton

Inklings Forever: Published Colloquium Proceedings 1997-2016

Through the study of original manuscripts one can discover clues as to the writing life of George MacDonald and his work published in serials.

Presented at the 1997 Frances White Ewbank Colloquium.


George Macdonald And Medicine, Darrel Hotmire Jan 1997

George Macdonald And Medicine, Darrel Hotmire

Inklings Forever: Published Colloquium Proceedings 1997-2016

The sick and ailing are often featured as characters throughout George MacDonald’s writings. By examining MacDonald’s life and the history of medicine we can discover some of the influences which shaped his storytelling.

Presented at the 1997 Frances White Ewbank Colloquium.


The Jens Nyholm Papers, William K. Beatty Jan 1985

The Jens Nyholm Papers, William K. Beatty

The Bridge

The Chicago area has benefited from the careers of two Danes who had the same first name but completely different occupations: the one indoors and the other out. Both men were alike in having achieved national reputations in their chosen fields. Jens Nyholm served for 24 years as a university librarian; Jens Jensen devoted many years to working with nature in the designing of private and public landscapes in the Midwest. Northwestern University has enjoyed, and still enjoys, the fruits of the labors of both these men for it was at this institution that Nyholm devoted over two decades of …


Books, Hans Christian Andersen, Joyce Carol Oates, Reviewer Jan 1982

Books, Hans Christian Andersen, Joyce Carol Oates, Reviewer

The Bridge

"I am as water," Hans Christian Andersen wrote in a letter of 1855. "Everything moves me. Everything is reflected in me. I suppose it is part of my writer's nature, and often I have had pleasure and blessing from it, but it is often also a torment."