Open Access. Powered by Scholars. Published by Universities.®

History Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 7 of 7

Full-Text Articles in History

Medieval Realism And Mythopoeia: Philosophy And Literature In Tolkien, Diego Klautau Nov 2021

Medieval Realism And Mythopoeia: Philosophy And Literature In Tolkien, Diego Klautau

Journal of Tolkien Research

This article focuses on the relationship between philosophy and literature in J.R.R. Tolkien’s essay On Fairy-stories. Delivered as a lecture in 1939 and published in 1947, the text presents the author’s conception of the literary genre known as “fairy-stories” and, in this article, I explore the possible philosophical and theological mediations and references in Tolkien’s investigation. The objectives of this article are twofold: to highlight the literary theory proposed by Tolkien as part of the philosophical tradition of medieval realism, with conceptual correspondences in Plato, Aristotle, Augustine, and Thomas Aquinas; and to demonstrate Tolkien’s original contribution to the appreciation …


Guþcwen And Ides Ellenrof – The Old English Warrior Woman As Role Model For Female Characters In Tolkien’S Works, Flora Sophie Lemburg Aug 2021

Guþcwen And Ides Ellenrof – The Old English Warrior Woman As Role Model For Female Characters In Tolkien’S Works, Flora Sophie Lemburg

Journal of Tolkien Research

This paper examines the connection between the motif of the Old English warrior woman and Tolkien’s female characters. It provides a critique of Leslie Donovan’s paper “The valkyrie reflex in J. R. R. Tolkien´s The Lord of the Rings: Galadriel, Shelob, Éowyn and Arwen” and contrasts previous research on Tolkien’s female characters focussed either on gender-studies or on a “Germanic” influence with a more direct and specific connection between Medieval English and his works. The motif of the Old English warrior woman is established by investigating the female characters Judith, Elene, and Juliana from the Old English poems Judith, …


Tolkien And The Zeppelins, Seamus Hamill-Keays Oct 2020

Tolkien And The Zeppelins, Seamus Hamill-Keays

Journal of Tolkien Research

To devotees of Tolkien, the trench fever that led to his repatriation from the Western Front in November 1916, was a fortuitous circumstance that saved an extraordinary intellect from annihilation in the mud and blood of French or Belgian fields. His return is widely seen as an escape to the peace and quiet of treatment and convalescence in England. Yet his posting to Holderness, in April 1917, placed him in the alarms and excursions of another front line.

This article examines the background to Tolkien’s military duties in the East Riding of Yorkshire from April 1917. The night bombing raids …


Tolkien's Work On The Oxford English Dictionary: Some New Evidence From Quotation Slips, Rachel A. Fletcher Sep 2020

Tolkien's Work On The Oxford English Dictionary: Some New Evidence From Quotation Slips, Rachel A. Fletcher

Journal of Tolkien Research

This article presents previously undiscussed material, in the form of citation slips, relating to Tolkien’s work on the Oxford English Dictionary (OED). The separation of these slips from the OED archives means that they have been almost entirely overlooked, and their relevance to Tolkien studies has not been recognised. Nevertheless, they have the potential to be a valuable resource, especially for understanding the specialist skills Tolkien brought to the dictionary as a scholar of Old English. One item is of particular biographical interest, as it suggests that Tolkien was carrying out work for the OED earlier than previously …


‘Written In A Fair Hand’: The Living Tradition Of Medieval Scripts In J.R.R. Tolkien’S Calligraphy, Eduardo B. Kumamoto Sep 2020

‘Written In A Fair Hand’: The Living Tradition Of Medieval Scripts In J.R.R. Tolkien’S Calligraphy, Eduardo B. Kumamoto

Journal of Tolkien Research

This paper examines J.R.R. Tolkien’s calligraphic work in the light of the medieval scripts that possibly or certainly inspired him, aiming to demonstrate how his art was informed by the philological and paleographical dimensions. At first, we explore the context in which Tolkien’s calligraphic skills flourished. After that, the influence of the Anglo-Saxon Square Minuscule, the Insular Half-uncial, and the Uncial scripts is investigated by means of examples taken from Tolkien’s illustrations and manuscripts. The impact of the English Carolingian Minuscule, via Edward Johnston’s Foundational Hand, is also discussed. In the last section, the lettering in the maps prepared for …


Fantasy Incarnate: Of Elves And Men, Simon J. Cook Dr. Mar 2016

Fantasy Incarnate: Of Elves And Men, Simon J. Cook Dr.

Journal of Tolkien Research

This essay proposes the idea of incarnation as a key to unlocking Tolkien’s conception of fantasy as set out in the 'Origins' section of On Fairy Stories. Tolkien's intellectual context is explored and his conception of mythology as a blending of imagination and history examined. The essay also establishes the differences between mortal and Elvish fantasy and argues that Tolkien's Elves engage in a different kind of incarnational art than do mortals. In conclusion it is claimed that in ‘Origins’ Tolkien reworked the speculations of mid-Victorian comparative philology into an aesthetic theory of artistic creation grounded upon the notion …


"Why Is Bilbo Baggins Invisible?: The Hidden War In The Hobbit", Jane Beal Phd Feb 2016

"Why Is Bilbo Baggins Invisible?: The Hidden War In The Hobbit", Jane Beal Phd

Journal of Tolkien Research

Why is Bilbo Baggins invisible? This study suggests that Tolkien’s knowledge of philology, theology, philosophy, literature, history, and his own life experience all contribute to the development of the symbolic, moral, and psychological significance of invisibility in The Hobbit. On one level, Tolkien’s theology is informed by his philology, so that being invisible (or “not able to be seen”) becomes a way of symbolically representing the Augustinian concept of evil as the absence of good in the world. On another level, Tolkien’s use of invisibility in The Hobbit demonstrates his knowledge of the philosophic and literary tradition associated with the …