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A Glance In Their Direction: The New York City Press And Their Coverage Of African Americans During World War Ii, Michael Losasso
A Glance In Their Direction: The New York City Press And Their Coverage Of African Americans During World War Ii, Michael Losasso
Seton Hall University Dissertations and Theses (ETDs)
My thesis examines the New York City press’ interpretation of African Americans and the Civil Rights movement of World War II. I seek to determine in what measure the press reported on African Americans in the military and at home during the war including segregation of the Armed Forces, and the riots of 1943. Through examining the white and black media’s perception of these events I hope to elucidate how the press wrote about the topic of race during the period and if there was any change in their reporting on race due to the war. Although addressed marginally in …
Robber Barons And Humbuggers: The Rise Of Philanthropic Museums In Nineteenth-Century New York, Meaghan O'Connor
Robber Barons And Humbuggers: The Rise Of Philanthropic Museums In Nineteenth-Century New York, Meaghan O'Connor
Seton Hall University Dissertations and Theses (ETDs)
New York City's most recognizable museums like the Metropolitan Museum of Art and the American Museum of Natural History came to prominence in the second half of the nineteenth century thanks to the support of wealthy benefactors. At the same time, social reformers, mostly Protestant and middle or upper-class, were combating the vice and poverty that they saw in the diversifying city with a moralizing rhetoric of character building. This paper will show that these two movements, the rise of Philanthropic Museums and the Social Reform movement were connected and that the large temple-like museums that thrive to this day …
Hot Culture, Cold Halls: Narrating History And Healing At Sites Of Trauma, Emily L. Burde
Hot Culture, Cold Halls: Narrating History And Healing At Sites Of Trauma, Emily L. Burde
Seton Hall University Dissertations and Theses (ETDs)
With the increased threat of geopolitical violence in the 21st century (bioterrorism, nuclear war, government upheaval, and the like), and at a time when most of the world’s citizens are desensitized to extreme forms of violence, it is necessary for museum professionals to undertake the mission of bringing order out of such chaos to educate the public by creating a tangible truth. By “cooling off” the material remains of a mass trauma through processing, registrars begin a chain of events that ultimately allows curators to establish effective visual narratives of the build-up of tensions, the culmination of the events, …