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Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch
Bonding Images: Photography And Film As Acts Of Perpetration, Christophe Busch
Genocide Studies and Prevention: An International Journal
Historical and contemporary cases of collective violence show an incremental use of photography and film to capture and disseminate violent acts. Recording cruelty during conflict seems to be a highly ritualised practice that urges the question what communicative and psychological functions these acts have? Why and how does perpetrator photography shape a binding moral world that divides 'us' versus 'them'? These visualising acts are commonly seen as proof of power that desensitises the perpetrators and dehumanises the victims. This contribution focuses on the imagery of the Holocaust, looks into the functions that capturing and sharing cruelty has on the evolution …
Cockroaches, Cows And "Canines Of The Hebrew Faith": Exploring Animal Imagery In Graphic Novels About Genocide, Deborah Mayersen
Cockroaches, Cows And "Canines Of The Hebrew Faith": Exploring Animal Imagery In Graphic Novels About Genocide, Deborah Mayersen
Genocide Studies and Prevention: An International Journal
Graphic novels about genocide feature a surprisingly rich array of animal imagery. While there has been substantial analysis of the anthropomorphic animals in Maus, the roles and functions of non-anthropomorphised animals have received scant attention. In this article, I conduct a comparative analysis of ten graphic novels about genocide to identify and elucidate the archetypical functions of non-anthropomorphised animals. These animals can play a symbolic role, providing insight into the human condition. More commonly, they provide crucial emotional cues to the reader. Animal imagery can be a powerful technique for creating an affective context, communicating both simple and complex …